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Bradbury Stories: 100 of His Most Celebrated Tales Paperback – April 5, 2005

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Editorial Reviews

From Booklist

Perhaps Ray Bradbury is the latter-day O. Henry. He is most famous for his short stories--and short they are, rarely more than 15 pages. He attracts nonliterary readers in droves, and he has a raconteur's magnetic style. Those are O. Henry's virtues, making it quite possible to read him pleasurably today, even if you read only "The Gift of the Magi" and "The Ransom of Red Chief." Since Bradbury is 50 to 100 years closer to us, just about every one of his stories is a gas, and his selection of 100 of them is something like a lifetime supply of nitrous oxide. No matter how calculated its surprises or how sentimental its denouement, a Bradbury story typically evokes a smile and a tip o' the hat. He acknowledges in the introduction here that he is in love with writing, and it is obvious there and in every story that, what's more, he is in love with life, so that even his eeriest, most mordant stories leave one feeling wonder, not bleakness: case in point, "The Illustrated Man." Even more to that point are his Irish stories, most of them set in and around Heber Finn's pub. Characteristically Celtic compoundings of grue and glee, these are read-aloud, memorize-and-recite gems of pure gab (especially "A Wild Night in Galway"). Ray Olson
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

About the Author

In a career spanning more than seventy years, Ray Bradbury, who died on June 5, 2011 at the age of 91, inspired generations of readers to dream, think, and create. A prolific author of hundreds of short stories and close to fifty books, as well as numerous poems, essays, operas, plays, teleplays, and screenplays, Bradbury was one of the most celebrated writers of our time. His groundbreaking works include Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes. He wrote the screen play for John Huston's classic film adaptation of Moby Dick, and was nominated for an Academy Award. He adapted sixty-five of his stories for television's The Ray Bradbury Theater, and won an Emmy for his teleplay of The Halloween Tree. He was the recipient of the 2000 National Book Foundation Medal for Distinguished Contribution to American Letters, the 2004 National Medal of Arts, and the 2007 Pulitzer Prize Special Citation, among many honors.

Throughout his life, Bradbury liked to recount the story of meeting a carnival magician, Mr. Electrico, in 1932. At the end of his performance Electrico reached out to the twelve-year-old Bradbury, touched the boy with his sword, and commanded, "Live forever!" Bradbury later said, "I decided that was the greatest idea I had ever heard. I started writing every day. I never stopped."

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Product Details

  • Paperback: 912 pages
  • Publisher: William Morrow Paperbacks; Reprint edition (April 5, 2005)
  • Language: English
  • ISBN-10: 0060544880
  • ISBN-13: 978-0060544881
  • Product Dimensions: 6.1 x 1.5 x 9.2 inches
  • Shipping Weight: 2.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (156 customer reviews)
  • Amazon Best Sellers Rank: #34,276 in Books (See Top 100 in Books)

More About the Author

Ray Bradbury Lived in Africa, Sudan for seven years during the terrible drought from 1980 until 1987 and under the cloud of Sharia Law Imposed by the then President, Nimeiri/ worked in Kenya/ Somalia during Black Hawk Down crisis and Rwanda during the genocide from March 94 until July 94.

Customer Reviews

4.6 out of 5 stars

Most Helpful Customer Reviews

77 of 77 people found the following review helpful By Sharon the Brat on October 3, 2013
Format: Kindle Edition
This is an excellent book to introduce people to the stories of Ray Bradbury, as well as a gem for anyone who already enjoys his writing. I thought it might help to include a table of contents for people curious as to which stories are included.

"The Whole Town's Sleeping"
"The Rocket"
"Season of Disbelief"
"And the Rock Cried Out"
"The Drummer Boy of Shiloh"
"The Beggar on O'Connell Bridge"
"The Flying Machine"
"The First Night of Lent"
"Lafayette, Farewell"
"Remember Sascha?"
"That Woman on the Lawn"
"February 1999: Ylla"
"One for His Lordship, and One for the Road!"
"The Laurel and Hardy Love Affair"
"Unterderseaboat Doktor"
"Another Fine Mess"
"The Dwarf"
"A Wild Night in Galway"
"The Wind"
"No News, or What Killed the Dog?"
"A Little Journey"
"Any Friend of Nicholas Nickleby's Is a Friend of Mine"
"The Garbage Collector"
"The Visitor"
"The Man"
"Henry the Ninth"
"The Messiah"
"Bang! You're Dead!"
"Darling Adolf"
"The Beautiful Shave"
"Colonel Stonesteel's Genuine Home-made Truly Egyptian Mummy"
"I See You Never"
"The Exiles"
"At Midnight, in the Month of June"
"The Witch Door"
"The Watchers"
"2004-05: The Naming of Names"
"The Illustrated Man"
"The Dead Man"
"June 2001: And the Moon Be Still as Bright"
"The Burning Man"
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152 of 162 people found the following review helpful By Bookreporter on September 12, 2003
Format: Hardcover
If any twentieth-century American writer deserves a revival, it's Ray Bradbury, king of the dime novels and refiner --- if not the inventor --- of mainstream science fiction. Unlike contemporaries H.P. Lovecraft and Philip K. Dick and disciples like William Gibson and Stephen King (who has greedily borrowed Bradbury's otherworldly horror + local color equation), Bradbury isn't very widely read by people beyond their teenage years. His novels THE MARTIAN CHRONICLES and FAHRENHEIT 451 are mainstays of junior and senior high school reading lists across the country, and therefore have acquired the stigma of youth-oriented fiction (which seems ironic now that so many adults are giddy like schoolchildren over Harry Potter). As if out of spite for being force-fed his work so early, many people seem to ignore Bradbury as they grow older, consigning him to the world of adolescence.
All of which is unfortunate, for Bradbury stands as a singular chronicler of the second half of the twentieth century, peeking into our dark corners to see what scares us. BRADBURY STORIES: 100 of His Most Celebrated Tales presents these demons anew, collecting pieces from every stage of his long career, from his dime novel beginnings to his work in Hollywood to his recent resurgence with original books like LET'S ALL KILL CONSTANCE and ONE MORE FOR THE ROAD. For those who haven't read Bradbury since high school, this collection serves as a fitting introduction to the surprisingly wide range of styles and subjects he has addressed; for longtime fans it is a reminder of the author's ability to evoke "the monsters and angels of my imagination" through dreamy prose and unforgettable imagery.
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76 of 82 people found the following review helpful By WILLIAM H FULLER on March 31, 2005
Format: Hardcover
It may very well have been a novel by Ray Bradbury, though it could have been one by Zenna Henderson, Isaac Asimov, or any one of a dozen other authors, that I was holding that summer, long ago, when I heard my father mutter as he stomped out the door with the hoe in his hand, "You read too much!" Suffice it to say that I am no stranger to Ray Bradbury's longer works, but this was my first exposure to a collection of his short stories, and I was not disappointed.

When we describe this collection as one of short stories, we do mean short. Most of the stories here run from two to six pages in length, and it is to Bradbury's credit that he packs almost every one with significance and meaning far beyond the scope of the story itself. Here, the reader will find profound observations on the human condition, on the thin veneer of civilization that can be easily ripped asunder, on the human need for approbation, on the human need for love, on the human need for belief and spirituality, and on every other characteristic that makes one human. Do not misconstrue my comments: this not a book of essays preaching and pontificating on any of these profound things; this is a book filled with fascinating characters and wondrous interactions. Bradbury never beats his reader over the head with profundity; it is the reader himself who adds that to Bradbury's intriguing tales.

Tales-that's the word I've been searching for. This is a book of tales. Joseph Conrad's "The Secret Sharer" is a short story. Ray Bradbury's "The Man in the Rorschach Shirt" is a tale. In fact, let us use the French word "conte" as we would to describe the little slices of the world that we see in the contes of Guy de Maupassant. Bradbury is the English de Maupassant as de Maupassant is the French Bradbury.
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