Revisiting the South Africa of the mid 20th century, the author of "In the Heart of the Country" writes about his childhood and interior life. This is the first volume of his memoirs.
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Most Helpful Customer Reviews
8 of 8 people found the following review helpful:
5.0 out of 5 stars
An unsentimental childhood,
This review is from: Boyhood: Scenes From Provincial Life (Paperback)
Having grown up in Cape Town in the 1960's at a time before apartheid was rigorously enforced, JM Coetzee's account of his boyhood, while on the surface austere and aparently joyless, was pure pleasure for me to read. I revelled in the absolute accuracy of his descriptions and the ruthless, heartless honesty of a child who must function in a world that is often alien and confusing. It brought back numerous incidents of my own childhood - the stuff that nowadays is unacceptable to disclose. Along with Tobias Wolf's This Boys Life and Truffaut's The 400 Blows, Boyhood is a wonderfully honest record of childhood.
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Spare, but wonderfully insightful,
By
This review is from: Boyhood: Scenes From Provincial Life (Paperback)
Touching, illuminative, and compulsively readable, the first volume of South African writer J.M. Coetzee's "autobiography" is a wonderful introduction to the writer if you aren't familiar with him (as I wasn't). His prose style is spare but descriptive, and conveys South Africa in the late '40s and early '50s as seen through the eyes of a child. Not big on "plot," but based more upon observation, Boyhood is a quiet triumph.
7 of 7 people found the following review helpful:
5.0 out of 5 stars
A killing-you-softly tale,
By A Customer
This review is from: Boyhood: Scenes From Provincial Life (Paperback)
Not quite a memoir, not quite fiction, Boyhood is elegant and powerful in the way of J.M. Coetzee's novels, only more so. A white boy growing up in post-WW2 South Africa may not appear an awfully exciting proposition. But this is not quite a book on South Africa, either. Its images will disturb you, lead you astray: at times Boyhood reads like a darkly intriguing fairy-tale. The detached third-person narrative has surprising effects: the story becomes more moving, the thinking more probing. Perhaps the truly African ingredient here is the passion beneath the simple sentences on common enough childhood experiences. A rare book that will tug at your heart, despite the author's reputation for "austerity" and "intellectually forbidding" writing.
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