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Product Details
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| 1. It's You Tonight | |||
| 2. Christi Girl | |||
| 3. Beverly | |||
| 4. She's Leaving | |||
| 5. Angry Young Man | |||
| 6. Wait Till Next Week | |||
| 7. Sold Your Heart | |||
| 8. You're Not The Police | |||
| 9. Taking Inventory | |||
| 10. No Promise | |||
| 11. Gone Too Far | |||
| 12. Misunderstanding | |||
| 13. Girl From Germany | |||
| 14. She's Not The Girl | |||
| 15. Muscle Beach | |||
| 16. I Won't Wait Another Night | |||
| 17. I Wanna Stay All Night | |||
| 18. Walking Through The Park | |||
| 19. My Little Angel | |||
| 20. Fourth Of July | |||
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Most Helpful Customer Reviews
2 of 2 people found the following review helpful:
5.0 out of 5 stars
Outstanding package for a didn't -quite,
This review is from: Bright Lights (Audio CD)
This is a fabulously packaged multimedia CD devoted to an obscure power pop/punky group from the first wave. Disclaimer: I helped record some of the material here, and briefly did their live sound.The Flashcubes began as a dyed-blonde punky outfit in 1976, the center of the local Syracuse NY scene. The dominant country-rockish scene just hated them. I mean -hated- them. They were fun and in your face. They are and were DIY-ers, and put out their first single on their own label (and this compilation). Sadly, it was the unrepresentative "Christy Girl", which is a slow, pleading ballad; It was to their repertoire what "Good Riddance" is to Green Day. The next single, "Wait til Next Week", was stronger, but maybe the moment had passed without anyone noticing. In '79 they changed personnel, replacing their punk heart with a more skilled musician, and recorded an album worth of demos that went nowhere. We did get to open for Pat Benatar at Toads in New Haven (whoop-de-do!). The standout track is cut #20, one of the '79 studio sessions, "Fourth of July". It ought to be a staple of AOR stations' independance day marathons, played somewhere around 10:45 pm. It's haunting, chiming, resonant, and goes to a deeper emotional level than anything else here. The rest is a pleasant snapshot of the '77-'80 springtime of pop punk, before it collapsed with the raising of the drinking age from 18 to 21. Because it's from Syracuse, it's not as cynical as the NY, LA, or SF punks; maybe that was a commercial weakness! Bassist Gary Frenay has released "Jigsaw People" and "Armory Square", also carried by Amazon.
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Unfortunately forgotten power pop,
By
This review is from: Bright Lights (Audio CD)
The Flashcubes were basically screaming out for an official release - having never assembled an actual album in their day (the late 70's), this compilation is basically a debut and a greatest "hits" at the same time. For the most part, the music within is power pop that owes just as much to the Ramones as the Raspberries, keeping it fresh and usually uptempo if not always stunning. There are more than a few moments here that will find the playlists of any true pop fan, and considering this is a compilation of various underground recordings, the production is pretty awesome. Great pic of Joey Ramone and Rick Nielsen holding a "Christi Girl" vinyl single in the liners, also.Best Tracks:
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Paradise Lost and Found,
By sdewjr (CT USA) - See all my reviews
This review is from: Bright Lights (Audio CD)
In 1977, the Flashcubes were a blast of power pop relief for Syracuse kids hungry to cut loose from the grip of disco and the fumes of California rock. For those of us who lived through all that, this CD brings back great memories. For anyone else, it's a window on an exciting time when live music mattered and bands honed their skills in small clubs packed with kids from town and local colleges. For about three years, the Flashcubes ruled upstate New York. The music here is still crisp and fresh, with great hooks and tight harmonies. "No Promise" is a song that could have been a huge hit, and there's not really a bad song here. "Got No Mind" is a high-speed live Ramones-type song that ends the disc, with a fade out as the band goes straight into a full throttle version of "Dizzy Miss Lizzy." This CD is well worth it. Now we need a live Flashcube CD from that era that includes those great covers including "Soldier of Love" and "Every Time You Walk In The Room."
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