From School Library Journal
Grade 9 Up–Pickpocket Mollie Flynn and prostitute Annabelle Lee are struggling to survive in New York City in the late 1880s, where they witness the unforgiving sights and smells of the tenements. The story opens as Annabelle is released from jail, and Mollie finds out that her friend is pregnant. The babys father is only interested in how much money Annabelle can earn for him. When the girls meet Miss DuPre, who runs a settlement house, she gives them a chance to be educated and learn a trade. Their lives slowly change but when the well-intentioned woman informs Annabelle that there is a family interested in adopting her baby, the two friends vehemently reject the idea and return to the streets. The harsh language and dialect are contextually appropriate, and the young womens desire for a better life but inability to achieve it comes through clearly. The story explores the lack of opportunities available to women in the 19th century while describing the start of social programs to teach skills that would enable disadvantaged individuals to provide for themselves and their families.
–Kelly Czarnecki, Public Library of Charlotte & Mecklenburg, NC Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Gr. 8-11. Gang violence, raucous carousing, sex, accidental pregnancy, and crime--not what most teens will expect from Victorian-era historical fiction. But that's exactly what they'll find in this tightly plotted novel about the bond between a pickpocket and prostitute in the notorious Bowery District of late-nineteenth-century Manhattan, the same area immortalized in Herbert Asbury's 1927
Gangs of New York (perhaps better known to teens from the 2002 movie). Sixteen-year-old foundling Mollie Flynn dreams of starting fresh across the just-built Brooklyn Bridge, and she counts on her own stealing, and her roommate Annabelle's whoring, to finance their move. But when Annabelle gets pregnant and begins attending self-improvement classes at a settlement house, Mollie reluctantly joins her, yet both remain unable to extricate themselves completely from their gritty past lives. Though a melodramatic conclusion hammers too intently on themes of redemption, elsewhere Taylor allows her characters to behave mostly unhampered by an agenda; indeed, readers are likely to feel more in common with these streetwise girls than the incongruously romantic, soft-focus cover image may suggest.
Jennifer MattsonCopyright © American Library Association. All rights reserved