13 of 16 people found the following review helpful:
4.0 out of 5 stars
The Poet and the Activist, May 17, 2005
Aasmaani can`t let go of her history: fourteen years ago her mother, Samina Akram, a political activist, disappeared, assumed dead. Samina was the ardent follower of the Poet, Nazim, whose work reflected the injustices and excesses of the Pakistani government through various stages of social and political upheaval, civil war, repression and religious fanaticism. Aasmaani cannot, or will not, release her mother, a woman who moved in and out of the young girl's life, following the Poet into exile, living nearby when he was imprisoned.
Now in her 30's, Aasmaani has begun work at a cable television network, where she is introduced to the handsome son of a famous retired actress, Shenaz Saeed. The actress is about to return to the screen in a cable soap opera. Another face from Aasmaani's past, Saeed was formerly a close friend of Samina`s, especially in the difficult years after the Poet's death. When the actress passes along a letter received from an anonymous fan, Aasmaani is shocked to find it written in the secret code used by her mother and the Poet. She is soon obsessed with the letters, translating and authenticating details, searching for remnants of truth: "He was still alive. Oh, dear God, he was still alive."
The novel works on two levels, the Poet's role reflecting the ills of a society in transition and a young woman's urgent need to unburden herself of lifetime of grief for a lost mother and father-figure. The novel speaks to the power of words in an age of repression, the character's actions cast against the turbulent history of Pakistan since its inception. The Poet is beloved because he dares tell the truth, a metaphor for democracy, holding society responsible for its actions. Samina is just as powerful in her role as an advocate for women's rights, her passion and integrity a valuable weapon against injustice.
Aasmaani is in an untenable position as the daughter of such a woman, torn between the need for her mother and belief in the cause, always sharing her Samina, either with the people or the Poet. Aasmaani is fragile for most of her life, but this rite of passage calls her to recognize her true heritage, her own identity: "Sometimes I feel like I've spent my whole life missing Mama." How does a daughter not resent living in the shadow of her mother's greatness and find peace with the memories she has left? Now Aasmaani is desperate to prove one of them alive, clinging to possibility.
In the end, I am conflicted about this novel. I persevered through the author's lengthy political discourses and the esoteric dialog of the Poet and his lover, trusting the integrity of the characters, even the stubborn, if formidable Aasmaani, who exhausts everyone who loves her. Her psychological distance remains palpable, inaccessible. Aasmaani walks with the gods, refusing to acknowledge their humanity or her own. She has infinite passion for the Poet and the Activist, but no compassion, protected in the ivory tower of her intellect. Shamsie's protagonist has no tolerance for the flawed or the ordinary, yet the story's facile resolution is duplicitous, an author's conceit. Luan Gaines/2005.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Literature and a good story, March 30, 2010
It took me over a week to read this book, twice of what I'd normally have taken. This is because I'd linger over a phrase, a paragraph and often go back and read the whole page all over again. I stretched out the reading to savour the experience. I don't remember the last time I wanted to do that with a book.
The story of Aasmaani Inquilab is interesting enough. If the story moves at a slightly slower pace than one is used to in the current fare, it is more than made up for by how beautifully language is used. Kamila Shamsie makes an art out of writing as well as story-telling with 'Broken Verses' and excels in both.
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4 of 6 people found the following review helpful:
5.0 out of 5 stars
Shamsie's back with a BANG!!, July 20, 2005
Based in Pakistan, this is a touching tale about a mother-daughter relationship. Thirty-one year old Aasmani is still dealing with the disappearance of her mother seventeen years ago, and sorting through her feelings of rejection, resentment and jealousy. Shamsie's style is gripping from cover to cover. Her first thriller is impossible to put down - I read it, beginning to end, from 11pm to 6am! The characters have a way of getting under your skin. The only flaw I found with the book is that the end doesn't quite hold together. But I guess that could be excused since it provides the surprise element. The novel gives an insight into the political life in Pakistan and portrays the plight of women under the Hudood ordinance. Paradoxically, it offers a glimpse into the lives of an unexpectedly liberal and unorthodox section of Pakistani society. The novel is perfect for a rainy day (preferably a Sunday) when you can curl up in your blanket, sip on a cup of warm chai, nibble on hot pakodas and relish Shamsie's creation at leisure.
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