From Publishers Weekly
Proceeding chronologically from the first Neolithic "bun bricks" to relatively high-tech contemporary forms, Cambridge University art historian Campbell and documentary photographer Pryce reveal the building blocks of the Coliseum, the Taj Mahal, the Florence Cathedral and the Chrysler Building, as well as more humble abodes. Pryce's photos are stunning, making up the bulk of the 600 illustrations here (570 in color) and miraculously capturing the outlines of each brick, even in such massive structures as the Great Mosque in Isfahan, Iran, or the beautiful Buddhist temples of Pagan in Myanmar. He also documents brickmaking in the Bulmer Brickworks in Suffolk, England, as a worker moulds, "strikes," "drops" and dusts large, ochre, rectangular bricks. The photos, as well as excellent period technical illustrations, are laid out in compelling two-page spreads, each with subheading (e.g., "Petrus Cuypers and the Gothic Revival in Holland") in this 9.75" 12.5" book, and are matched by Campbell's clear and intense historiography. In Sumerian times, he notes, offerings of food and drink were presented to "the brick god," who was "represented in the ritual by the first brick." More recently, mortar for the foundations of the Hagia Sophia in Istanbul was mixed with "a broth of barley and bark of elm" and sacred relics, accompanied by prayers, placed between every 12 bricks. A lack of detail on Chinese use of brick, particularly early brickwork, is a drawback, but the Islamic world is well-covered, and Campbell's refreshing focus on the brickmakers (often family-run businesses) and bricklayers themselves shows how techniques were kept secret to prevent early forms of industrial espionage, now posing a challenge to contemporary scholars trying to figure out how bricks were engineered even as late as the Victorian era.
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An ur-building material, brick is astonishingly versatile and often stunning. Art historian Campbell and architect and photographer Pryce present the first comprehensive international study of the technology and aesthetics of the humble but endlessly useful brick in a volume meritorious for its spectacular color photographs, nearly 600 in number, and the panoramic scope of its text. The fired brick was first invented in Neolithic Jericho, then taken up with great alacrity and skill in Mesopotamia and Egypt and by the ancient Greeks and Romans. Moving slowly forward in time, Campbell and Bryce chart the rapid evolution of brick making and bricklaying, explicating such marvels as the Colosseum and the Great Wall of China. Religious ardor in the Middle Ages inspired the construction of incredibly elaborate brick cathedrals, intricately patterned mosques, and such beautiful Asian Buddhist structures as Pagan, Burma, a brick dream consisting of several thousand temples and stupas. From castles to schools to New York's Chrysler Building, Campbell and Pryce explicate premier examples of engineering ingenuity and architectural grace, all based on the ubiquitous brick.
Donna SeamanCopyright © American Library Association. All rights reserved