Henrik Johan Ibsen (1828-1906) was a major Norwegian playwright largely responsible for the rise of modern realistic drama. He is often referred to as the "father of modern drama."
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Most Helpful Customer Reviews
13 of 14 people found the following review helpful:
5.0 out of 5 stars
Patience hardens,
By Dominic Fox (Leicester, Leicestershire United Kingdom) - See all my reviews
This review is from: Brand: A Version for the Stage by Geoffrey Hill (Penguin Classics) (Paperback)
This is unmistakeably Hill's _Brand_: the technical grace of his Englishing of Ibsen shows an acute awareness of the responsibility of the translator to both the original text and the language into which it is to be translated. Hill's translation enriches not only the English language but the ability of English (and non-Norwegian) speakers to appreciate Ibsen's brooding, symbolically charged drama of the challenge of faith in the midst of common life. Is Brand's fidelity to his "dear Christ hurt with thorns" obdurate or obstinate? In this play, the repudiation of social morality in the name of higher things is put to the question: what if devotion to such "higher things" also leads to, or becomes a mask for, moral isolation, the cauterization of social feeling? Uncompromising and yet compromised, Brand is a caution, and _Brand_ a cautionary tale...
2 of 4 people found the following review helpful:
5.0 out of 5 stars
One of the best books I have read....,
By Jonathan Johnson (Toronto, Canada) - See all my reviews
This review is from: Brand (Paperback)
This book captures the essence of humanity. I recommend to anyone who wants to find themself.
2 of 19 people found the following review helpful:
2.0 out of 5 stars
The "Good" Ibsen,
This review is from: Brand: A Version for the Stage by Geoffrey Hill (Penguin Classics) (Paperback)
Brand is the flip side of Peer Gynt. Ibsen may well have intended to write heroism into Brand, a charismatic dissenting priest, but could not breathe any life into his protagonist at all. Brand is cold, righteous, merciless, uncompromising. The play is dated, dull, static, but of historical interest to Ibsen scholars, since he may have learned plenty by writing Brand. The rather rigid Norwegian state/church of his time loved it, granted Henrik a permanent poet stipend for Brand. Modern gentle readers may roll their eyes.
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