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30 of 31 people found the following review helpful:
5.0 out of 5 stars
A dark rose among thorns, April 16, 2003
The Briar King is the first novel in the (planned) fantasy quartet, "Kingdoms of Thorn & Bone." The gist of my review is this: TBK is perhaps the first wonderful fantasy book of the 21st century and worthy of a place beside A Game of Thrones (George Martin) and Assassin's Apprentice (Robin Hobb) on your shelf reserved for engaging, well-written, mature, contemporary fantasy. It is, in a word, a keeper. TBK opens with one of (if not the) best preludes in fantasy, which raises the overshadowing concept for the saga: a warrior-queen leads an army of enslaved humans in the storming of their demonic masters' citadel, only to learn that the means of their victory may have set in motion the doom of the world. In the story itself, set over 2,000 years later, the first signs of this doom begin to appear in the kingdom of Crotheny. The mythical Briar King, doom's harbinger, is said to be waking from his ancient slumber, even as the wars and intrigues of the human nations carry on, seemingly unaware ... I've been deliberately vague about the actual story and principal characters so as to let the book speak for itself. I read a good deal of fantasy fiction (and write it as well), and I'm pleased to say that this is one of the best I've read in recent memory. Keyes writes in clear, often artful prose and has a true gift not only for world-building (and the research that surely underlies it) but also for showing the world and its wonders and horrors vividly without over-description or telling. (Or at least, when he must tell, he does it in a plausible, often inconspicuous manner.) The dialogue is crisp and spiced with wit and various languages; the characters are, for the most part, realistic and distinct. The plot is well-balanced and builds to a page-turning crescendo. If I have a quibble, it's that not enough of ancient history and mysteries are revealed to make the climax wholly comprehensible. That is, the hook for the next book is a bit heavily baited, but it's bait that I'll bite on nonetheless. With the medieval/"British" nature of Crotheny and the chapter-by-chapter shifts in character viewpoint, TBK will indeed draw comparisons to A Game of Thrones. However, they should mainly be favorable comparisons; moreover, TBK develops a different "feel" or texture as it progresses--the lands of Westeros didn't spring to mind as I read on. The bottom line: I read this book free of charge from the public library; I've since ordered it because I'd like a copy for my fantasy shelf and, more importantly, because Keyes deserves our support and encouragement. This book helped me remember what this genre can be.
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113 of 130 people found the following review helpful:
3.0 out of 5 stars
Thorny "King", April 16, 2004
Greg Keyes' "The Briar King" is a mix of good fantasy and thorny mess. While the worldbuilding and background for the first book of his new series is outstanding, his writing doesn't live up to his imagination. It's a flawed but deeply interesting book overall. The Briar King is a remnant of the old pagan beliefs, living on only in little superstitions and children's songs. But after the old holter Aspar rescues a nerdy young priest, they learn of strange things that are stirring in the woods, and human beings are dropping dead or being sacrificed -- and Aspar encounters a greffyn, a mythical monster whose touch and breath can kill. They're all signs that the Briar King is waking. But the Briar King isn't the only source of trouble: the royal Dare family is being quietly turned on its head. Someone is trying to kill the queen, Princess Lesbeth has vanished mysteriously, and idealistic young knight Neil has fallen in love with Princess Fastia (who is married). Worst of all, one of the royals has gone mad, and threatens to destroy his entire family. The only one who may escape is immature Anne, who has been having strange visions. It's virtually impossible to write semi-original fantasies now, but Keyes dodges the typical cliches -- elves, wizards, Dark Lords and demons. The story is engaging and unusual, but it starts stumbling partway through. But it demonstrates that Keyes has a good story worth telling; it ends on a "to be continued" note, of course. Keyes starts off strong with mysterious occurrances and plenty of creepiness. He puts a lot of effort and description into his worldbuilding, such as the Dare family, the pseudo-Christian religion and well-crafted myths. But about halfway through "Briar King," Keyes starts to lose control of the story. There are too many subplots that only seem to be marginally tied together (what is up with that love potion subplot?), and it loses the creepy quality. Keyes' writing is pedestrian most of the time, although it blossoms whenever something really freaky is happening. The description of Aspar encountering the Briar King is brief, but strikingly ominous. And once you get past the typical lead characters (spirited princess, priest with a lot to learn, cocky swordsman), there are plenty of unique supporting roles (like the dead old woman in the caves). "The Briar King" is an unsteady but promising start to Greg Keyes new series. It dodges most cliches and sticks to an unusual storyline, but the execution needs some work before the Kingdoms of Thorn and Bone series can be counted as a good fantasy.
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57 of 66 people found the following review helpful:
5.0 out of 5 stars
Five-star fantasy for fans of Tolkien, Martin, and Jordan, January 21, 2003
In my estimation this exceeds the quality and readability of Robert Jordan, and nips at the heels of Tolkien and my favorite, George R R Martin. The characters, writing, language/history/culture/magic concepts, and clever (and at times brutal) plot twists are the best features. In some way it lacks the full feel of the "sweep" of other epic fantasies, but the work Keyes does with characters, along with the writing itself, distinguish it as absolutely first-rate.
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