34 of 36 people found the following review helpful:
5.0 out of 5 stars
A must-have for any Kuniyoshi enthusiast, July 25, 2001
By A Customer
This review is from: Of Brigands and Bravery: Kuniyoshi's Heroes of the (Hardcover)
As you might know, Japan was closed off from the rest of the world for around 200 years (Up to 1868!). One of the few countries that kept up close economical ties with Japan throughout that time was Holland (Europe).
That is probably one explanation why in Holland you will find large collections of Japanese Art, and also why the University of Leiden (a city in Holland) has got a very good reputation world-wide for all Japanese-related studies.
The publishing company of this book, Hotei Publishing (www.hotei-publishing.com), is also based in Leiden and has over the past few years managed to create an excellent reputation for itself regarding Japan-related publications. I have about a dozen of their books, and can wholeheartedly recommend all of them.
My interest in Japanese woodblock prints started because of my love for traditional Japanese tattooing. Doing a little research on Japanese tattooing, one will eventually come across the great ukiyo-e Master Kuniyoshi, on whose prints most of the traditional tattoo designs are based.
If, like me, you want to delve deeper into the history of those designs: this book is a must-have. For the untrained eye it will at first be difficult to see the connections between the prints and the tattoos - but after a while you will understand better.
If, on the other hand, you are "only" interested in Kuniyoshi and/or his Suikoden prints: this book is also a must-have for you! The prints are re-produced in large size and full colour.
Besides, you get background information regarding the technique of woodblock prints, Kuniyoshi's life, his work, how the Suikoden prints came about, and a lot more.
If you would also like to see how some of those prints where "transferred" onto human skin, I can recommend the following books to you: 1. Takahiro Kitamura, "Bushido - Legacies Of The Japanese Tattoo", Schiffer Publishing, (over 200 photographs of works by one of today's greatest tattoo masters: Horiyoshi III). 2. Sandi Fellman, "The Japanese Tattoo", Abbeville Press.
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18 of 18 people found the following review helpful:
5.0 out of 5 stars
the reissue of this oustanding book is cause for celebration, September 13, 2003
Of all the superb books published by Hotei on the subject of Japanese woodblock prints, Inge Klompmakers' "Of Brigands and Bravery: Kuniyoshi's Heroes of the Suikoden" is far and away my favorite. This reflects not only my enthusiasm for the 19th-century artist Kuniyoshi but also an appreciation of the rich symbolism embedded in his treatment of the "Suikoden" heroes.
The "Suikoden" (the term is the Japanese rendition of the original Chinese title of "Shuihu zhuan") is a epic Chinese novel that is known in English as both "The Water Margin" and "All Men are Brothers." The novel, which lionizes an outlaw band of 108 men who commit crimes on behalf of the common people, was first translated into Japanese in the late 18th century. In the 19th century, a reworking of the novel brought it to an even wider Japanese audience, and at this juncture a number of leading print artists--including Hokusai and Yoshitoshi--illustrated it. However, it is the treatment of the bandits by Kuniyoshi--who depicted 75 of the 108 heroes--which has enjoyed the most enduring popularity and influence.
In the original Chinese novel, six of the 108 bandits are described as tattooed. In Kuniyoshi's series, covering just 75 of the bandits, that number was expanded to 15, and Kuniyoshi's "Suikoden" series became the leading evolutionary influence on Japan's complex style of tattooing.
Recently the "Suikoden" has enjoyed a major renaissance of popularity. Kuniyoshi's prints are revered by the international tattooing community, and the novel itself has inspired a series of fantasy games. Beyond these considerations, it is worth examining Kuniyoshi's accomplishment within its historical context. In the late 19th century, the Japanese enjoyed increased access to literature from abroad, had an urbanized population that supported a vigorous publishing industry, and perfected the technology of woodblock printing. These three developments jointly produced an extraordinary marriage of text and art, a marriage that enriches us all today.
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