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British Satire and the Politics of Style, 1789-1832 (Cambridge Studies in Romanticism)
 
 
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British Satire and the Politics of Style, 1789-1832 (Cambridge Studies in Romanticism) [Hardcover]

Gary Dyer (Author)

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Book Description

0521563577 978-0521563574 July 28, 1997
Gary Dyer breaks new ground by surveying and interpreting hundreds of satirical poems and prose narratives published in Britain during the Romantic period. These works have been neglected by literary scholars, satisfied that satire disappeared in the late eighteenth century. Dyer argues that satire continued to be a major and widely-read genre, and that contemporary political and social conflicts gave new meanings to conventions inherited from classical Rome and eighteenth-century England. He includes a bibliography of more than 700 volumes containing satirical verses.

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Editorial Reviews

Review

"...Gary Dyer's British Satire and the Politics of Style, 1789-1832 makes a much needed contribution to our sense of the period." Studies in English Literature, 1500-1900

"Dyer's book is an important beginning to a needed reappraisal of Romantic satire. His mapping of the field establishes benchmarks from which future studies will profit." David A. Kent, Romantic Circles Reviews

"...a convincing case for the ongoing importance of Johnson's example as an access to central issues in eighteenth-century studies." Helen Deutsch, Modern Philology

"Every student of the period will fond something to discover in this list, and anyone who has worked along the fringes of the Romantic Canon will appreciate the hard work and scrupulous scholarship it represents." Wordsworth Circle

"British Satire and the Politics of Style is a worthwhile book, a useful introduction to a neglected body of writing...Dyer's is a valuable study...a very welcome contribution." Studies in Romanticism

Book Description

Gary Dyer breaks new ground by surveying and interpreting hundreds of satirical poems and prose narratives published in Britain during the Romantic period. These works have been neglected by literary scholars, satisfied that satire disappeared in the late eighteenth century. Dyer argues that satire continued to be a major and widely-read genre, and that contemporary political and social conflicts gave new meanings to conventions inherited from classical Rome and eighteenth-century England. He adds a bibliography of more than 700 volumes containing satirical verses.

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Inside This Book (learn more)
First Sentence:
The writing of satire in Britain was transformed in a number of ways between the French Revolution and the Reform Act of 1832, and these changes belong to a complex history that cannot be reconstructed using only The Poetry of the Anti-Jacobin, a few Byron and Thomas Love Peacock works, and Shelley's fragmentary satire against satire. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
satirical prose narrative, satire domesticated, playful muse, formal verse satire, eighth satire, verse satirists, poetical epistle, satirical fiction, prose satires, first satire, satirical poem, satirical poetry, poetic speaker, satiric attack, verse satires, satirical novel, current ministry
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Headlong Hall, English Bards, Nightmare Abbey, Great People, Peter Bell the Third, Peter Pindar, The Vision, Horne Tooke, The Baviad, French Revolution, New Morality, Vivian Grey, Corn Laws, Silver Fork, George Daniel, Anstey's New Bath Guide, Byron's Vision, Crotchet Castle, Parliamentary Letters, Prince Regent, Six Weeks, West End, William Gifford, Jane Taylor, Lady Morgan
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