This comprehensive biography presents the achievements of Brion Gysin, a multi-faceted artist whose work has influenced performers such as David Bowie and Mick Jagger. Recalling the heady atmosphere of the so-called Beat Hotel in Paris in the late 1950s and 1960s, it features first-hand reminiscences by contemporaries, plus a biographical essay and chronological listings. The book explains the invention of the cut-up technique and Brion Gysin's productive literary collaboration with William Burroughs. As well as looking at his work as a sound poet and performance artist, it features reproductions of his paintings and graphics, and examples of his permutated poems and other writings.
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Gysin (1916-1986) was a U.S.-born cultural provocateur whose first 40 years found him, after a Canadian adolescence, flitting from career to career, as poet, painter, set designer (he assisted Irene Sharaff on a sheaf of major Broadway musicals in the 1940s), historian of the system of slavery in Canada and international gadabout in the homosexual coterie of Paul Bowles, Denham Fouts and Cecil Beaton. When he became involved with William S. Burroughs at the so-called "Beat Hotel" in Paris in 1959, Gysin made a leap into literary and hipster history by inventing the "cut-up," joining together ripped sections of newspaper to form a nonlinear yet theoretically readable text. (Burroughs used this method, he claimed, in writing his novels The Soft Machine and Nova Express.) Gysin also invented the "Dream Machine," a strobe-heavy sort of orgone box designed to drive its users into the systematic derangement of the senses foretold by Rimbaud. The debate about Gysin will always be whether he was a lightweight gadfly or a great Leonardo-type genius with tragically limited appreciation of his accomplishments. This book, coming out of a 1998 Gysin retrospective at the Edmonton Art Gallery, includes a plethora of Gysin documents and suggestive texts by a variety of art writers and Gysin geeks, should put Gysin's detractors on the defensive. He did everything, and most of it's here: He showed with Picasso, posed for Carl Van Vechten, led Brian Jones to the Pipes of Boujouka in Morocco, preached the gospel of kif, recorded a kind of spoken-word jazz with Steve Lacy and used the Dream Machine to help design dozens of abstract "calligraphic" pictures (among 195 color and 60 b&w illustrations here). The individual reader, of course, will decide whether it all means anything-or everything.
Copyright 2003 Reed Business Information, Inc.
Copyright 2003 Reed Business Information, Inc.
About the Author
Jose Ferez Kuri has been researching the life and work of Brion Gysin since 1986; in 1998 he was co-curator of the major Gysin retrospective held at the Edmonton Art Gallery.
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
5.0 out of 5 stars
hello- thank you,
By Blood Sonsaeng (Aliso Viejo, CA) - See all my reviews
This review is from: Brion Gysin: Tuning in to the Multimedia Age (Paperback)
If you like art/ calliraphy, this book is for you.
Why did Burroughs (and so many others) revere this man? This book will tell you why. The reproductions are top notch and the bios are not to be missed.
4 of 4 people found the following review helpful:
4.0 out of 5 stars
Excellent overview of Gysin,
By The Passionate Ornithologist (Alameda, CA) - See all my reviews
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This review is from: Brion Gysin: Tuning in to the Multimedia Age (Paperback)
Gysin's work is on par with (and goes beyond) abstract painters such as Mark Tobey. His combines Zen brush painting with a cosmonaut's vision. Stare long enough at his work and find your own "Port of Entry." Included in the book are his early surrealist drawings and desert scenes--very difficult to find reproductions of these. My only disappointment with the book is the long biographical bit lifted straight from the Geiger biography. Anyone truly interested in Gysin would own both books! I would've also liked to read more about Gysin's meetings with Genesis P'Orridge. These are very minor things and definitely do not mar the book's presentation. A truly remarkable book. Hats off to the author!
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