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12 of 14 people found the following review helpful:
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What to read to read Deleuze,
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This review is from: The Brain Is the Screen: Deleuze and the Philosophy of Cinema (Paperback)
This book is well worth the time for anyone who cares about philosophy, who does film studies, or who simply wants to understand Deleuze. The opening introduction to Deleuze's film-philosophy is the best I've come across; the essays are superb (see, especially, those by Lambert, Marks, Canning, Martin, Alliez, and Conley); and the concluding interview with Deleuze is surprisingly lucid. This ought to be required reading.
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Inside This Book
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First Sentence:
In The Movement-Image, the first of his two volumes on cinema and philosophy, Gilles Deleuze launches toward a moment of remarkable visibility: "The essence of a thing never appears at the outset, but in the middle, in the course of its development, when its strength is assured." Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Gilles Deleuze, New York, University of Minnesota Press, Kiss Me Deadly, Columbia University Press, Thousand Plateaus, Wend Kuuni, Film Form, Samuel Beckett, World War, Beckett's Film, Henri Bergson, Credits Included, Mike Hammer, Paul Ricoeur, Presses Universitaires de France, Duke University Press, Arab Film Distribution, Jayce Salloum, Martin Joughin, Name of the Father, The Logic of Sense, Tom Conley, Walter Benjamin, Zone Books New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
In The Movement-Image, the first of his two volumes on cinema and philosophy, Gilles Deleuze launches toward a moment of remarkable visibility: "The essence of a thing never appears at the outset, but in the middle, in the course of its development, when its strength is assured." Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Gilles Deleuze, New York, University of Minnesota Press, Kiss Me Deadly, Columbia University Press, Thousand Plateaus, Wend Kuuni, Film Form, Samuel Beckett, World War, Beckett's Film, Henri Bergson, Credits Included, Mike Hammer, Paul Ricoeur, Presses Universitaires de France, Duke University Press, Arab Film Distribution, Jayce Salloum, Martin Joughin, Name of the Father, The Logic of Sense, Tom Conley, Walter Benjamin, Zone Books New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 98
books:
See all 98 books this book cites
10
books
cite this book:
See all 10 books citing this book
- Matter and Memory by Henri Bergson on 28 pages
- Creative Evolution by Henri Louis Bergson on 22 pages
- What Is Philosophy? by Gilles Deleuze on 19 pages
- A Thousand Plateaus: Capitalism and Schizophrenia by Gilles Deleuze on 17 pages
- Difference and Repetition by Gilles Deleuze on 15 pages
See all 98 books this book cites
- Samuel Beckett and the Philosophical Image by Anthony Uhlmann on 7 pages
- The Matrix of Visual Culture: Working with Deleuze in Film Theory (Cultural Memory in the Present) by Patricia Pisters on 6 pages
- Hong Kong Connections: Transnational Imagination in Action Cinema by Meaghan Morris in Back Matter (1), and Back Matter (2)
- in Back Matter (1), and Back Matter (2)
- Deleuze, Cinema and National Identity: Narrative Time in National Contexts by David Martin-Jones in Front Matter, and Back Matter
See all 10 books citing this book
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