Bridges to Babylon

The Rolling Stones

Product Details

• Audio CD (September 30, 1997)
• Original Release Date: September 23, 1997
• Number of Discs: 1
• Label: Virgin Records Us
• ASIN: B000000WEZ
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 3.7 out of 5 stars See all reviews (96 customer reviews)
• Amazon.com Sales Rank: #40,417 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com
It's no use comparing Stones albums to Exile on Main St. anymore; the world's greatest rock & roll band clearly substitutes finances for passion these days. But compared to, say, Soul Asylum or the Black Crowes, the band still produces worthwhile records--"Flip the Switch," "Out of Control," and the closing Keith Richards suite all give Bridges the edge over the Stones' spotty previous Voodoo Lounge. Despite dross like the plagiarized hit "Anybody Seen My Baby," and the underutilization of the talented Dust Brothers production team, the Stones don't deserve our indifference just yet. --Steve Knopper --This text refers to an out of print or unavailable edition of this title.

Product Description
Limited edition of their 1997 album in a special package: astandard jewel case within an etched clear & silver slipcasethat accentuates the graphic of the lion on the cover art.Contains 13 tracks, including the singles 'Anybody Seen MyBaby?' and 'Saint Of --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Most Helpful Customer Reviews

13 of 13 people found the following review helpful:

5.0 out of 5 stars 35 Years and Still Rolling, January 21, 2000

By	B. L. Vor Broker "blv721" (USA) - See all my reviews (REAL NAME)

This review is from: Bridges to Babylon (Audio CD)

Having read all the previous reviews slamming the Stones for their age and lack of feel, I am compelled to defend the Greatest Rock and Roll Band in the World. I think it is widely agreed upon that the Stones' prime was '68-'72 (Beggars Banquet, Let It Bleed, Sticky Fingers, Exile on Main Street). With that in mind, every album before and after has been inferior. Bridges to Babylon, being a good 25 years after their prime, cannot be compared to the greatness of the Great Four. The fact that a group of 50+ year old men, who have been through what the Stones have been through (drugs, alchohol, the spotlight since they were 20), can even put out an album is in itself a great accomplishment. In Bridges to Babylon, the Stones show few signs of age. They rock when they need to (Flip the Switch, Out of Control, Saint of Me) and Keith is at his best with 3 superb songs proving that at least he still has the heart rather than greed. Bridges to Babylon is not going to be like the Stones were in their prime. This is post-70's Stones at arguably their best. Anyone who disagrees either never liked the Stones in the first place or just put them down because they are old. If you people didn't know their age or past greatness, your reviews would be much better. I think we are all thankful that the Stones didn't quit in the 70s, and Bridges to Babylon proves it.

10 of 11 people found the following review helpful:

5.0 out of 5 stars DESERVED MORE ATTENTION AT THE TIME. IN RETROSPECT, JUDGED ON ITS OWN MERITS, IT'S ONE OF THE BEST!, September 4, 2005

By	Boss Fan (Take a Right at the Light, Keep Going Straight Until Night) - See all my reviews

This review is from: Bridges to Babylon (Audio CD)

A psudo-sequel to their similarly under-rated "Voodoo Lounge," The Stones'"Bridges To Babylon" is similar in tone and content (which is a good thing), but has less of the lulls and clutter that plagued that previous effort in spots (which is an even better thing). "Bridges" is fast-paced, straight-ahead rocker full of diverse and atypical Stones tracks. Never do we not know we are listening to the Stones, but we are often surprised at what we are hearing from them. Witness "Might as Well Get Juiced." It's not just the more experimental cuts that will leave listeners pleasently surprised, but the hard-edge return to old-school-Stones form that pops up from time to time. "Gunface," for instance, is the type of seathing, "Jumpin' Jack Flash/Gimme Shelter" cut the band used to turn out so effortlessly. While nothing here is admittedly at the level of those classics, that is certainly no reason to miss out on an all around great album. Compaired to the high standards of classic Stones cuts it may not stand out much, but compared to almost all of their albums from the previous decade, and to any album from any band at the time, "Bridges to Babylon" is far and away at the top of its class. "Out of Control" and "Saint of Me," however, do, to these ears, rank among the bands' classics. And Keith closes the album with two wheezy ballads that should grind the whole affair to a screetching hult; and undoubtably would from almost anyone else. Somehow it not only works, but stands up with the rest of the album, even towing over the two ballads Mick submits. "Bridges" is an ambitious amalgam of different musical styles all poured through a Rolling Stones filter. The result is never less than an enjoyable classic rock and roll listen - done by the band best at doing it - and it is often a lot more.

15 of 18 people found the following review helpful:

4.0 out of 5 stars NOT THEIR BEST BUT DARN CLOSE!, October 7, 1998

By	G. J Wiener (Westchester, NY USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

This review is from: Bridges to Babylon (Audio CD)

Whereas Bridges To Babylon is not on the same playing field as Beggars Banquet and Exile, this recording has much high quality material. Besides catchy straight ahead rockers(Out Of Control, Two Tight), there are many other elements present here including a nice touch of techno(Anybody Seen My Baby, Might As Well Get Juiced). Keith's contributions are excellent specifically the regaae flavored You Don't Have To Mean It. The difference between this albums and the Stonefs best works is that every track is loaded with contributions from studio musicians. The old days it was purely the fab five with occasional contributions from Billy Preston, Bobbie Keys, and a few others.