Boy [Original recording remastered, Deluxe Edition]

U2 | Format: Audio CD

Product Details

• Audio CD (July 22, 2008)
• Original Release Date: July 22, 2008
• Number of Discs: 2
• Format: Original recording remastered, Deluxe Edition
• Label: Island
• ASIN: B0013LPS7U
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (124 customer reviews)
• Amazon Best Sellers Rank: #8,543 in Music (See Top 100 in Music)
  • #55 in Music > Alternative Rock > New Wave & Post-Punk > Post-Punk
  • #77 in Music > Alternative Rock > Hardcore & Punk > General AAS

Track Listings

Disc: 1

1. I Will Follow

2. Twilight

3. An Cat Dubh

4. Into The Heart

5. Out Of Control

6. Stories For Boys

7. The Ocean

8. A Day Without Me

9. Another Time, Another Place

10. The Electric Co.

See all 11 tracks on this disc

Disc: 2

1. I Will Follow (Previously Unreleased Mix)

2. 11 O'Clock Tick Tock

3. Touch

4. Speed Of Life (Previously Unreleased Track)

5. Saturday Night (Previously Unreleased Track)

6. Things To Make And Do

7. Out Of Control

8. Boy-Girl

9. Stories For Boys

10. Another Day

See all 14 tracks on this disc

Editorial Reviews

Amazon.com

There's little in U2's 1980 debut to suggest that this was a band bent on world domination. Indeed, there's a charming, if naive, coming-of-age urgency in songs such as "I Will Follow," "Stories for Boys" and "Out of Control" that may startle listeners more familiar with U2's latter-day bombast and stadium-scale theatrics. Bono's viewpoint, still tantalizingly vague and wide-eyed, showed that his penchant for strident polemics hadn't yet gotten the best of him; his anthems are those of a yearning Dubliner barely out of his teens rather than those of a world-weary multimillionaire. The band's sometimes-ragged musical chops work in its favor here, gently burnished to then-fresh new-wave sheen by producer Steve Lillywhite. If the Edge's dense, effects-laden guitar work seems overly familiar, it's only because this album was such a key influence on the whole "rock of the '80s" sound. Though not quite as moody or musically accomplished as October, arguably the band's first masterpiece, Boy still ranks as one of U2's best albums. --Jerry McCulley

Product Description

A standard CD and a bonus CD. Bonus CD includes b-sides, live tracks and rarities. Also includes a 32 page booklet with previously unseen photos, full lyrics, new liner notes by Paul Morley, and explanatory notes on the bonus material by The Edge.

Customer Reviews

Most Helpful Customer Reviews

34 of 35 people found the following review helpful:

5.0 out of 5 stars IT'S ABOUT TIME!, July 23, 2008

By 

Johnny Boy "The Record Collector" (Hockessin, DE) - See all my reviews

Amazon Verified Purchase

This review is from: Boy (Audio CD)

Although U2's real debut came in early 1979 with 'Three' the band broke onto the scene with 'Boy,' from 1980. They had recently been signed to major label Island Records, which was home to bands like Bob Marley & The Wailers in the '70s. 'Three' was released on CBS.

But anyway, this is where it all started. Right here. 'Boy,' their major label debut, gave them their first hit, 'I Will Follow' and contained such fan favorites like the eight minute 'An Cat Dubh/Into The Heart,' one of my personal favorites 'Shadows and Tall Trees' and the early-U2 concert classic 'Twilight.'

The bonus disc is where things get interesting. If you are a casual U2 fan, just buy the standard edition of 'Boy.' However, if you are a lifelong, die-hard U2 fan like I am, than this is a real treat!

The original version of '11 O'Clock Tick Tock' should have made the original cut. I don't understand why it didn't. This song is a great one, and while many people know it from 'Under A Blood Red Sky,' I prefer the studio version. (Note: For those who haven't heard the studio version, you are in for a real treat!)

The previously unreleased tracks 'Speed of Life' and 'Saturday Night' have a more punk rock sound. Clearly influenced by bands like The Clash and The Jam, these songs proves U2 can make great punk.

And finally, 'Three' is available on CD! This is what I've been waiting for for years! This is the real highlight of the disc! 'Boy/Girl' is a classic, and another really good punk rocker. The live version from London in early 1980 that is also featured here is superb as well. And what a treat it is to hear the original 'Out of Control' and 'Stories for Boys'! The songs have a much more punk rock sound here than they do in their 'Boy' album versions.

The final two unreleased tracks that are featured here is a rare, previously unreleased live version of '11 O'Clock Tick Tock' from London in early 1980, and 'Cartoon World' a non-album track that was recorded live in Dublin. Both are really cool.

'Another Day' was released as a single in mid-1979 on CBS Records. This song is a classic. Any U2 fan, whether casual or die-hard like myself, needs to hear this song. It is, without a doubt, one of my personal favorite U2 songs. Another really great one is the instrumental 'Things to Make and Do.' I own a rare live bootleg from Boston in 1981 where that song is performed. Although this version is great, I have to say, I prefer the live Boston version instead.

'Touch,' from late '79, is another one of my personal favorites. The lyrics are great, Bono's voice and The Edge's guitar is great, especially the opening riff.

Overall, the deluxe edition of 'Boy' is the version that you need to own. Everything is digitally remastered, so the sound quality is awesome, and the bonus tracks make it really worthwhile.

This edition of 'Boy' is highly recommended for any U2 fan that wants to hear early U2 at their finest. You won't regret this purchase.

ENJOY!!!

16 of 17 people found the following review helpful:

4.0 out of 5 stars Boy meets man, September 28, 2005

By 

Evil Lincoln (Dayton, Ohio) - See all my reviews

This review is from: Boy (Audio CD)

For those familiar with U2 only as the larger-than-life superstars responsible for socially conscious anthems such as "Where the Streets Have No Name," "One," and "Beautiful Day," their debut album Boy should surprise. It's their most rocking album (their latest, How to Dismantle an Atomic Bomb, is really pretty timid), their most apolitical, and their most energetic. The young U2's energy, enthusiasm, and ear for a good song more than make up for any lack of musical refinement (The Edge in particular seems to be having a whole lot of fun on the guitar, while never getting too technical). This is their best album of the `80's (along with 1983's War, but that's another review), besting even The Joshua Tree in terms of strength and consistency.

Boy's most recognizable song, "I Will Follow," begins the album. If there were one song to define U2's energy and optimism at this point in their careers, this is it. "Twilight" includes one of The Edge's best guitar solos ever; it's so simple yet so evocative of the pensive mood of the song. "An Cat Dubh" is the album's high point. It's a very dark song, with a fantastic instrumental finale (that also serves as the beginning of "Into the Heart"). Adam Clayton's bass and Larry Mullen Jr's percussion really shine here.

Other highlights include "Stories for Boys" and "Out of Control" (U2's first single), two great hard rockers. "The Electric Co." is a great jam piece, and "The Ocean" provides a nice, calm change of pace.

What might be the most valuable thing about Boy is it's picture of U2 as a very young band, free of any spotlight, making energetic, earnest music. This is essential for any rock music collection.

13 of 14 people found the following review helpful:

5.0 out of 5 stars Mrs. Brown's Washing - The Same But Different, July 27, 2008

By 

Pax (Greensboro, North Carolina United States) - See all my reviews

This review is from: Boy (Audio CD)

The remastered version of Boy is really incredible and very worthy of the purchase. The old cd versions that have represented the U2 catalog for so many years have really done a disservice to their early material. These new remastered versions really bring back the potency of the music and give the music a vibrancy it hasn't had for way too many years. So many lesser bands have remastered their entire catalog years ago. I wonder what has kept U2 from doing so? It kind of reminds me of the Beatles, where they really seem to want to control what happens to their music. Who knows?

One decision I do applaud is keeping the extra material on separate cd's (Deluxe Version). I have always felt that when bands tag on singles, rarities etc. on the back of the original LP when they re-release an album that it muddies the waters and dilutes the orginal work. I think U2 did the right thing by keeping the original work intact by offering different versions of the remastering, each with the original work intact.

Either way, I have waited a long time to see U2 finally remaster their early albums and I am very satisfied with the results. While its hard to describe, the remaster is so much more immediate, with full bass, and Bono's voice is really much more complex & three dimensional on this version. It adds so much to the music and makes one realize all over again why this album is so great. The remaster is so good(yet unobtrusive)that it has brought back memories for me from when I first listened to it back in 80-81, similar to a specific smell that jars a memory.

I believe that Boy is so good for such a variety of reasons that it has never really been as appreciated as it should be. The sheer audacity of it's sonic & thematic scope from such "youngsters" is sort of hard to comprehend. An album about coming of age that doesn't involve cars, drugs, & women but actual serious internal reflection and darker moments? The sound this album creates was (and is) so different that it creates a whole mood and "world" for its theme, providing the extra ingredient to make this something more than just a great rock n' roll album. No matter how great the Beatles were, or the Rolling Stones for example, they were always working from a known palette, reworking the colors and the arrangements into interesting & pleasing arrangemnts. On Boy, U2 seems to be doing nothing less then creating whole new sounds, evoking new landscapes for the expression of emotion and feelings as of yet unheard in "Rock n Roll". While AC/DC were singing about Dirty Deeds and even the Ramones singing about Beating on the Brat, U2 were singing about the grey edges between boyhood and manhood, the uncertainty of experience, the tension in adolescence, reflections on ego, even the simple joys of late childhood, in a unique manner that actually gave musical expression to these very same concepts.

While U2 ultimately "conquered" the music world, I would say one would be hard pressed to listen to Boy and truthfully say that from that listening they could tell that U2 would go on to sell millions of records. Boy is not really very "commercial" in any way, not like the Police or really any other band that made it big, or has since (Even newer, "hip" bands like the Arctic Monkeys have a more commercial edge to their sound). Just one more reason to see U2 as an exception....and exceptional.