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Product Details
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| 1. The High Road |
| 2. Vaporize |
| 3. Your Head Is On Fire |
| 4. The Ghost Inside |
| 5. Sailing to Nowhere |
| 6. Trap Doors |
| 7. Citizen |
| 8. October |
| 9. Mongrel Heart |
| 10. The Mall and Misery |
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Most Helpful Customer Reviews
84 of 90 people found the following review helpful:
4.0 out of 5 stars
A phenomenal pairing,
By
Amazon Verified Purchase(What's this?)
This review is from: Broken Bells (Audio CD)
When James Mercer, singer/guitarist for the Shins, and producer Brian Burton (Danger Mouse) announced in the fall of 2009 that they would be releasing an album together as Broken Bells, it instantly became one of the most anticipated alternative albums of 2010. Instead of becoming just another Danger Mouse collaboration saturated with samples, every instrument was played and recorded in the studio.Mercer went through some evolution for this record as well. Although his work on the Shins' records often required high register vocals, his voice breaks into the falsetto range on Broken Bells as well as dropping into the lower depths of his capability. Where many collaboration albums often fall into a competition for influence, Mercer and Burton embrace each other's strengths which results in an extremely well balanced blend of the two artists' styles. The first track, "The High Road," opens sounding very much like another Gorillaz track. This should come as no surprise since Danger Mouse produced their second record, but after twenty five seconds of waiting for Damon Albarn's trademark vocals, the music transitions into a track much more comparable to the Shins' previous releases. On the following track, "Vaporize," Mercer is given the introduction before Burton's influence fades into the mix. Easily the catchiest song on the album, "The Ghost Inside" is Danger Mouse's only true feature song. With a beat resembling that of "Kids With Guns" on the Gorillaz album Demon Days, and falsetto vocals reminiscent of Burton's other major project, Gnarls Barkley, "The Ghost Inside" is as close as Broken Bells gets to a club worthy hit. Even though Mercer's vocals are not as distinctive on this track as they are on the rest of the album, his presence is still felt and the final verse loses the falsetto, giving Mercer's voice a chance to shine. Time will tell if Mercer and Burton join forces for a follow up to this incredible debut, but their chemistry is undeniable. Broken Bells is a short record, ringing in at less than forty minutes, but there isn't a single track that hasn't been carefully crafted by the two artists. Mercer's distinct voice over a live Danger Mouse instrumentation is enough to engage anyone who has enjoyed past work by either artist and if it does turn out to be the duo's only release, it will not be forgotten. Similar Artists: The Shins, Gorillaz, Beck Track Suggestion: The Ghost Inside
33 of 39 people found the following review helpful:
5.0 out of 5 stars
Early Contender for Album of the Year,
By Remaster Addict (Baltimore, MD) - See all my reviews
This review is from: Broken Bells [+Video] (MP3 Download)
Danger Mouse is on a roll and this collaboration with James Mercer of The Shins is beautifully unexpected. I was expecting something similar to his work on Beck's Modern Guilt, Gnarl Barkley, Gorillaz, or Damon Albarn's Good, Bad & the Queen.Danger Mouse (aka Brian Burton) plays his own instruments rather than sampling while bringing the same melodic intensity. Mercer brings his signature vocals. Together, the result is immediate and exactly what 2009 was lacking IMO. Worth the price at any price.
7 of 7 people found the following review helpful:
5.0 out of 5 stars
The bell loudly tolls...,
By
This review is from: Broken Bells (Audio CD)
Broken Bells is producer du jour Dangermouse's latest musical venture comprising himself and vocalist James Mercer from Indie band The Shins. The pair say songwriting was shared 50/50 and the result is an album comprising 10 tracks, which are experimental and melodic, with sonic variety.Everything stands out really, from opening "The high road" with guitars and soothing harmonies, the acoustic Beatles-meets-U2 "Vaporize", to the groovy falsetto-sung "The ghost inside" (which wouldn't sound out of place on Gorillaz new CD). The psychedelic "Sailing to nowhere" is delicate with ghostly harmonies, "October" has a lovely piano refrain, while "The mall & misery" has a Middle Eastern feel. My favourite track is "Mongrel heart" with a wavy groovy baseline, cascading harmonies, and a string/mariachi horn break, simply stupendous! Hopefully, we'll be hearing more from the pair.
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