Brideshead Revisited [Audiobook, Unabridged] [Audio Cassette]

Evelyn Waugh (Author), Jeremy Irons (Reader)

Book Description

Publication Date: November 7, 2000

A classic of our time, beautifully performed by Jeremy Irons and the basis of the award-winning television mini-series, Brideshead Revisited tells the story of the Marckmain family, as narrated by friend Charles Ryder. Aristocratic, beautiful, and charming, the Marchmains are indeed a symbol of England and her decline; the novel a mirror of the upper-class of the 1920s and the abdication of responsibility in the 1930s. Brideshead Revisited has become shorthand for a fantasy era of titled elegance, dead-end hedonism and fatuous wit.

Editorial Reviews

Amazon.com Review

A departure from Evelyn Waugh's normally comic theater, Brideshead Revisited concerns the tale of Charles Ryder, a captain in the British Army in post-World War I England. Unlike Waugh's previous narrators, Ryder is an intelligent man, looking back on much of his life from his current post in Oxford. He strikes a special friendship with Lord Sebastian Flyte as the setting moves to the Brideshead estate and a baroque castle that recalls England's prior standing in the world. Ryder falls for Flyte's sister while families, politics and religions collide. What makes the book extraordinary is Waugh's sharp, vivid style and his use of dialect and minor characters. This is one of Waugh's finest accomplishments and a superb book. --This text refers to the Hardcover edition.

From Publishers Weekly

In this classic tale of British life between the World Wars, Waugh parts company with the satire of his earlier works to examine affairs of the heart. Charles Ryder finds himself stationed at Brideshead, the family seat of Lord and Lady Marchmain. Exhausted by the war, he takes refuge in recalling his time spent with the heirs to the estate before the war--years spent enthralled by the beautiful but dissolute Sebastian and later in a more conventional relationship with Sebastian's sister Julia. Ryder portrays a family divided by an uncertain investment in Roman Catholicism and by their confusion over where the elite fit in the modern world. Although Waugh was considered by many to be more successful as a comic than as a wistful commentator on human relationships and faith, this novel was made famous by a 1981 BBC TV dramatization. Irons's portrayal of Ryder catapulted Irons to stardom, and in this superb reading his subtle, complete characterizations highlight Waugh's ear for the aristocratic mores of the time. Fervent Anglophiles will be thrilled by this excellent rendition of a favorite; Irons's reading saves this dinosaur from being suffocated by its own weight.

Copyright 2001 Cahners Business Information, Inc.

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Product Details

• Audio Cassette
• Publisher: Caedmon; Unabridged edition (November 7, 2000)
• Language: English
• ISBN-10: 069452378X
• ISBN-13: 978-0694523788
• Product Dimensions: 6.1 x 4.2 x 2.6 inches
• Shipping Weight: 11.2 ounces
• Average Customer Review: 4.4 out of 5 stars  See all reviews (154 customer reviews)
• Amazon Best Sellers Rank: #1,776,750 in Books (See Top 100 in Books)
  • #2 in Books > Books on Cassette > Authors, A-Z > ( W ) > Waugh, Evelyn

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Customer Reviews

Most Helpful Customer Reviews

296 of 305 people found the following review helpful:

5.0 out of 5 stars An Often Misunderstood Classic of 20th Century Literature, May 28, 2002

By 

Gary F. Taylor "GFT" (Biloxi, MS USA) - See all my reviews
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This review is from: Brideshead Revisited (Paperback)

Like most great novels, BRIDESHEAD REVISITED is about a great many things--not the least of which is the decline of English aristocracy. But at center, Evelyn Waugh's greatest novel (and one of his few non-satirical works) is about religious faith, and how that faith continues to operate in the lives of even those who seem to reject it, and how that faith supports even those who falter badly in it.

The story is complex. It is told in the first person by narrator Charles Ryder, who develops a close and possibly homoerotic relationship with artistocrat Sebastian Flyte while the two are students at Oxford. Seduced by the glamor of Flyte's way of life and the beauty of his ancestrial home at Brideshead, Ryder becomes deeply involved with Flyte's family as well--a Roman Catholic family in which the various members either use their religion to manipulate others or actively rebel against it. With the passage of time, Sebastian's drinking expands into alcholism--which appears to be fueled by his guilt at rejecting the church, a rejection which may be based on his own uncertain sexuality. Ryder consequently transfers his affections to Sebastian's sister Julia--but again religion influences their relationship: Julia has made an unfortunate marriage, and although she is willing to engage in an affair with Ryder, she may not be willing to divorce her husband, an act that will cast her completely outside the bounds of her faith.

The characters involved in the story are often extremely charming, but they are not necessarily admirable, and the passage of time in the novel nibbles away at their charm in such a way as to expose their flaws; even the narrator, Charles Ryder, gradually emerges as a somewhat second-rate person of dubious integrity. Even so, there remains a strange element of hope in the novel, a sense of God's grace and mercy even in the face of deliberate affront. Poetically written with considerable beauty and a sense of lost innocence that haunts the reader, BRIDESHEAD REVISITED is a too-often misinterpreted and misunderstood book that demands a thoughtful reading to get down into the marrow of its thematic bones. Powerful, beautiful, memorable--a book to read and enjoy again and again. Strongly recommended.

88 of 94 people found the following review helpful:

5.0 out of 5 stars "Where can we hide in fair weather, we orphans of the storm?", March 25, 2006

By 

Mary Whipple (New England) - See all my reviews
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This review is from: Brideshead Revisited (Paperback)

Published in 1945, this novel, which Waugh himself sometimes referred to as his "magnum opus," was originally entitled "Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder." The subtitle is important, as it casts light on the themes--the sacred grace and love from God, especially as interpreted by the Catholic church, vs. the secular or profane love as seen in sex and romantic relationships. The tension between these two views of love--and the concept of "sin"--underlie all the action which takes place during the twenty years of the novel and its flashbacks.

When the novel opens at the end of World War II, Capt. Charles Ryder and his troops, looking for a billet, have just arrived at Brideshead, the now-dilapidated family castle belonging to Lord Marchmain, a place where Charles Ryder stayed for an extended period just after World War I, the home of his best friend from Oxford, Lord Sebastian Flyte. The story of his relationship with Sebastian, a man who has rejected the Catholicism imposed on him by his devout mother, occupies the first part of the book. Sebastian, an odd person who carries his teddy bear Aloysius everywhere he goes, tries to escape his upbringing and religious obligations through alcohol. Charles feels responsible for Sebastian's welfare, and though there is no mention of any homosexual relationship, Charles does say that it is this relationship which first teaches him about the depths of love.

The second part begins when Charles separates from the Flytes and his own family and goes to Paris to study painting. An architectural painter, Charles marries and has a family over the next years. A chance meeting on shipboard with Julia, Sebastian's married sister, brings him back into the circle of the Flyte family with all their religious challenges. Three of the four Flyte children have tried to escape their religious backgrounds, and this part of the novel traces the extent to which they have or have not succeeded in finding peace in the secular world. "No one is ever holy without suffering," he believes.

Dealing with religious and secular love, Heaven and Hell, the concepts of sin and judgment, and the guilt and punishments one imposes on oneself, the novel also illustrates the changes in British society after World War II. The role of the aristocracy is less important, the middle class is rising, and in the aftermath of war, all are searching for values. A full novel with characters who actively search for philosophical or religious meaning while they also search for romantic love, Brideshead Revisited is complex and thoughtfully constructed, an intellectual novel filled with personal and family tragedies--and, some would say, their triumphs. n Mary Whipple

76 of 82 people found the following review helpful:

5.0 out of 5 stars Grace, March 18, 2004

By 

John (United States) - See all my reviews
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This review is from: Brideshead Revisited (Paperback)

This is a fairly sizeable novel. It would normally take me about three days with pretty substantial reading time during those days. But there was just something about it, and I made time and read this one pretty much straight through. It is easily one of the most wonderful novels I have ever read.

There is so much to like about it. There is sheer joy in reading Waugh's prose as small nuggets of humor and beauty are uncovered throughout. The characters are pretty over-the-top (done on purpose) which makes them entertaining, but the depth of the characters is the truly striking thing. It's usually between the lines, but these characters are changing dramatically throughout, and for the better. I think the theological discussion running throughout the novel is what really makes it rise to true greatness. Waugh's making a compelling argument for a moral universe, and he is revealing what God's grace may look like working in people's lives.

Brideshead Revisited is true masterpiece that really cannot be missed by any lover of literature or by any person looking for some meaning out there. It's a joy in every sense of the word. This is one book I'm going to come back to.