Brigitta is a young faery of the White Forest, a oasis of safety in a wide, threatening world. Her concerns are familiar: attempting to impress the cool older fairies; wondering what she'll be when she grows up; and trying not to let Himalette, her younger sister, drive her completely insane.
Just days before the Forest's Hourglass of Protection is reset for another cycle, Brigitta chases after the troublesome Himalette. A sprite casts a spell that tints them both blue just before a blinding light flashes through the trees. The sisters soon discover that all creatures in the White Forest, except themselves, have turned to stone. Worst of all, the sands of the Hourglass have nearly run out. If the faery Elders can't be restored in time to conduct the necessary ritual, the White Forest will cease to be.
The sisters' only hope is to traverse the dangerous Dark Forest in search of Hrathgar, a faery banished long ago for an unknown, unspeakable crime. Will the faeries learn to work together? Will their quest be completed in time? And will Brigitta figure out, not only who she is, but who she's meant to become?
No, I'm not going to tell you. You have to read the book.
First, how much do I love this cover? It is absolutely stunning, as are, I've discovered, all the works of artist Julie Fain. In full awareness that I'm a total geek, I'm seriously tempted to purchase several prints to give to my friends and/or hang in my office. This cover will sell Brigitta of the White Forest all by itself.
I was very impressed by depth of imagination represented in this book. The fairies of the White Forest have history, mythology, culture, and class structure. Their setting is detailed right down to the creatures, flowers, and stones, each with its characteristics and interconnections. Dinsmore's world-building is so complex and extensive that Brigitta of the White Forest contains a 20-page lexicon, a feature that younger kids will appreciate. I found myself drawn into the setting with the interest of a biologist exploring a new ecosystem.
Because the world is so fascinating, I was especially disappointed that I never quite connected with the characters. As I reader, I felt I was living on the surface of Brigitta's skin, rather than experiencing her story from the inside out. I suspect this may have something to do with the author's background as a script writer, because in plays and movies, the actor contributes as much to our understanding of, and empathy with, a character as the script itself. In this interview, Dinsmore says that getting into her characters' heads is both freeing and scary. I hope that in future volumes of Faery Tales From The White Forest, she'll allow her characters to be as rich and deeply imagined as their world has become.
Brigitta of the White Forest is a good choice for middle-graders who enjoy the Kendra Kandlestar Chronicles, R. J. Anderson's Faery Rebels, and kids who've outgrown the Rainbow Magic series.