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Brand New Human Being Hardcover – June 12, 2012
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Curtis Sittenfeld: I love Brand New Human Being, and I also think it's a hard book to describe, plot-wise. When people ask what your novel is about, what do you say?
Emily Jeanne Miller: I've had a hard time with this, too--my "elevator speech." A writer-friend who read an early draft described it as the story of a man going from being a son to being a father, and I liked that. I liked it so much, in fact, I've said it a couple of hundred times since.
Sittenfeld: The setting of the novel is an unnamed town in Montana that you make vivid both through physical descriptions and with a storyline about environmental problems tied to mining. Did you have a specific place in mind, or is the town fictitious?
Miller: I lived in Missoula, Montana, while I was getting a Master's degree in Environmental Studies, and I also started writing fiction there. I don't know if it was the time in my life, or the work I was doing, or the stunning natural beauty that was all around, but the place really captured my imagination. That said, the city is fictional, and so are most of the other places I describe (as anyone who knows Missoula, or Montana, will quickly discover). The same is true with the mining case in the novel: the environmental issues are real, but the case and the facts I describe are not.
Sittenfeld: It seems to me that the idea of authenticity is especially prized in relation to the American West. Because you grew up and now live in Washington, D.C., do you feel worried about being considered an outsider looking in?
Miller: Sure--but only because I worry about everything! But really, no. Isn't being an outsider looking in what being a writer always is, to a certain extent? I know there are people who believe only person X can write a story about Y, but I'm not one of those. I think people can--and should--write about what they want to write about. Everyone has a unique voice, and thus something unique to add. Besides, this book isn't about the place (which is why I fictionalized the city, going back to your question above), it's about people--and I do have impeccable credentials when it comes to being one of those.
Sittenfeld: I know that when your agent submitted this novel to publishers, she did so under the name "E.J. Miller," and because your protagonist, Logan Pyle, is male, everyone assumed you were a man. What made you decide to write from a man's point of view? Have you had any male readers says Logan does things a man wouldn't? (I was totally convinced by him, but then again, I'm just a woman with a man's name!)
Miller: This question reminds me of a conversation you and I had, many years ago, about writing. Regarding a story you'd written, you said that in your secret heart, you were a cranky twenty-three-year-old woman. I laughed, and said in my secret heart I was a lonely thirty-five-year old man. I don't know if or why I really am that man, but I wrote this book from Logan's point of view because it just seemed clear to me that it was his story to tell. For a long time I was writing it in the third person, but then one day, for no reason I can recall, I started writing in his voice, in the first person, and something clicked. His story unfolded more naturally that way. I'm pleased to say that so far, people--men and women alike--seem very convinced by the voice.
Sittenfeld: I first met Logan Pyle ten years ago, when you wrote a short story about him. What made you know his particular story could or should expand into a novel?
Miller: I once heard a writer say that only failed short stories can become novels, and I think she was right. Brand New Human Being began as a failed short story that continued, through many rewrites and expansions, and over about a decade, to fail. The thing about this story (as opposed to other short stories I've written that didn't work) was that I couldn't seem to put it down for good. It felt like unfinished business, and stayed with me in a nagging way that kept me coming back until one day, distraught over shelving another novel I'd been working on, I went back to him once more. This time, I found there was lots more say. While I wouldn't necessarily recommend the ten-year gestation period to aspiring novel writers, I will say it paid off for me, in that by the time I sat down that last time, I already had the novel's basic frame--the setting, the main characters, and several plots, each with a beginning, a middle and an end. Of course there was still plenty left to figure out, and plenty that changed and surprised me over the course of writing the book, but I did feel I had a running start.
Sittenfeld: You and I are second-generation friends--not only are we close, but so are our dads, who went to college together and like to gossip on the phone. Will it be your dad who calls mine first after reading this interview or mine who calls yours?
Miller: Hmm, that's a tough one. They both know their way around a Google Alert, and are a quick draw with the phone. If I were betting, I think I’d have to hedge.
"A fast-paced tale of family life."
-- Real Simple
"What a treat to read Miller's whip-smart first novel. Brand New Human Being gripped me with its wry humor and wonderfully real characters, and kept me captivated until the last page. This is a fast-paced, first-rate book by an immensely talented new writer."
“Miller's debut novel tackles the meaning of parenthood in the modern world. Introspective and honest, it focuses on the small dramas inside Everyman's living room: the way all parents strive to be better than they are, the way a marriage can start to fray even with the best intentions, and the way love, however elusive, is always worth fighting for. Miller’s novel is sometimes funny, sometimes heartbreaking, but always a worthy, exciting read.”
--Siobhan Fallon, author of You Know When the Men are Gone
"Touching...Miller explores Logan’s resentments and insecurities with sensitivity and nuance."
"Miller is at her best in scenes with Logan and Owen together—dad’s brutal honesty with his son about death in general (and Owen’s near-death experience in particular) exposes the depths of his emotional frustration...the first-person-present narration gives the novel a breezy energy. A solid debut..."
"This respectable debut follows the mostly self-inflicted trials of Logan Pyle as he navigates the suddenly confusing waters of fatherhood, marriage, and complex family history...this coming-of-age novel for adults peels back [Pyle's] emotional layers as he tries to find firm ground in the shifting continents of his life."
More About the Author
She lived in Missoula, Montana, where she co-edited an anthology of writing from the Clark Fork River basin (The River We Carry With Us, Clark City Press, Livingston, MT, 2002), and earned a Master's degree in Environmental Studies from the University of Montana. She has an MFA in fiction from the University of Florida.
Her short fiction has been published in the North American Review and The Portland Review. She has been awarded fellowships from Yaddo and the Vermont Studio Center.
Her first novel, Brand New Human Being, will be published by Houghton Mifflin Harcourt in June, 2012.
photo credit: Eliza Truitt
Top Customer Reviews
What I loved most about this book is the author's finely tuned sense of the kinds of conversations and small gestures and non-verbal signals that make up any relationship - especially one that is struggling to stay alive. The narrative is even-handed, in that I sometimes found myself siding with Julie and at other times taking Logan's side.
Logan's Dad, Gus, recently deceased, hovers over the family, and his widow, Logan's step-mother, Bennie, who is too close to his own age for comfort, plays an important and ambivalent role in the family constellation.
There are no easy answers or facile solutions offered as the threads of the story come together. The reader comes to feel that Logan and Julie will continue to struggle after their separation and tentative reunion. Yet there is a reasonable expectation of hope that everything will turn out - not perfectly - but alright.
I also thought that some things wrapped up a little too neatly in the end, while other things that I was wondering about through the whole book never did. For instance, why was Julie losing weight and not eating - was she sick, anorexic, or what?
This book wasn't my cup of tea necessarily. However, there are plenty of glowing reviews for it out in the blogosphere so clearly it does have appeal to some.
The story is basically this- Logan Pyle, young father and husband, recently lost his father, Gus Pyle. Logan's inability to let his father go (emotionally OR financially- Logan insists of holding on to a little shop that's hemorrhaging money because his father gave him the land the store sits on) causes some friction between him and his wife, Julie. Julie's demanding law career allows her to be the bread winner of the family, but Logan is unable to be okay with the fact that her law career also keeps her so busy that she can't be as involved with the family as he would like.
To top it all off, their pre-school age son, Owen, begins to exhibit some strange behavior and neither Logan and Julie are sure how to react, especially in the midst of the opinions and judgmental, watchful eyes of other parents and teachers in their community.
This is a quick, interesting read- perfect for an afternoon or for the span of a few evening, especially for those looking for an interesting twist on fiction about modern young families.
But I had to read it and took into that first page, all of my biases about how much I hated "Thirtysomething" because I was SURE that this book would be like that.
Yet, it wasn't. It wasn't what I expected at all and I was very pleasantly surprised.
Logan Pyle is a young man, married to a professional, Julie, while he stays at home with their young son, Owen. He's having issues about a lot of things. When he sees something between his wife and another man, he takes to the hills with Owen. Literally.
It seems like a typical "find yourself" journey and it is but nothing really transpired how I thought. Logan is a troubled guy, but within reason. There aren't any "bad" people either. Not his wife, not his father's widow, not anyone. They are nicely drawn characters that the reader gets to know in a naturalistic way.
If there is a flaw, it is that the ending is a bit too open ended for me. I would have liked a little more closure, but at the same time, this is a book that really follows the slice of rule in that it is a slice of a man's life. Reader is dropped in and then exits without everything being explained because the end is still out there. It was just a slice.
And I enjoyed that slice very much.
Most Recent Customer Reviews
Even though the writing is good here, I did not like the book, and I had trouble with the characters and the resolution at the end. There were too many unanswered questions. Read morePublished 23 months ago by Dianna
This book has been on my "want to read" list for a while. Having just finished it yesterday, I can honestly say I wish I had read it much sooner. Read morePublished on November 18, 2013 by avid reader
This is an engaging work, well-written and not easy to put down. The author knows her characters and is interested in their well-being, an important trait for the reader. Read morePublished on August 10, 2013 by Hold on, I'm reading
Brand New Human Being started off pretty well - it was easy to follow, fast-paced, and the narrator's voice was pretty consistent and relatable. Read morePublished on June 6, 2013 by Micaela
Brand New Human Being
Emily Jeanne Miller
In order for me to really enjoy a book, I need to like the characters. Read more
I loved everything about this book. The storyline, characters, and style of writing were very appealing to me. Read morePublished on September 23, 2012 by nycsharpe
This is one of those books that is probably lovely, but since it isn't my tastes, I just couldn't connect or really engage with it. Logan Pyle, a young (30ish? Read morePublished on September 19, 2012 by Unabridged Chick