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A Broken Beauty [Hardcover]

Theodore L. Prescott (Editor), Bruce Herman (Foreword)
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

March 2005
"A Broken Beauty" reproduces recent artworks by fifteen North American postmodern artists who explore nontraditional notions of beauty in the human body.

These powerful, haunting works introduce brokenness — physical, mental, and spiritual — into their renderings of human figures. Bearing witness to the surprising beauty found in moments of suffering, loss, and injury, they turn Western ideas of beauty on their head and inside out. In variously striking and often moving ways these works challenge viewers to contemplate the body's capacity for beauty despite the brokenness that characterizes the human condition.

In addition to exquisite color reproductions, the book contains five informative essays on art and religion by respected art historians and curators. Theodore Prescott and Timothy Verdon write about the meaning of human embodiment and its role in the creation of art. Lisa deBoer explores the human figure as expressed in Northern Renaissance art. Gordon Fuglie contributes two essays, one on shifting attitudes about beauty during the past century and one that reflects in depth on the message of the art found in "A Broken Beauty."

Also serving as the exhibit catalog for "A Broken Beauty: Figuration, Narrative, and the Transcendent in North American Art," a show with scheduled stops in Canada and the United States, this volume not only helps people see and think afresh about issues of human concern but also offers a new, beatific vision of hope — a badly needed virtue in our troubled times.

Featured artists: Gabrielle Bakker, Stephen De Staebler, Gaela Erwin, Erica Grimm-Vance, Richard C. Harden, Bruce Herman, Edward Knippers, Timothy Grubbs Lowly, Mary McCleary, John Nava, David J. Robinson, Joel C. Sheesley, Melissa Weinman, Patty Wickman, Jerome Witkin



Editorial Reviews

About the Author

Theodore Prescott, a sculptor and art writer, is Distinguished Professor of Art at Messiah College, Grantham, Pennsylvania. He is also a founder and past president of Christians in the Visual Arts (CIVA).

Product Details

  • Hardcover: 135 pages
  • Publisher: Wm. B. Eerdmans Publishing Company (March 2005)
  • Language: English
  • ISBN-10: 0802828183
  • ISBN-13: 978-0802828187
  • Product Dimensions: 12.3 x 9.3 x 0.7 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #254,911 in Books (See Top 100 in Books)

 

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13 of 13 people found the following review helpful:
5.0 out of 5 stars A landmark exhibition, August 30, 2005
By 
Gabriel R. Meyer (Los Angeles, CA USA) - See all my reviews
(REAL NAME)   
This review is from: A Broken Beauty (Hardcover)
Suffering poses one of the central dilemmas of the modern age -- an era that, arguably, with its world wars and mass genocides has inflicted more of it and on a vaster scale than any other in recorded history. What meaning can human suffering have in a world paradoxically devoted to notions to salvation through technology, on the one hand, and, on the other, to an aesthetics of despair that, in the name of authenticity, refuses all invitations to hope?

"A Broken Beauty" boldly enters into this nexus with a presentation of contemporary figurative painting and sculpture that both engages with contemporary themes and, with equal if not greater daring, shows with what power and versatility classical artistic forms and iconography still speak to the human condition today.

There's nothing facile about the work or the attitude on display in these pages. The art of this landmark exhibition does not assume that Christianity, or that artists of faith have easy answers to either the dilemmas of modernity or to the ongoing crises of postmodernist aesthetics. What "A Broken Beauty" does assume is that classical Christian and artistic perspectives direct an important challenge to an art world that appears to have lost faith in itself, and, indeed, perhaps in the value of the artistic enterprise. In "A Broken Beauty," there is the fragmentation, the "brokenness," that is part and parcel of modern consciousness, but there is also beauty, the perception, however "darkly" glimpsed, of original wholeness, of the transcendent value of the body, and of human life itself.

While there is much to praise, the catalogue's essays, particularly the defining ones by editor Theodore Prescott and the exhibition's curator Gordon Fuglie, are worth the price of admission. They rarely settle arguments, but none of the five essays plays it safe, either; none casts anxious glances in the direction of the latest academic theories (that alone is refreshing!). Each essay is full-blooded, passionate and informative as it tries to situate this landmark effort in the context of its historical antecedents, and, even more importantly, in the context of today's profound aesthetic crisis. If we ever manage to free ourselves from the debilitations of a half century or more of the aesthetics of despair, it will be due to efforts such as this, to the kind of bravery and vision exhibited in "A Broken Beauty."
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5.0 out of 5 stars Excellent text on contemporary & historic issues of Beauty!, November 8, 2009
This review is from: A Broken Beauty (Hardcover)
This is an exemplary text.

I have used it as required reading in a MFA course I teach on The Body in Art to inform our dialog on beauty and abjection. The dialog is always lively, and the response to the text from the students is very positive. It is informative on the history of beauty, idealization, comedy, contemporary mistrust of beauty in The Art World and a possible reframing of beauty through the works of contemporary artists.

Gordon Fuglie's essay, "Beauty Lost, Beauty Found..." contains a great presentation on a couple of possible definitions of beauty based on the works of Meyer Schapiro and a Neo-Thomist model. That segment alone has provided some of the most teachable moments in my classes. Not just in terms of beauty, but how artwork is interpreted, used & critiqued.

I strongly recommend this book for anyone interested in art, the body, beauty, and what they mean.
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