Breakdown

Old & In The Way | Format: MP3 Download

Product Details

• Original Release Date: November 18, 1997
• Label: Acoustic Disc
• Total Length: 1:09:44
• Genres: Country/Bluegrass, Country/Live Recordings, Country/Traditional Country, Folk/Live Recordings, Jazz/Live Recordings, Rock/Live Albums
• ASIN: B000S5C1OK
• Average Customer Review: 5.0 out of 5 stars  See all reviews (21 customer reviews)
• Amazon Best Sellers Rank: #13,361 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)
  • #4 in MP3 Downloads > MP3 Albums > Jazz > Live Recordings
  • #10 in MP3 Downloads > MP3 Albums > Folk > Live Recordings
  • #12 in MP3 Downloads > MP3 Albums > Country > Live Recordings

Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

5.0 out of 5 stars They are no fluke, March 25, 2001

By 

Ephraim Khalife (Southeastern USA) - See all my reviews

This review is from: Breakdown: Original Live Recordings 1973 Vol. II (Audio CD)

Many folks are initially suspect of Old & In the Way's authenticity considering the group includes Jerry Garcia. Let there be no doubts of Garcia's bluegrass integrity (personally, I think he should have played more bluegrass.) Garcia introduced a whole new generation of folks to bluegrass...and most of them probably would not have heard it otherwise. That being said...onto the music review.

This is truly an all-star lineup: Vassar Clements! David Grisman, Peter Rowan & John Kahn round out the lineup. This amazing set of 19 tunes includes many classics like Bill Monroe's "Pig in a Pen," "Workin' On a Building." It includes the Rolling Stones "Wild Horses," which the group makes sound like a true bluegrass tune (this is no gimmick.) The playing is clean and tight. Also, this is the way bluegrass should be heard...LIVE! This music is ultimately learned in an oral tradition and from watching and jamming with others. Sure you can learn from books, but that strips the soul out of the tunes. Plus many songs are anonymous and there are many versions of the same tune passed down through the generations.

Peter Rowan's voice is splendid and is one of the best in the business. From breakneck speed banjo pickin' to soft country ballads, this disc has them all. This good 'ol string band music is a great way to enter the wide world of bluegrass (which has many sub-genres.)

9 of 9 people found the following review helpful:

5.0 out of 5 stars My eyes were opened, November 22, 2001

By 

secoulte (Lake Tahoe, CA) - See all my reviews

This review is from: Breakdown: Original Live Recordings 1973 Vol. II (Audio CD)

I guess I was always aware of Bluegrass growing up, as my grandparents would always gather round the TV to watch Bill Monroe wail away on his mandolin but it wasn't until I started to explore Jerry Garcia's side projects that I realized how intricate and complex this music is, not to mention how talented the musicians are. From the opening introduction by Pete Rowan through old classics like the signature Panama Red, Working On A Building, and Pig in a Pen to an amazing rendition of the Rolling Stones' Wild Horses this album is a winner. As you listen to it you can't help but think that these guys are sitting on your portch in rocking chairs. It is an excellent recording that captures the essence of the work of this excursion in the mid seventies. If I could urge every Deadhead out there to learn one more thing about Jerry Garcia, it would be to appreciate his love for Bluegrass and Folk music. He has certainly done me a favour by introducing it to me. Also, check out Old & In The Way as well as That High Lonesome Sound, as both are equally superb. Thanks again Jerry, fare thee well.

8 of 8 people found the following review helpful:

5.0 out of 5 stars More than bluegrass, October 3, 2004

By 

Johnny Hodges (Clark Fork, ID United States) - See all my reviews

This review is from: Breakdown: Original Live Recordings 1973 Vol. II (Audio CD)

Pianist Bruce Hornsby once asserted that his favorite musics were bluegrass and jazz. Asked if that seemed like a disparate pair of choices, he commented that both emphasize precision musicianship and tight ensemble play. This bluegrass leans a bit toward the jazz side of the fence. A superficial listening might lead you to believe this is straight bluegrass, but start concentrating on the individual musicians, and there is a lot more going on than first meets the ears. The real star here is fiddle player Vassar Clements, who magically embellishes mightily on the melodic line without seeming to do so. Like the best jazz, the more carefully you listen, the more that is revealed. Just gets better with repeat play. Desert island CD for sure. Better sound quality and better and more material than either the companion "High Lonesome Sound" or the Rycodisk distillation of the two.