A collection of ten stories creates a realm of ""irrelevant miracles,"" where civilization-building is a pastime and death is an art, and offers unique interpretations of fear, love, guilt, greed, obligation, and obsession. Reprint. K. NYT. PW.
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Alexander Jablokov writes science fiction for readers who won't give up literate writing or vivid characters to get the thrills they demand. He is a natural transition for non-SF readers interested in taking a stroll with a dangerous AI or a neurosurgeon/jazz musician turned detective, while still giving hardcore SF fans speculative flash, incomprehensible aliens, and kitchen appliances with insect wing cases.
From his well-regarded first novel, Carve the Sky, an interplanetary espionage novel set in a culturally complex 25th century, through the obscenely articulate dolphins with military modifications of a Deeper Sea, the hardboiled post-cyberpunk of Nimbus, the subterranean Martian repression of River of Dust, and the perverse space opera of Deepdrive, he has come to Brain Thief, a contemporary high-tech thriller with a class clown attitude.
