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Most Helpful Customer Reviews
21 of 21 people found the following review helpful:
5.0 out of 5 stars
Dark,
This review is from: Brodeck: A novel (Hardcover)
In giving Philippe Claudel a second chance (after leaving "By a Slow River" not wholly impressed), I hoped Claudel would learn from the failures of that previous book and find a tighter storyline and a clearer purpose. While Claudel maintained his beautifully written style and often a sense of distance from the story itself, "Brodeck" ends up as the best of both worlds, a beautifully interesting story that does more than just amble along.
Be warned: "Brodeck" is not a fast paced book. It has no intention of racing through pages at a breath-taking speed. Instead, narrator Brodeck calmly tries to arrange his thoughts on paper, essentially leading to three stories. In one, Brodeck tells about life before the unnamed war (easily the second world war), in another, he tells of his war experiences (clearly the camps) and in the third he tells of the "Anderer", the "other", a man who suddenly and strangely appeared in Brodeck's town after the war. These three stories develop side-by-side in a rather non-linear fashion: hints in regards to each are dropped along the way but they're not meant to surprise, necessarily. The story simply grows and becomes clearer as Brodeck tells his tale. This is not much of a Holocaust tale, even as the remarkable unnamed parallels become clear. The story focuses less on the horror of the war and more on consequences. It shrinks a giant story and presents one man, one town, one situation. The story does not ever feel tired or old; rather, its anonymity gives it new light. While aspects of the setting seem set in stone, each reader leaves the book with their own impressions regarding certain aspects, with their own interpretations and their own crystal clear image of the story. It helps that "Brodeck" is beautifully written. Claudel sticks to the flowing elegance of "By a Slow River" but gives it a slight nudge, leading to a story that actually moves along. Each chapter adds and leads into the next, even as the stories shift and change. It's difficult to set this book aside for long without wanting to understand more about these perfectly drawn characters. Brodeck may be the main character, but he is far from the only one: Claudel manages to create an entire diverse town, full to the brim with whole characters. Whether it's a strange eccentric man, the town priest, the mayor or a whole range of human characters, each man woman and child feels real and speaks truly. Even as Claudel (through Brodeck) prefers to highlight the bad, sparks of humanity and good still emerge on occasion, despite the dark undertones to the story. "Brodeck" is an excellent book that will stick with readers for a long time to come. It is a dark story, representing (for the most part) the dim parts of human nature, traveling deep into gray/black murky waters. It is not meant to be a quick cheerful tale, but "Brodeck" is powerful, fascinating and wonderfully written. It'll be hard to leave "Brodeck" without feeling slightly changed or at least feeling more aware of certain things. Whether the characters draw you in, the plot appeals to you, or Claudel's clear, elegant prose attracts you, "Brodeck" is worth the time. Highly recommended.
6 of 6 people found the following review helpful:
5.0 out of 5 stars
A haunting masterpiece,
By
This review is from: Brodeck: A novel (Hardcover)
It is after the Second World War, but Claudel's descriptions often call to mind a more ancient world of monumental, gnarled villagers; and the way he writes about scenery evokes now some illuminated manuscript, now paintings by Brueghel. The village is not named, but we are obviously in Alsace: the villagers have German names, and they use words in a twisted (invented?) German dialect.
Brodeck is one of them, but, unlike the others, he is far from monumental. He is timid and quivers with anxiety after his appalling experiences in a concentration camp from which he had recently returned. (There are hints, never made explicit, that he was of Jewish origin.) He has an insignificant job reporting to the local administration on the state of the local paths and streams, fauna and flora. The villagers have murdered a man who had come to the village from Outside and whom from the beginning they had called the `Anderer' [sic - the Other], and later, more ominously, the `Fremder' [Foreigner]. Brodeck had not been present at the murder, but because he is a reporter, the villagers force him to write a report for the mayor of the village to pass on to the authorities. He had not been present because he was himself something of an Outsider, having been brought to the village as an orphan child soon after the First World War, and then having returned to it from the camp when those who had denounced him to the Germans had presumed him dead. (Just how much of an Outsider or `Fremder' he has always been considered emerges later.) It is clear from the start that the task he has been given is dangerous: for before he can carry it out, he has to question himself and others about the circumstances which had led to the murder. He zigzags back and forth between shards of memory. Many of course concern the enigmatic Anderer who had been seen sketching or writing things into his notebooks, but who hardly ever spoke. The tension that builds up around him grips not only the villagers, but the reader also. Other memories recall Brodeck's horrifying past experiences: the inhumanity of men in the mass, a murderous city riot, life and death in the camps. We learn how the villagers had behaved under the occupation of the Germans, who are referred to throughout as `Fratergekeime' [brother brood? because they spoke the same language?]: the betrayals of frightened collaborators, willing collaborators, penitent collaborators. None of them can now bear to see the truths about themselves. Brodeck recalls oppressive heat and freezing cold (the weather often plays the part of a chorus), smells of cooking, of smoke, of farm animals, of ordure, of decaying corpses and of perfumes. There is his love - its pathos becomes clearer as the story progresses - for his wife, his young daughter, and for the wise old woman who has looked after him as nurse and housekeeper ever since she had brought him as an orphan to the village. There are some near-surrealistic incidents, and passages rich in similes and symbolism. A haunting work of art.
8 of 9 people found the following review helpful:
5.0 out of 5 stars
Breathtaking,
By Sandy "reader" (Mesa, AZ USA) - See all my reviews
This review is from: Brodeck: A novel (Hardcover)
I'm sorry I've finished reading it; I didn't want it to end. But I couldn't stop reading. Brodeck is the story of a man, his village, and a visitor. And the story is three tales in one.
The biggest story is the backdrop of history, of camps in a nation that has undergone cleansing. We can't be certain the character is talking about Nazi Germany, but we can be fairly comfortable with that analogy. Or...perhaps the biggest story is that of the visitor, the traveler, and an event that occurs in this village, already scarred by fear, suspicion, and a decided lack of kindness. Or...maybe the biggest story is about the report that our protagonist Brodeck must write, is asked to write, to explain the situation with the visitor. And in collecting interviews, we learn about the villagers, their dark hearts, and their consciences which ought to be guilty. Crowd psychology, what fear will make people do. I'm taken by the non-linear presentation, yet it flowed like silk. The natural environment, the Valley, the secrets and suspicions. The things I read that I still question - particularly the reality of some things. I won't forget this book. Nor his name.
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