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Bowie: A Biography [Hardcover]

Marc Spitz (Author)
3.6 out of 5 stars  See all reviews (19 customer reviews)

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Book Description

October 27, 2009
Finally an expansive biography of one of the twentieth century’s greatest music and cultural icons

From noted author and rock ’n’ roll journalist Marc Spitz comes a major David Bowie biography to rival any other. Following Bowie’s life from his start as David Jones, an R & B—loving kid from Bromley, England, to his rise to rock ’n’ roll aristocracy as David Bowie, Bowie recounts his career but also reveals how much his music has influenced other musicians and forever changed the landscape of the modern era. Along the way, Spitz reflects on how growing up with Bowie as his soundtrack and how writing this definitive book on Bowie influenced him in ways he never expected, adding a personal dimension that Bowie fans and those passionate about art and culture will connect with and that no other bio on the artist offers.

Bowie takes an in-depth look at the culture of postwar England in which Bowie grew up, the mod and hippie scenes of swinging London in the sixties, the sex and drug-fueled glitter scene of the early seventies when Bowie’s alter-ego Ziggy Stardust was born, his rise to global stardom in the eighties and his subsequent status as an elder statesman of alternative culture. Spitz puts each incarnation of Bowie into the context of its era, creating a cultural time line that is intriguing both for its historical significance as well as for its delineation of this rock ’n’ roll legend, the first musician to evolve a coherent vision after the death of the sixties dream.

Amid the sex, drugs and rock ’n’ roll mayhem, a deeper portrait of the artist emerges. Bowie’s early struggles to go from follower to leader, his tricky relationship with art and commerce and Buddhism and the occult, his complicated family life, his open romantic relationship and, finally, his perceived disavowal of all that made him a touchstone for outcasts are all thoughtfully explored. A fresh evaluation of his recorded work, as well as his film, stage and video performances, is included as well.

Based on a hundred original interviews with those who knew him best and those familiar with his work, including ex-wife Angie Bowie, former Bowie manager Kenneth Pitt, Siouxsie Sioux, Camille Paglia, Dick Cavett, Todd Haynes, Ricky Gervais and Peter Frampton, Bowie gives us not only a portrait of one of the most important artists in the last century, but also an honest examination of a truly revolutionary artist and the unique impact he’s had across generations.

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Editorial Reviews

From Publishers Weekly

Despite the plethora of existing books about the British glam rocker (e.g., David Buckley's Strange Fascination), Spitz, formerly of Spin magazine and the author of a look at the punk band Green Day (Nobody Likes You), concentrates on the complex evolution of Bowie's music to deliver an evenhanded, critically thorough, while still reverential life of the Thin White Duke. Born David Jones in the Brixton suburbs of London in 1947, Bowie treaded the musical edges from blues to mod to rock-and-roll, moving from band to band in his teens and trying out different personas. Assuming the name of an American frontiersman who died at the Alamo, Bowie took his cues from influences as diverse as Bob Dylan, the Velvet Underground, and Marcel Marceau, playing with mime, theater, fashion and sheer showmanship. In the beginning, record companies didn't know how to classify him, with albums like Space Oddity, The Man Who Sold the World and Hunky Dory; it was The Rise and Fall of Ziggy Stardust and Spiders from Mars, depicting Bowie's red-haired rooster haircut and bisexual persona, that sparked the public's fancy. Phenomenal success ensued, and even in his most cocaine-fueled paranoid period during the mid-1970s, Bowie never stopped changing himself, constantly experimenting with new forms, be they Kabuki, disco, New Wave, punk or Brit pop. Spitz concentrates on the heady years culminating in Scary Monsters and underscores the deafening void that Bowie's recent silence has left in the music world. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

BOWIE is inspired, edge-worn, loud, quiet, observant, humble, gorgeous, and humane. If the record business loved music as much as Marc Spitz does, there would still be a record business.” —Dan Kennedy, author of Rock On: An Office Power Ballad

“A breezy, well-lit portrait of the ever-enigmatic rocker . . . Spitz’s encyclopedic knowledge and obvious appreciation for Bowie’s work separate this book from countless cookie-cutter rock stories.”
Kirkus Reviews
 
“Spitz concentrates on the complex evolution of Bowie’s music to deliver an evenhanded, critically thorough, while still reverential, life of the Thin White Duke.” —Publishers Weekly
 

Product Details

  • Hardcover: 448 pages
  • Publisher: Crown Archetype; 1 edition (October 27, 2009)
  • Language: English
  • ISBN-10: 0307393968
  • ISBN-13: 978-0307393968
  • Product Dimensions: 6.4 x 1.5 x 9.6 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (19 customer reviews)
  • Amazon Best Sellers Rank: #212,509 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
3.6 out of 5 stars (19 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

12 of 12 people found the following review helpful:
5.0 out of 5 stars Non-traditional but expansive and illuminating bio, November 17, 2009
This review is from: Bowie: A Biography (Hardcover)
I think there is more than enough heretofore uncovered biographical material in BOWIE to call it one of the best modern rock books of the decade. It's not your standard linear bio and for good reason. One of the strongest sections covers the silence of Bowie over the last few years. It's an unusual way for an author to approach his subject, but I think Spitz has some very intelligent things to say about this silence and the most serious of Bowie fans will find a lot of new ideas here.
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10 of 10 people found the following review helpful:
5.0 out of 5 stars Finally! A Biographer Without an Axe to Grind..., December 18, 2009
This review is from: Bowie: A Biography (Hardcover)
An thoroughly researched and refreshingly even-handed treatment of the subject matter. Most other Bowie biographies resort to sensationalism or come across as half-baked indictment's from begrudged hangers-on or jilted ex-collaborators (see Edwards' and Zenetta's "Startdust" or the absolutely horrid "Backstage Passes" by Angela Bowie). While this book quotes from these two dubious sources (amongst many others), it does so only in good taste and with objectivity rarely found in the source material. This is the only fault I could find in this otherwise outstanding book. Importantly, full historical vignettes accompany the introduction of each important collaborator (Pitt, Ronson, Alomar, Garson, Visconti, Eno, Pop, Kemp, Bolan - the list goes on.) Buy this along with Thomas Seabrook's "Bowie in Berlin: A New Career In A New Town" and you can't go wrong. Very highly recommended.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Thoroughly Enjoyable, November 24, 2009
This review is from: Bowie: A Biography (Hardcover)
This is a very good book. It may not be the best as your First Bowie Book, but it is a wonderful piece of musical literary journalism in its own right. It is written with tact, respect, and sincere love for the subject, which is David Bowie's music, first and foremost. As far as the curious anecdotes about Mr. Jones himself, as well as sexy gossip and other juicy bits - this is probably not the venue, although it's hard to avoid (to this reader's great delight). I believe it was the author's choice to write a philosophical piece concerning the nature of creativity, using the beloved icon as a shining example. Personally, I would appreciate more photos, but, again, I didn't buy this book for illustrations.
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