Branching Streams Flow in the Darkness: Zen Talks on the Sandokai [Hardcover]

Shunryu Suzuki (Author), Mel Weitsman (Editor), Michćl Wenger (Editor)

Book Description

Publication Date: November 30, 1999 | ISBN-10: 0520219821 | ISBN-13: 978-0520219823 | Edition: First Edition

When Shunryu Suzuki Roshi's Zen Mind, Beginner's Mind was published in 1972, it was enthusiastically embraced by Westerners eager for spiritual insight and knowledge of Zen. The book became the most successful treatise on Buddhism in English, selling more than one million copies to date. Branching Streams Flow in the Darkness is the first follow-up volume to Suzuki Roshi's important work. Like Zen Mind, Beginner's Mind, it is a collection of lectures that reveal the insight, humor, and intimacy with Zen that made Suzuki Roshi so influential as a teacher.
The Sandokai--a poem by the eighth-century Zen master Sekito Kisen (Ch. Shitou Xiqian)--is the subject of these lectures. Given in 1970 at Tassajara Zen Mountain Center, the lectures are an example of a Zen teacher in his prime elucidating a venerated, ancient, and difficult work to his Western students. The poem addresses the question of how the oneness of things and the multiplicity of things coexist (or, as Suzuki Roshi expresses it, "things-as-it-is"). Included with the lectures are his students' questions and his direct answers to them, along with a meditation instruction. Suzuki Roshi's teachings are valuable not only for those with a general interest in Buddhism but also for students of Zen practice wanting an example of how a modern master in the Japanese Soto Zen tradition understands this core text today.

Editorial Reviews

From Publishers Weekly

This book is billed as a sequel to Zen Mind, Beginner's Mind, Suzuki's classic collection of talks on Zen, but it stands on its own considerable merits as an eloquent, humorous series of lectures on the Sandokai, an eighth-century poem central to the Soto Zen tradition. These lectures show Suzuki, head priest of Tassajara monastery in California until his death in 1971, using his line-by-line exposition of the poem to illuminate what it means to practice Zen Buddhism. He stresses the simultaneity of the relative and the absolute, skillfully using words to direct his listeners toward understanding, all the while emphasizing that words are merely fingers pointing at the moon of enlightenment. Suzuki's devaluation of the verbal frees him to embrace humor and paradox as teaching methods; his examples range from ancient Chinese stories to anecdotes about weeding in the Tassajara garden and encountering an earwig. Readers of his previous book will be familiar with his earthy, clear, intense style. This book also conveys the texture of monastery life; it recounts 12 consecutive talks and includes the question-and-answer sessions at the end of each talk. These exchanges offer some of the most fascinating parts of an already excellent book, as they explicate some of the unclear points and illuminate the indirect yet confrontational quality of traditional Japanese Zen teaching. (Nov.)
Copyright 1999 Reed Business Information, Inc.

From Booklist

Suzuki (1904^-1971) came to San Francisco in 1959, established the first Zen Buddhist monastery in the U.S., and wrote the seminal Zen text for Westerners, Zen Mind, Beginner's Mind (1972). Toward the end of his life, Suzuki presented a series of talks based on the Sandokai, an eighth-century poem written by the Chinese Zen master Sekito Kisen. An elegant set of 22 couplets, it addresses a number of dichotomies, such as light and dark and sharp or dull, and it is chanted daily in Zen temples. In his cogent discussions and the question-and-answer sessions that follow--edited for publication by Mel Weitsman of the Berkeley Zen Center and Michael Wenger of the San Francisco Zen Center--Suzuki worked his way through the entire poem, expounding on the meanings of the Sandokai's imagery and its relevance to Buddhist practice and to life. The fact that one text can inspire a book's worth of philosophical thought and practical advice is testimony both to Buddhism's depths and to Suzuki's considerable gifts. Donna Seaman

See all Editorial Reviews

Product Details

• Hardcover: 199 pages
• Publisher: University of California Press; First Edition edition (November 30, 1999)
• Language: English
• ISBN-10: 0520219821
• ISBN-13: 978-0520219823
• Product Dimensions: 8.4 x 5.7 x 0.9 inches
• Shipping Weight: 13.4 ounces
• Average Customer Review: 4.8 out of 5 stars  See all reviews (9 customer reviews)
• Amazon Best Sellers Rank: #340,789 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

50 of 54 people found the following review helpful

5.0 out of 5 stars A long wait January 4, 2000

By John Elliott

Format:Hardcover

This is an excellent little book. It is based on the a series of talks that were given by Shunryu Suzuki in a sesshin lead by him, as it happened near the end of his life. The book in my view would be suited to a more advanced practitioner rather than a beginner. However all would benefit by reading it.

The book gives a line by line explanation of the "The Identity of Absolute and Relative" sutra. This sutra along with the "Heart Sutra" are the two main sutras chanted in Zen Buddhist services.

As practitioners we hear this sutra over and over again and it is easy to think of it as just a simple and poetic piece(even dare I say it, tune out to some extent with our own familarity), which it is. Suzuki's explanation of the sutra shows that considerably more can be gleaned from studying/meditating on this important zen work.

30 of 31 people found the following review helpful

4.0 out of 5 stars A wealth of insight to be found October 4, 2000

By L. Cornell

Format:Hardcover|Amazon Verified Purchase

This book is largely a well-executed editing effort of a number of talks that Suzuki Roshi gave of the Sandokai, a poem written in the early zen years. The poem, written by the Eighth Ancestor in China, Sekito Kisen, was intended to bridge a perceived (and I am hesitant to say) 'philisophical' gap between two zen schools of the time. One appealed to the 'clever', and the other appealed to the 'dull'. The Sandokai reveals that Buddha-nature transcends all such interpretations.

Each talk addresses a different section of the poem. Each chapter begins with the section of the poem that will be discussed. At the end of each talk there is discussion, consisting of questions from the students followed by the Roshi's response.

While superficially, bridging the gap between the "northern school" and the "southern school" was the impetus, we learn from the Roshi the poem's many deeper meanings. By reading the talks one begins to realize the great import of this poem as a primary and essential work.

Anyone who has read Suzuki's first book can attest to the Roshi's keen ability to impart the most complex subjects on a simple and understandable level. He does so in a way that also recognizes the limitations of such talks.

While this text was clearly not intended to be an introduction to practice, those who regularly practice will find it an invaluable work, and those, such as I, who have worn out the covers of 'Zen Mind Beginner's Mind' over many, many years won't be disappointed. The Sandokai is addressed by the Master in a most refreshing, sometimes humorous, and most enlightening way.

I look forward to wearing out this book as much as the first.

22 of 22 people found the following review helpful

5.0 out of 5 stars A wonderful teacher, though a different book from Zen Mind June 12, 2000

By Peter Abbott

Format:Hardcover

I have no doubt that Shunryu Suzuki will be a great influence on American Buddhism for many years to come. Zen Mind, Beginner's Mind (though not "written" by Suzuki-roshi--it's edited from lectures) has been a work that I have turned to again and again through-out my years of practice, finding new levels of insight each time. Branching Streams is a deserving continuation to the publication of Suzuki-roshi's teaching (it is, of course, also based on lectures, coming almost thirty years after his death). But it is a little more slow-going than Zen Mind and probably won't be as accessible to those without some experience of Zen. But, like Zen Mind, there are some beautiful, even poetic moments in the text. If you are just getting started in Zen and haven't read Zen Mind, you should definitely start with that before moving on to this. But if you have read ZM, BM and couldn't get enough, you will enjoy revisiting the Master.