Britten: Spring Symphony / 5 Flower Songs / Hymn to St. Cecilia, Opp. 27,44,47

Alison Hagley (Artist), Catherine Robbin (Artist), John Mark Ainsley (Artist), Emma Preston-Dunlap (Artist), Peter Mitchell (Artist), Richard Savage (Artist), Benjamin Britten (Composer), John Eliot Gardiner (Conductor), Philharmonia Orchestra (Orchestra), Monteverdi Choir (Performer) | Format: Audio CD

Product Details

• Performer: Monteverdi Choir
• Orchestra: Philharmonia Orchestra
• Conductor: John Eliot Gardiner
• Composer: Benjamin Britten
• Audio CD (June 10, 1997)
• Number of Discs: 1
• Label: Deutsche Grammophon
• ASIN: B000001GYN
• Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #79,318 in Music (See Top 100 in Music)

Track Listings

1. Spring Symphony Op. 44: Part 1: Introduction: 'Shine Out, Fair Sun'

2. Spring Symphony Op. 44: Part 1: The Merry Cuckoo

3. Spring Symphony Op. 44: Part 1: Spring, The Sweet Spring

4. Spring Symphony Op. 44: Part 1: The Driving Boy

5. Spring Symphony Op. 44: Part 1: The Morning Star

6. Spring Symphony Op. 44: Part II: Welcome Maids of Honour

7. Spring Symphony Op. 44: Part II: Waters Above

8. Spring Symphony Op. 44: Part II: Out On The Lawn I Lie In Bed

9. Spring Symphony Op. 44: Part III: When Will My May come

10. Spring Symphony Op. 44: Part III: Fair and fair

11. Part III: Sound The Flute

12. Spring Symphony Op. 44: Part IV: Finale: 'London To Thee I Do present'

13. Hymn to St. Cecilia Op. 27: I. 'In A Garden Shady'

14. Hymn to St. Cecilia Op. 27: II. 'I Cannot Grow'

15. Hymn to St. Cecilia Op. 27: IIII. 'O Ear Whose Creatures'

16. Five Flower Songs Op. 47: 1. To Daffodils

17. Five Flower Songs Op. 47: 2. The Succession Of The Four Sweet Months

18. Five Flower Songs Op. 47: 3. Marsh Flowers

19. Five Flower Songs Op. 47: 4. The Evening Primrose

20. Five Flower Songs Op. 47: 5. Ballad Of Green Broom

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

5.0 out of 5 stars Britten Fare, March 31, 2006

By 

Brett A. Kniess (Madison, WI) - See all my reviews

This review is from: Britten: Spring Symphony / 5 Flower Songs / Hymn to St. Cecilia, Opp. 27,44,47 (Audio CD)

Benjamin Britten left England to avoid the conflicts that were brewing in Europe, but living in America, he realized his voice was England's, and so Britten returned to England in the early 1940's realizing it was his home, and a new musical voice arose in him. His music, which up to that point, wholly embraced modernity, now also encompassed the English Nationalist sound as well, creating a distinctive, personal compositional style. The three works on this disk represent choral works after he returned to England: Spring Symphony, Five Flower Songs and Hymn to Saint Cecilia.

The Spring Symphony is scored for large orchestra, numerous percussion, mixed chorus, children's chorus, and soprano, alto, tenor soloists. In four movements, each has subsections describing some aspect of spring. The texts are taken from a wide variety of English poets: W. H. Auden, William Blake, John Milton, Robert Herrick, etc. The first movement (Introduction, Merry Cuckoo, Spring Sweet Spring, The Driving Boy, and The Morning Star) shows the wealth of variety in Britten's imagination. The dissonant opening describes nasty winter (with vibraphone) while the chorus beckons the sun to some out. The Merry Cuckoo, for tenor and accompanied by 3 trumpets, is a fanfare of the opening of spring; while Spring Sweet Spring is an evocation of the coming spring, in dance time, complete with soloist bird calls. The children's chorus sings what could be a folk song it is so upbeat and catchy in a charming description of the Driving Boy, with soprano solo; and the Morning Star hails the coming of spring with chorus and brass alone. The second movement (Welcome Maids of Honor, Waters Above, and Out on the Lawn) is the symphonic equivalent of the slow movement. Invocations dedicated to virgins and spring, spring rain, and the spring constellations and departed, are uniquely put into musical terms. The third scherzo movement (When Will My May Come?, Fair and fair, and Sound the Flute) speak of love and frivolity with spring in an ecstatic manner. The finale is a raucous waltz, complete with cow horn (London, Do Thee I Present) a personalized invitation to England to welcome spring. The 41 minute symphony uses so many techniques, varying orchestrations, and texts surrounding spring, it is really an experience like no other.

St. Cecilia is the patron saint of music and musicians, often depicted with an organ. Britten sets a text by W. H. Auden and put the work in three contrasting sections for unaccompanied chorus. The opening has a lilting feel, but very homophonic, almost organ-like, with gently shifting harmonic colors. The second section is a patter song in imitation, taken here at lightning speed. The third section is prefaced by a return of the opening, before a march-like declamation in basses and horn-like calls in other voices. The work is beautiful, terribly difficult, Hymn to Saint Cecilia. It is standard choral repertoire, too often butchered; this is a great British reading, if not the finest on CD. Also unaccompanied, the Five Flower Songs carry the "spring" theme to its conclusion. Almost like secular motets, or a collection of songs, the pieces display Britten's inventive and varied styles, even without instrumentation. The texts are assorted English texts, again including Robert Herrick among others. The voices seem orchestrated, and take on the quality of an instrumental ensemble in their interesting voicings. Again, standard repertoire, each are a miniature choral masterpiece, balancing the delicate, whimsical, and passionate.

John Eliot Gardiner, with the Philharmonia Orchestra and the Monteverdi Choir, give inspired, clean, fresh performances. This music, really not well known to the public, especially the Spring Symphony, is presented with energy, humor, and commitment. The DG sound is a sonic delight, featuring the 4-Dimension digital recording; especially the crisp, clear voices, not just from the excellent choirs, but also across the orchestra. The soloists featured on the disk are fine, as well as the Salisbury Cathedral Children's Choir. If you like Britten, you will definitely enjoy this disk. If you are interested in some "different" choral music, these are really first-rate performances and moving compositions. Recommended.

2 of 2 people found the following review helpful:

4.0 out of 5 stars Good performance of a very tough work, September 23, 2005

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Santa Fe Listener (Santa Fe, NM USA) - See all my reviews
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This review is from: Britten: Spring Symphony / 5 Flower Songs / Hymn to St. Cecilia, Opp. 27,44,47 (Audio CD)

The lilting title of "Spring Symphony" is misleading--this is one of Britten's thorniest works, and for me very hard to like. Gardiner gives a good-enough performance, not quite up to Previn's on EMI, which has much better vocal soloists, and nowhere near the composer's own version, wich unfortunately comes in mono only.

3 of 4 people found the following review helpful:

5.0 out of 5 stars A Completely Charming Recording of Britten's Spring Music, February 1, 2006

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Grady Harp (Los Angeles, CA United States) - See all my reviews
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This review is from: Britten: Spring Symphony / 5 Flower Songs / Hymn to St. Cecilia, Opp. 27,44,47 (Audio CD)

John Eliot Gardiner conducts the Philharmonia Orchestra and Chorus of London is three fine works in praise of spring and music in this excellent recording. Not that the initial recording of the magnificent and far too infrequently performed Spring Symphony Opus 44 conducted by Britten himself with a trio of brilliant soloists (now deleted from the recordings available), or the splendid recording of the work (with the Four Sea Interludes from 'Peter Grimes') by Andre Previn, the London Symphony and also a fine trio of soloists will be replaced by this CD, but the variation in approach to this complex work deserves all the recordings possible.

Gardner takes a very transparent approach to the Symphony and the result is a performance of crisp precision and delicacy. The soloists he has selected may not be big names but they each have pliant voices and superb enunciation of the poetry that makes this recording the most understandable of those available. Each of the poems is approached with the care of communication Britten demanded and the result is a captivating performance.

The added pleasure of this CD is the presence of the a capella 'Hymn to St. Cecilia' Op. 27, which again Gardner conducts with maximum effort to clarity of diction and mood. The soloists are excellent. The final offering is, appropriately the a capella choral work Five Flower Songs Op. 47. This type of programming is typical of Gardner's style and the three works together give a perspective of Benjamin Britten's genius not often heard. Highly Recommended. Grady Harp, February 06