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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Funny and insightful, April 9, 2000
By A Customer
This review is from: Breaks (Hardcover)
"The Breaks" is one of the funniest books I have ever read. I've read interviews with Richard Price where he calls this book and his other classic, "Ladies Man", his early "bad" efforts. No way! In "The Breaks" you get several novels for the price of one---all of them great! There's the protagonist's hilarious adventures with depression after college(really!); his earnest but hapless return to his college town; his not-quite-successful romance with a woman a few years older and several decades smarter than him; his sudden urge to be a stand-up comic; and his scary/funny rivalry with his girlfriend's ex-husband. I've owned "The Breaks" for about ten years, and I still reread it periodically when I want a laugh. Mr. Price, you have at least one enthusiastic fan of "The Breaks"!
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3 of 4 people found the following review helpful:
5.0 out of 5 stars
This book should NOT be out of print!, April 26, 2000
This review is from: Breaks (Hardcover)
Richard Price is one of America's greatest authors. He is the millennial link between literature and cinema. And it is a sin that this book, the missing link between his early personal, cinematic works, and his later, directly cinematic social treatises, should be missing. The "Mickey's Monkey" scene alone is a classic.
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2.0 out of 5 stars
Richard Price Gives the Narrative THE BREAKS, November 23, 2011
Man do I love Richard Price. Anyone asks me to recommend an author, it's Richard Price. I have now read his entire oeuvre, minus CLOCKERS and FREEDOMLAND. I have, of course, seen those films, and picked up a copy of each at The Strand in New York City last week. But the others, including his most recent two, LUSH LIFE and SAMARTIAN, as well as his first two, BLOODBROTHERS and THE WANDERERS, are as five-star as a book can be. His third novel, 1978's LADIES' MAN is one of the top ten books of all time. So I really like Richard Price and I had saved this 1983 book for my NYC vacation. The newly reissued edition from Picador has the remarkable cover from the 1970s in the Times Square Subway Station and was so ripe for my collective desires that it seemed a slam dunk read. A week, four plane trips, multiple subway rides, lunch in the village and loading zone difficulties landed with a thud on a rainy, balmy Tuesday afternoon in November, back home. What's wrong? I'm not sure - the book seems so well-liked, and when it's covering familiar Priceian grounds - like NYC' seamy 1970s underbelly, the book sings with a beauty and a pathos that makes me want to highlight passages (an example: a trip to the Village: 'I bypassed the leafless barren field of Washington Square Park, later for nature, and wandered up and down the Cabinet of Dr. Caligari streets wishing I was everybody I saw.' As someone who spent several hours in the village last week that line reads both poetic and true. BUT for some reason most of this story is the tale of college graduate Peter Keller of the Bronx who returns to his college campus to teach and involve himself with an unexciting, beyond-formulaic relationship with a disaffected townie. There are sparks, as when he goes to a 1972-era gay club in the village and delivers a comic monologue, that when he returns to the campus there is no holding onto the story and you so want to see Keller's life among the characters in New York City and his career as a Lenny Bruce-esque observor. An early segment has him working at what we now know to be a telemarketing center, with an oddball assortment of actors and dancers working the phone lines. I'm not sure why Price felt the need to place the novel ten years prior to the publication date. He even sloppily outs David Berkowitz as the Son of Sam three years before the murders. I don't want this to ruin your recommendation that you carry from me on Richard Price, and you may love this - many do! However, I have given you five (5) very good (5) star books in which to begin.
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