From School Library Journal
Kindergarten-Grade 4-- Children will be charmed by Bell's translation of the tale about the tailor who advertised his prowess by embroidering a sash proclaiming "Seven at a Blow." The narrative respects the original story; the text is not diluted, and it is lengthy. Vocabulary such as courtiers, contemptuously, and desperate adds to the vitality of the story. The settings and clothing in Tharlet's detailed and appropriate soft-toned watercolor washes suggest the Middle Ages. Beginning with the book jacket and the title page, there is much to examine at close range: flies on the jam pot, a bell on the giant's cap, the soldiers' battered boots, and the ragged edge of the tailor's well-used scissors are just a few examples. Most unusual is Tharlet's use of perspective. Often the scene is viewed from the corner of the ceiling or from the height of a tree branch. The wide-lens view gives the audience a feeling of "looking in" and sharing the tailor's secret. The fearless, bright-eyed little adventurer is a contrast in size and wits to the expansive and dull-appearing giants with whom he clashes. The style and texture of Tharlet's illustrations are very different from San Souci's vibrant version (Doubleday, 1982; o.p.), but these two books, used together, would provide many opportunities to look at how two artists view the same tale. --Miriam Hansen, formerly at Eau Claire Schools, WI
Copyright 1989 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
One of the Grimms' more eccentric tales receives the outlandish attention of Goloshapov (The Six Servants, 1996, etc.), whose ominous illustrations give the story its due. The tailor of the title starts to entertain visions of his heroism after he swats seven flies dead in a single swipe. So smitten by this act is he that he sews a belt to commemorate the event, stitched with the words ``Seven at a blow!'' The tailor sets out to seek his fortune, conquering one brutish character after another--giant louts, vicious animals, conniving royalty--through cleverness and luck. When he is made king, it seems only natural. The tailor's goofy countenance belies his instinct for survival; the giants are massive dimwits with lantern jaws--ideal as foes. The rest of the artwork is equally full of character: a unicorn with a devilish horn, a bewhiskered boar. The atmosphere is perfect, but Goloshapov finds so many sinister landscapes and backdrops for the tailor's successes that the type--running across veins of blood-red or along dark, scumbled textures--is occasionally difficult to read, making the text more of an afterthought than an essential component of the page. (Picture book/folklore. 5-8) --
Copyright ©1997, Kirkus Associates, LP. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.