From Publishers Weekly
Like a younger Thom Gunn or Paul Muldoon, U.K. phenom Maxwell (Out of the Rain) is comfortably settled on these shores, issuing this fourth collection from his base camp at Amherst College. Maxwell's extraordinary virtuosity first brought him renown, and it is often on show here, as the close of "Rio Negro": "My cabin window's black as the reply/ Of rivers to the I and its ideas/ Eroding them to barely one, but I/ At least am moving, like the Rio Negro,/ Somewhere coming helplessly to light,/ And even nothing, signing itself zero,/ Is paying homage like a satellite." The book's centerpiece is a set of 11 "Letters to Edward Thomas" ("Dear Edward Thomas, Frost died, I was born.") that pay complex homage to the iconic WWI poet. Anglophiles will revel in Maxwell's phrasing, characters and imageryA"mum's kiss"; "Great-Uncle Albert"; "Mercysiders"; "the business end of Oxford" "Back Gardens in Early Morning," even if they seem intended to invoke the quotidian. Beyond verbal pyrotechnics and the rarity of a born rhymer's ease, however, few readers will find anything particularly compelling or sustaining about most of Maxwell's poems; for all their gallant charm (one poem apologizes for a missed BBC appearence) they risk very little.
Copyright 1999 Reed Business Information, Inc.
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Review
"THE BREAKAGE is astonishing in the consistency of control of subject matter and form, and the subtle manipulation of voice. Maxwell has that rare knack of unsettling the givens ... This is his best work." (
Observer )
"Glyn Maxwell covers a greater distance in a single line than most people do in a poem. There is an extraordinary propulsion in his work, owing in part to his tendency to draw metaphor from the syntax itself. He is a poet of immense promise and unforgettable delivery." -- Joseph Brodsky
"Glyn Maxwell's originality lies in his astonishing ability to orchestrate asides, parenthetical quips, side-of-the-mouth ruminations into a formal verse with a bravura not dared before. His poems have the vigor and freshness of first drafts, which preserves their immediacy, but they are more finished and rewarding than most contemporary verse." -- Derek Walcott
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