9 of 9 people found the following review helpful:
5.0 out of 5 stars
A poignant, moving, and intricately structured story, January 3, 2007
This review is from: The Braid (Hardcover)
Jeannie and Sarah are teenage sisters living on the Isle of Barra in Scotland in 1850. It is a time that has come to be known as the Highland Clearances when landlords, choosing to raise sheep on the lands instead of renting them out, forced thousands of people to leave their homes. The family plans to sail to Canada. The night before they leave, Jeannie and Sarah braid their hair together, sleeping with their heads touching. But in the morning, Sarah is gone. She has cut the sisters' braid and left half in Jeannie's hand.
Jeannie, her parents and three small siblings sail off, as Jeannie holds the braid and cries for her sister. Sarah has decided to travel with her grandmother back to her grandmother's home on the tiny rugged island of Mingulay. When Murdo Campbell, a young fisherman, sails them to their new home, Sarah feels an emotional attraction to the calm, kind man.
Meanwhile, on the crowded ship traveling to Canada, Jeannie finds her fellow passengers irritable, hungry, thirsty and sick. The sleeping area below deck stinks. Jeannie is heartsick missing Sarah, but she is distracted when her little sister develops a fever. A passenger has died, and the family knows how serious an illness can be.
On Mingulay, Sarah dreams of and worries about Jeannie and her family, but she also enjoys getting to know her extended family. She loves collecting seabird eggs from the cliffs and snaring the birds she and her grandmother eat. She also finds herself waking up at night thinking of Murdo Campbell. Little does she know what lies in their combined future: passion, shame and sorrow --- but also hope.
Jeannie and her family endure a horrendous crossing. As so many of the passengers do, they suffer unbearable losses. When they land, they decide to travel to Cape Breton, hoping to find other travelers from home. Along the way, Jeannie is hungry, filthy and sad, but she uncovers a prevailing strength deep inside to sustain her.
Jeannie and Sarah's stories are powerful and moving, filled with universal emotions anyone can relate to. At the end of the book, author Helen Frost explains how she structured it. The sisters relay their tales in narrative poems, which are connected with shorter poems. The short poems each honor one ingredient in the longer poems. Astonishingly, the poems are braided together in an intricate way. The short poems share first and last lines. In the sisters' poems, the last word of each line is the first word of each line in the next poem. In addition, the syllable counts have significance: the number of syllables in the lines of the sisters' poems equal their age.
These revelations were so astounding to me that I did something I've never done before: I immediately reread the entire book, both to admire the structure and to re-savor the poignant and riveting story. (Since rereading, I have been raving about it to everyone I know.) THE BRAID is now high on my "best books I have ever read" list.
--- Reviewed by Terry Miller Shannon (terryms2001@yahoo.com)
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Great book for ages middle school through adult, November 19, 2006
This review is from: The Braid (Hardcover)
Once again, Helen Frost has crafted a beautiful novel in verse. This story of two sisters is one that anyone descended from immigrants can appreciate.
Although the poetic form is very intricate and literary, young readers (even reluctant readers) will find the book an approachable, quick read. And even those who don't normally like historical fiction may enjoy it, since the themes in the book are timeless: sisterhood, family love, the struggle for survival, and romance versus reality.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
A high school librarian reacts:, February 1, 2007
This review is from: The Braid (Hardcover)
This is one of the most "literary" books I've recently read that has the potential of attracting reluctant young adult readers. The slim volume will not intimidate, and the quick-paced, drama-filled narrative will keep them turning pages. Author Helen Frost examines pertinent issues of homelessness, poverty and teen pregnancy in her fictional account of two teenaged sisters torn apart during the Scottish Highland Clearances in 1850. Her interwoven poems between chapters help make this title a unique standout.
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