From Publishers Weekly
The author of
Einstein's Daughter and
Violette's Embrace, Zackheim delivers the epic life of a woman whose art and survival become ever more tightly bound with passing years. With her firebrand parents dead at the close of WWI, Sophie Marks lives out a protracted childhood aesthetics lesson in the pre-WWII English Midlands with her painter grandfather Eli and poet grandmother Claire. At the Slade School of Art in London, Sophie falls for French student Rene; she returns home pregnant and abandoned. Hitler's bombings bring terror and hardship, and a direct hit upon the family's cottage leaves Sophie bereft. Afterward, in a convalescent sanitarium, Sophie's romance with the shell-shocked and disfigured Maj. Hugh Roderick ends in tragedy, but not before the two exchange portraits. Sophie again returns to her barren homestead and undertakes a very complex form of mourning in her grandmother's garden. Over the 200-plus pages of Sophie's next 55 years, Zackheim introduces the novel's major theme of art as a series of interments and disinterments, new ground being broken as old ground is plundered. Her postwar heroine displays ample pluck and depth of feeling in the face of trauma.
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Review
This is a beautiful novel, sometimes comic and always wise. Visual artist Zackheim (Violette's Embrace) imbues the novel with her deep knowledge of the art world, from techniques to agents to the world of galleries. Highly recommended for medium-sized and larger libraries --
LIBRARYJOURNAL, October 2007With soaring lyricism, Zackheim limns an exquisitely haunting portrait of an indelibly scarred, yet deeply passionate, woman. --
Booklist, October 1, 2007
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