Customer Reviews

Bring on the Bad Guys: Origins of the Marvel Comics Villains

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I'd argue, "sure." Here in Bring BACK the Bad Guys we witness the origins/first appearances of famous baddies Galactus, The Mandarin, Kingpin, Kang/Rama Tut and others. We are treated to a reprinting of GIANT-SIZE AVENGERS #2, which alone may be worth this book's price since it is virtually impossible to find anywhere. The other reprints are enjoyable (except for Fin Fang Foom's -- what the heck is HE doing in here?), especially a Professor X-Magneto flashback tale.

BRING ON THE BAD GUYS: ORIGINS OF THE MARVEL COMICS VILLAINS was the third in a trilogy of origins anthology the House of Ideas published back in the mid-'70s, before GRANDSON OF THE ORIGINS OF MARVEL HEROES and BRING BACK THE BAD GUYS came along much later. BRING ON THE BAD GUYS features the origins and/or debut appearances of six of Marvel's most notorious ne'er-do-wells. And the Abomination also shows up. These stories are absolutely classic back-in-the-day stuff, taking us back to when Marvel Comics was still wet behind the ears, when Stan "the Man" Lee bogarted all the words and a stable of legendary comic book artists regularly brought Stan's stories to visual life.

It's fitting that Marvel's most infamous villain would kick things off. FANTASTIC FOUR #5 recounts the FF's first run-in with everyone's favorite imperious monarch and sorcerer scientist Victor Von Doom, and it involves tons of time travel and the Thing, gigged out in pirate clothes, launching a legend on the high seas. Then FANTASTIC FOUR Annual #2 details Dr. Doom's backstory and how he almost became college roommates with Reed Richards. Here come six magical words: Stan Lee writes, Jack Kirby draws.

Earth's Sorcerer Supreme, Doctor Strange, flaunts his own kooky rogues gallery - Baron Mordo, Nightmare, Shuma-Gorath, etc. - but maybe his most well known adversary is the Dread Dormammu, that old scorchy face from another dimension. Reprinted material from 1964's STRANGE TALES #126 & 127 showcases Stan Lee's words and Steve Ditko's marvelously offbeat (and even abstract) illustrations. We also get first sightings of the lovely Clea and the brutish Mindless Ones.

Norse mythology never was more bombastic than when Stan Lee was chronicling the epic adventures of Thor the Thunder God. Lots of times, the bee in his bonnet, the fly in his ointment, the pea in his mattress is his step-brother Loki, the God of Evil. The reprinted "Tales of Asgard" backup segments from JOURNEY INTO MYSTERY #112, 113, & 115 give us Loki's backstory. The main story from issue #115 also features Thor whaling on the Absorbing Man, as well as more of Loki's mischief. And those six words again: Stan Lee writes, Jack Kirby draws.

Was there ever a more despicable guy than the Red Skull? For Captain America, Herr Johann Schmidt headlines the list of evil nasties. Reprinting the Captain America bits from TALES OF SUSPENSE #66-68 (Cap shared that title with Iron Man back in the day), we get an adventure set in World War II as Cap and Bucky match brawn and wits against the original Red Skull (who, by the way, predates even Marvel Comics), except that Cap succumbs to the Skull's mind-control chemical. Later, Cap must foil the Skull's attempt to hijack Project Vanish. Again, Stan Lee & Jack Kirby.

The Goblin, it's obvious, is one of Stan Lee's favorite creations. His foreword to the Goblin's section here rhapsodies over the fact that the Goblin is one of the most dangerous villains around, and yet is an honest-to-gosh good guy in his civilian identity (remember this is in the early days looooong before Dark Reign). Reprinting AMAZING SPIDER-MAN (Vol. 1) #40, we get the first telling of the Green Goblin's origin but alas we're still left in the dark regarding that weird cornrow thing Norman Osborn has got happening on his scalp. Meanwhile, there's Peter Parker held captive and unmasked by the Goblin and having just now learned that the Goblin is his best friend's father. This is the kind of soap opera Stan Lee loves to inject in superhero comics. John Romita, Sr. provides the classic smooth artwork.

The Leader isn't in these pages but I just like mentioning that his forehead is so humongous that whenever he furrows his brow in deep thought, even calculus gets scared. The Leader was supposed to be a match for Bruce Banner when it came to the clever, but enemy spy Emil Blonsky - a.k.a. the Abomination - was slated to be bigger and stronger than the Hulk, except that, of course, no one's stronger than the Hulk. Reprinting TALES TO ASTONISH #90-91, a story arc rife with misdirected feats of strength and the usual associated anger management issues. And I guess it should be mentioned that, in this story arc, the unearthly Stranger has influenced the Hulk's mind, causing the Hulk to rampage even more than usual. Stan Lee is the scripter, Gil Kane the dynamic artist.

Finally, SILVER SURFER (Vol. 1) #3 tells a tale of brimstone and nobility, of how Jesus Chri - er, the Surfer stands up to that grand personification of Evil, Mephisto, with the soul of the Surfer's beloved Shalla Bal at stake. Stan Lee... blah blah blah, and John Buscema submits truly beautiful artwork. I've honestly never seen the guy draw better, and he adds a truly epic, mythical vibe to the story.

A big honking bonus to this trade collection is that each segment comes with a lengthy Stan Lee intro, this giving the reader a behind-the-scenes peek at the Man's creative processes and specifically his insights concerning the complexity and ambiguity of his super-villain roster. Just don't drown in all that alliteration.

This is another in the excellent series of compilations that Marvel Comics produced in the middle of the 1970s. They changed the focus with this volume, and decided to highlight some of their bombastic, bigger than life supervillains.

Of course, you get the heroes tagging along in the conflict, but you can't go wrong with Doctor Doom and Dormammu for example, and how they came to be.

I am not sure what the other reviewers were talking about or expecting when they complained about the art in this book. Comic book art should, by defintion, be exagerrated and cartoonish, in order to have a more immediate visual impact. The artists featured in this excellent collection - Kirby, Ditko, Byrne, et al - represent some of the finest artists to ever work in the field of comics.

The stories are wonderfully imaginative, the characters seem as real as people I know, and the narratives are gripping. So what are you waiting for, True Believer? Get your hands on a copy of this titanic tome! 'Nuff said!

Some people here have called the artwork in this book clunky & not very good when compared to the Artwork in Comics today. These people don't know what they are talking about. How do I come to that conclusion? Because I once said the same thing to the owner of a comic book store. Not just any comic book store, but one which dealt specificaly with buying and selling vintage comic books. I remember saying that the Steve Ditko artwork on the first 38 Original Spiderman issues was terrible. I'll never forget..the owner had this incredulous look on his face, and told me that this was "Comic book Art" and not "Let's draw something as realisticaly as possible Art!" With that in mind, I went home and looked at the Steve Ditko Spiderman issues again and came to slowly realize......"I must have been crazy!....He's absolutely right!" For myself, this is part of the genious of "Bring on the Bad Guys!". And this is especaily true of my personal favorites in this book.....the origins of Doctor Doom, Loki, and of course.....Thee Red Skull! What fun they must have had in creating these classics!

Well yes, it has some very first appearances of classic marvel villains but the artwork is obviously not worth the money. Only two or three story are visually appealing and entertaining. The cost DEFINITELY does not justify the returns.

This has the origins of villains Dr. Doom (vs Fantastic Four), Loki (vs. Thor), Red Skull (vs Captain America), Green Goblin (vs Spiderman) and Abomination (vs Hulk) and first appearances of Dormammu (vs Dr. Strange) and Mephisto (vs Silver Surfer).

The Good: You get to see Dr. Doom without his mask on!

The Bad: The artwork and story telling is of average quality. Since the stories are from the old issues, the artwork appears very clunky. The Loki tale is poorly done.

Well yes, it has some very first appearances of classic marvel villains but the artwork is obviously not worth the money. Only two or three story are visually appealing and entertaining. The cost DEFINITELY does not justify the returns.