1 of 1 people found the following review helpful:
3.0 out of 5 stars
BBC Murder Mystery with Janet Suzman, May 11, 2008
This review is from: Bright Smiler [VHS] (VHS Tape)
"BRIGHT SMILER" - A BBC TV Murder Mystery Thriller. As seen in the US on PBS. Not available on DVD. From GRANADA Ent. the producers of
Poor Girl A Ghost Story,
This Lightning Always Strikes Twice (1985)and
Haunted the Ferryman.
When Avon Eve ( janet suzman ) an attractive Hollywood screenwriter comes to the Bolton Health Spa she is hoping for a period of rest and recuperation. However little does she realize how restless her stay will become to the point of murder. The clever woman attempts to resolve a vicious serious of murders explained as accidents. Revealing and compelling performance by Janet Suzman.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars
Heavy-Handed Didacticism From Fay Weldon., June 23, 2005
This review is from: Bright Smiler [VHS] (VHS Tape)
A videotaped work of less than one hour, this item is from A British television programme entitled "Time For Murder", a studio situation series comprised of six crime related melodramas, of which this is the weakest because of Fay Weldon's screenplay wherein the novelist unsuccessfully attempts to infuse constituents of fantasy and satire in the service of her habitual feminist subject matter. Avon Eve (Janet Suzman), renowned screenwriter working in Hollywood, returns to her native England to restore her energy level at the Bolton Hall Health Hydro, there undergoing a chain of imposed treatments, such as fasting, yoga, and mudpacks, receiving as well ministrations of masseuse Sonja (Jane Asher) who is patently unbalanced and who tells the writer a story about her former connection with Bolton Hall. Sonja's account, seen largely in flashback and with frequent employment of voiceover commentary by Avon, relates of her 11 years of painstaking effort while reconstituting the original Bolton to a restored state, a labour of love as Sonja is exceedingly smitten with the owner of the property, Sir Jonathan Sibley, who convinces her to forsake a promising career in ballet before jilting her, and who has returned to the site as a client, along with his wife for whom he threw over the masseuse, now maddened to an apparently homicidal level. The actors perform their largely undemanding roles very capably, Asher an engaging standout as the titular character, playing Sonja during several stages of her life, and there is a pleasingly jaunty score from Paul Lewis, but the real star of the production is makeup artist Glenda Wood whose work here with age related characters is top-flight; 'tis unfortunate that such skills as are in evidence are victimized to the sacrifice of believability and logic, each to a didactic exigency of providing what is an unduly predictable script.
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