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26 of 26 people found the following review helpful:
5.0 out of 5 stars
Makes a great gift ...courage in the face of change, October 11, 2000
This novel was given to me by my younger brother for Christmas 1997. He said he thought it might be interesting for me--I think it is the best gift he's ever given me. I am the eldest daughter of a Chinese family; my own mother came from China and I and my brothers were born here in America. The biography "Bound Feet and Western Dress" serves to further enrich all the stories and experiences that my mother has been telling me about our own family history. For me, the book serves as just one piece to the complex puzzle of what happened to some of the families in China during the first half of the Twentieth Century. The novel's poignant story lets me know that I'm not alone in my mother's methods to raise me as a "good Chinese daughter" -- with her strange proverbs, her continuing treatment of me as second to the males in our family, and her insistence on a daughter's family duty. This book illustrates time after time how the main character, Chang Yu-I, deals with many unforeseen circumstances with strength and dignity -- surviving a short-lived marriage, changing cultural traditions, raising children on one's own, living in a foreign land, dealing with wartime, working hard, fulfilling family duty, and doing what is needs to be done. In this story, I do not believe the main character intends to push through major changes but, rather, she does not cower at what life brings to her. This gives the reader extra courage to know that you can deal with whatever the future holds for you. It made me laugh and cry. I especially love this book because of all the translated Chinese sayings. I saved the Christmas ribbons (which wrapped this gift from my brother) and I use the strips for bookmarks; the book sits cheerfully on my shelf bookmarked in numerous places with bright red and green to bring me straight to the poetic and beautiful sayings. The author was introduced to me last night at a dinner event as "Pang Mei" (prounounced like "Bang Mei") -- I was delighted at her beauty, animated enthusiasm and her down-to-earth approachability. I highly recommend "Bound Feet and Western Dress" for young and old alike. Be prepared for the jumping of the timeframes and the two narrative voices--the story will, nonetheless, enrich your life and hopefully it will help you understand a bit more about some of the Chinese women you may meet. The story is quick to read and would be a good springboard for the discussion of duty and honour, and the ability to change, be responsible, and succeed regardless of gender and class.
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17 of 17 people found the following review helpful:
5.0 out of 5 stars
Top-Hats, Half-Moons, and the Painful Glint of Changes, July 16, 2007
Change can be a frightening affair, and looking back at change can be something that seems almost alien when beheld in the light of certain convictions. That seems to encapsulate the whole of the experience that Chang Yu-I talks about as she tries to explain something of who she is to her granddaughter, Pang-Mei, and it is one of the things that seemed to haunt me as a reader as I listened to Yu-I's tale. The chapters switch from Yu-I to Pang-Mei to give you and idea of how things have changed and to try to identify one person with the other, and I have to say that I found myself glued to the pages and not able to stop reading this book. At first I simply thought it was a story about a granddaughter wanting to explore her grandmother's life because she was the first person to have a Western-style divorce in China, and maybe that was her reason beginning the book. Still, the book goes well beyond that and touches on the dynamics of change and strength and how strong a person can be even when they think they are at their weakest.
Honestly, I thought I could vicariously feel my heart cracking under the weight of some of Yu-I's confessions, amazed by some of the things she was able to tell her granddaughter.
One of the best things about this tale is the detail that Yu-I goes into about China, and about the way things were seen in the past versus the way things became seen as war loomed on the horizon. Yu-I gives a great amount of detail about what it was like to be a child in a country like China, and she vividly recollects what its like to have one's feet bound and the reasons why this practice took place. All that breaking and rebreaking, the tying of the big toe over and over again; when I read this I cringed because it seemed so debilitating just to have a crescent-shape added to the foot. Furthering this are pictures in the book, showing what the feet actually look like when this happens - you can see the shriveled remains of feet that look almost mummified, and you can tell some of the extremes that went into making a foot look like that. Yu-I talks about the pain that's she, herself, experienced because of this practice, too; she tells her granddaughter about being three and having her mother try to bind her feet, and then talks about the torment of those moments and how it was her brother that made her stop this because he couldn't deal with her suffering. Yu-I goes on to tell of the pain that this caused her, too, with her always feeling as if she were ugly because she had "big feet" and "big feet" made a person almost untouchable when it comes to marriage. Still, she does marry the poet Hsu Chi-Mo and, for a time, she thinks this is perfect and learns the rites of being a wife. She cares for the mother-in-law, she takes care of the husband's family; basically she becomes a slave and thinks that this dedication is seem by her husband as love. It is only when she moves to a foreign country with her husband that she finds out what he is like and how she is alone, and when she understands that she is utterly abandoned she explains how it feels to want to die.
There are other painful things in the book, too, things I can't disclose without messing up part of the tale, but I can say that when she is in Germany and loses something more dear to her than anything that this was devastating to read, making the book almost too heavy to pick up because its honesty was like a barb in the soul. I appreciated that, to be honest, and can say that I have read a lot of pieces of literature but that I have rarely encountered a person like Yu-I that both loves the world she lives in, understands the things that she has experienced, and even knows what forgiveness is like.
While this normally would not be something I would recommend, it has my highest recommendation and the most humble form of respect I can give, thinking it an enduring read that really has something to say.
I cannot give the book or the voice behind it enough praise.
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17 of 18 people found the following review helpful:
4.0 out of 5 stars
A Filial Memoir, June 19, 2005
From what I've read about Chinese culture, the ties that bind a family together are one of its strongest and most enforced traditions. "Bound Feet and Western Dress" is an interesting memoir for the fact that it does not read like a memoir at all. It is the story of a great-aunt told to her great-niece, who mixes in her own observations about her aunt's life and her experience as a Chinese-American among her narrative.
"Bound Feet and Western Dress" tells the story of the author's great-aunt, Chang Yu-i. Born in 1900, Yu-i was the first woman in her family to refuse to have her feet bound. Despite being modern in this aspect, she is stunted and traditional in her upbringing, her education, and the way she acts in her first marriage. She is famous for having perhaps the first "modern" divorce in China and is determined to make it on her own from that point on. No one in her family truly knows her story until her great-niece asks her to tell it.
What passes between the two of them may not be a ground-breaking, fascinating story but is rather a quiet reflection on growing up in a changing time. Yu-i struggles through a great majority of her life to be both modern and traditional, to do what is 'right and expected' and to do what she wanted to do. She is an inspiration to her great-niece, a first generation Chinese-American who feels at home with neither nationality. The intersections of the author's remembrances of past encumbrances fit nicely with Yu-i's struggle to bridge the past with the new. "Bound Feet and Western Dress" offers a poignant look at the role that women have played in China and how they are defining themselves today.
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