The Broken Tower: The Life of Hart Crane (Paperback)

~ (Author) "WHEN HAROLD HART CRANE walked out of the canyoned sunlight of Grand Central into the cold air of Manhattan four days after Christmas, 1916, he..." (more)
Key Phrases: New York, Isle of Pines, Hart Crane (more...)

Editorial Reviews

Amazon.com Review

In addition to several volumes of poetry, Paul Mariani has also written biographies of major 20th-century American poets: William Carlos Williams, Robert Lowell, and John Berryman. In his fourth biography, he takes on the life of Hart Crane (1899-1932), a contemporary of Williams who held a similarly pivotal role in the development of American literature's avant-garde. "It would be difficult," Mariani suggests, "to find a serious poet or reader of poetry in this country today who has not been touched by something in Hart Crane's music." (However, at the time, many critics--with some of whom he had strained personal relationships--did not evaluate his work so highly, which contributed in part to Crane's dramatic suicidal leap off a ship at sea.) Crane loved New York, moving there from his hometown of Cleveland as soon as he could; even when financial straits forced him to return home to work for his father, the "white buildings" of Manhattan loomed in his imagination. The Broken Tower does a fine job of recreating the passionate energy and vitality of Crane's life. Mariani weaves lines from Crane's letters and poems into his narrative throughout, and while he does not skimp in his accounts of the poet's alcoholism and promiscuous sex life with other men, he treats these matters simply as components of the poet's complex personality. --This text refers to the Hardcover edition.

From Publishers Weekly

The first account of Crane to embrace his homosexuality and to assess its place in his poetry, Mariani's biography illuminates previously shadowy corners of the writer's life. John Unterecker's Voyager appeared 30 years ago, only a few months before the Stonewall protest helped to galvanize a movement that, by now, has done away with the qualifications and apologies so long applied to gay writers and their work. Mariani, who has written lives of John Berryman, Robert Lowell and William Carlos Williams, does not have Unterecker's (or the first Crane biographer Philip Horton's) advantage of having interviewed many who knew Crane. But he compensates by quoting more extensively, and tellingly, from Crane's correspondence, one of the most revealing and insightful of the literary 20th century. Mariani also has a better grasp on Crane's complex relationship with his parents, especially in his sensitive portrayal of Crane's father (the inventor of Life Savers candy), who heretofore has been treated as a stereotypical philistine. Mariani also clears up many misconceptions about Crane's final despairing months in Mexico and his sole tormented heterosexual affair. The one flaw in Mariani's research is that he has not drawn on the existing collections of the papers of Crane's closest friends and associates, such as Waldo Frank, Yvor Winters and Gorham Munson. All these individuals appear here through Crane's eyes. Perhaps Mariani is compensating for his predecessors' propensity to depict Crane through the recollections of others, but a more balanced approach would have strengthened the book. His occasionally florid style notwithstanding, Mariani does the necessary work of throwing sympathetic light on Crane's sexuality, and makes a convincing case for Crane as one of the greatest American poets of the century.
Copyright 1999 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Product Details

• Paperback: 512 pages
• Publisher: W.W. Norton & Co. (April 2000)
• Language: English
• ISBN-10: 0393320413
• ISBN-13: 978-0393320411
• Product Dimensions: 9 x 6 x 1.2 inches
• Shipping Weight: 1.4 pounds (View shipping rates and policies)
• Average Customer Review: 4.1 out of 5 stars  See all reviews (8 customer reviews)
• Amazon.com Sales Rank: #388,771 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

10 of 10 people found the following review helpful:

4.0 out of 5 stars A Late American Romantic, July 13, 2002

By	Robin Friedman (Washington, D.C. United States) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

This review is from: The Broken Tower: A Life of Hart Crane (Hardcover)

In a short, wild, and mostly unhappy life, Harold Hart Crane (1899-1932) became -- Hart Crane -- a major figure in 20th Century American poetry whose reputation has grown with time. His life became the stuff of legend. Hart Crane left an unhappy home at the age of 17 to live in New York City and follow his dream to become a poet. Without any formal education -- he did not finish high school -- he used his inborn gifts and wide reading to quickly become important to New York's literary culture and community. His first book, White Buildings, is a collection of short, difficult imagistic poetry. His second book, The Bridge, is a lengthy poem offering a mystic, highly personal account of America, its past and its future, using the Brooklyn Bridge is its chief symbol.

Crane's life was one of excess. From late adolesence, Crane drank heavily. He spent a great deal of time in underworld sex picking up sailors in the harbors of New York, all the while trying to conceal his sexual identity from his parents. Towards the end of his life, his behavior grew increasingly violent and self-destructive. He was jailed on several occasions in New York, Paris, and Mexico. Near the end, he did have what seems to be his only heterosexual relationship with Peggy Cowley, the divorced wife of the critic and publisher, Malcolm Cowley. Crane committed suicide when he returned with Peggy Cowley from Mexico in 1932 by jumping off the deck of a ship. He was all of 32.

Published in 1999, Mariani's biography commenmorates the Centennial of Crane's birth. It gives a good detailed account Crane's life. The poetic focus of the book is The Bridge. (some critics see White Buildings as the stronger, more representative part of Crane's work.) Mariani shows how Crane conceived the idea of his long poem and how he worked on it fitfully over many years. He also shows the difficulty Crane had in completing the work at all -- given his alcoholism. sexual promiscuity, difficulty in supporting himself, and bad relationship with his separated parents. But complete the work Crane did. It presents a mythic, multi-formed vision of the United States stretching from the Indians to our day of technology. There is much to be gained from this poem. I have loved it for many years and Mariani's discussion of the poem and its lenghty creation is illuminating.

Crane was a romantic in his life and art. Frequently, Mariani refers to him as the "last romantic", but this is an overstatement. I was reminded both by Crane's dissolute life and by his work of the beats -- particularly of Kerouac -- and the vision of America that they tried to articulate. With a Whitman-type vision of a mystical America encompassing all, the beats share and expand upon the romanticism of Hart Crane.

Mariani's book covers well Crane's tortured relationship with his parents. It includes great discussions of literary New York City and of Crane's friends. It shows well how Crane was captivated by New York. We see Crane going back and forth between Clevland, New York, Paris, Mexico and Hollywood in a short overreaching life. But most importantly, we see the creation and legacy of a poet. Mariani does well in describing the poems and in reading these difficult texts in conjunction with the poet's life and thought.

Crane's literary output was not extensive. Several of his poems are part of the treasures of American literature. These poems include, for me, "Voyages" (a six-part love poem from the White Buildings collection), "At Melville's Tomb" and other lyrics from White Buildings, The Broken Tower, Crane's final poem, and, of course The Bridge.

Mariani gives a good account of Crane. As with any biography of this type it is not definitive. I hope it will encourage the reader to explore and reflect upon Crane's poetry and achievement.

12 of 13 people found the following review helpful:

4.0 out of 5 stars A great biography despite some problems, June 7, 1999

By A Customer

This review is from: The Broken Tower: A Life of Hart Crane (Hardcover)

This is an extremely readable and enlightening bio of one of our greatest poets. The book falters slightly at the end, failing to surpass Unterecker's description of the last days in Mexico. There are also patches of purple prose and an apparent tendency to play fast and loose with the facts. Mr. Mariani makes many minor errors (e.g. Waldo Frank's City Block is a novel; H. P. Lovecraft was from Providence RI and the quotes are from his letters; Aaron Copeland was not present at the Greenwich Village party at which Crane read; etc.). He appears to have embellished, as well, as when he "quotes" Samuel Loveman as he foils a Crane suicide attempt. Mariani has invented the dialog. He also fails to note that the elderly Loveman was notoriously unreliable--the entire episode may be a fabrication. Taken individually, these errors mean little. Taken collectively, they indicate that this book must be approached with caution from a scholarly perspective. But it still makes a great read.

7 of 7 people found the following review helpful:

4.0 out of 5 stars Crane without the closet, January 4, 2002

By	KSG "ksgnyc" (New York, NY United States) - See all my reviews

An extremely well written biography of Hart Crane, America's first great modern poet, recreates a fascinating time in the US when the artists of New York lived in cold water flats and drank prohibition liquor (Crane seems to have drank the most). The author deals with Crane's homosexuality as an integral part of his art (as it should be) which apparently has not been the case up until now. My only complaint is that there is too much made up dialogue between Crane and his friends. After awhile you begin to feel you have entered the land of fiction instead of biography. The author presents Crane's horrible relationship with his tyrannical father as the cause of much of his short life's misery.