From Publishers Weekly
The grand master's many fans will delight in behind-the-scenes stories about the creation of such science fiction classics as
The Martian Chronicles and
Something Wicked This Way Comes (which began as a film project for Gene Kelly), but that's just one of Bradbury's many facets on display in this collection of 37 essays. We also learn about his encounters with famous men, from Walt Disney to Bertrand Russell; adventures in Hollywood; and even his love for going out in the rain. Some of these stories may be familiar, and some are told twice, but Bradbury's friendly, conversational tone always makes them worth hearing again. (The tale of how he overcame his fear of flying especially benefits from the jocular narration.) Some of the essays haven't been seen in decades, like an introduction to a paperback edition of Verne's
20,000 Leagues Under the Sea, which cleverly juxtaposes captains Nemo and Ahab, and a dozen are being published for the first time. Whether Bradbury is talking about cross-country train trips or manned flight to Mars, his enthusiasm remains as contagious as ever. The intimate connection many readers already feel through Bradbury's fiction will be strengthened by these highly personal reminiscences.
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Still productive and in frequent demand for public appearances at 84, Ray Bradbury has achieved a status won by few other science-fiction writers. As Sam Weller's highly praised biography,
The Bradbury Chronicles (2005), highlighted, Bradbury's broad influence on the genre and popular culture in general justifies his establishment as an American literary icon. Throughout a career spanning more than 65 years, he has tried his hand at fantasy, sf, poetry, mysteries, screenplays (most notably for
Moby Dick), theatrical plays, and even opera libretti. Here, in his latest collection of essays, he weighs in on a medley of topics, including the allure of Paris, his enthusiasm for trains, the genesis of his most popular novels, and his reasons for remaining a die-hard optimist. In one essay, he suggests alternate, and often better, endings to famous films; in another, he pays homage to L. Frank Baum's Oz books. By turns whimsical, insightful, and unabashedly metaphoric, his prose is immediately accessible as well as thought-provoking. Fans and nonfans alike should enjoy.
Carl HaysCopyright © American Library Association. All rights reserved
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