Customer Reviews


2 Reviews
5 star:    (0)
4 star:    (0)
3 star:
 (2)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
Share your thoughts with other customers
Create your own review
 
 
Only search this product's reviews
Most Helpful First | Newest First

8 of 8 people found the following review helpful:
3.0 out of 5 stars For The 1948 Stockholm Brahms Requiem, April 23, 2005
By 
Jeffrey Lipscomb (Sacramento, CA United States) - See all my reviews
(REAL NAME)   
This review is from: Brahms: German Requiem - Two Complete Live Recordings (Audio CD)
Furtwangler was surely one of the greatest of all Brahms interpreters, but the recorded sound of these "live" performances will be a challenge for all but the most ardent Furtwangler admirer. I have owned the 1948 Stockholm account since its first appearance on Unicorn LPs: it's one of Furtwangler's most spiritual readings on disc. The sound is rather congested but listenable. Unfortunately, the other account here (1947 Lucerne, with Schwarzkopf & Hotter) has really dreadful sound. The soloists in Stockholm (Lindberg-Torlind & Sonnerstedt) are perfectly adequate: the soprano also appeared in the "live" 1950 Fritz Busch Beethoven 9th (available in a historic Beethoven set from DG - see my review).

There is no shortage of "historic" Brahms Requiems to choose from: recordings by Mengelberg, Walter, Toscanini, Abendroth, Schuricht, and Lehmann have all appeared on CD in addition to this pair by Furtwangler. My personal favorites are the Lehmann (with Stader & Wiener on DG) and this Stockholm account by Furtwangler. In stereo, the Klemperer (EMI) is excellent.

Suggestion: with a little patience, you can probably find this set (either through a discounter or second-hand) at half-price or less (I bought mine used for around $12). That way you can own the better-sounding 1948 reading at a reasonable price. In it you will hear Furtwangler guide his Stockholm forces to some of the greatest Brahms "moments" ever recorded. If, like me, you are simply bowled-over by what Furtwangler could do in transitional passages (e.g., the overwhelming crescendo leading into the last mvt. of his 1943 Beethoven 5th, or the corresponding passage in his fabulous studio Schumann 4th), then you MUST hear what the conductor does in this Requiem's 2nd mvt. Starting at about 9:02, Furtwangler's volcanic build-up to the choral re-entry is, in a word, staggering.

Recommended solely for the 1948 Stockholm account.

Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


2 of 2 people found the following review helpful:
3.0 out of 5 stars One good cd for the price of two., April 30, 2005
By 
J. R. Nebeker (Salt Lake City, UT) - See all my reviews
(REAL NAME)   
Amazon Verified Purchase(What's this?)
This review is from: Brahms: German Requiem - Two Complete Live Recordings (Audio CD)
The Stockholm performance is great in spots but the Luzern performance is barely audible through the hiss. Caveat emptor.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


Most Helpful First | Newest First

This product

Brahms: German Requiem - Two Complete Live Recordings
Brahms: German Requiem - Two Complete Live Recordings by Johannes Brahms (Audio CD - 2001)
Used & New from: $12.37
Add to wishlist See buying options