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31 of 31 people found the following review helpful:
5.0 out of 5 stars
Very Satisfying!, January 4, 2001
This film is an underrated gem. If you're looking for a bloodbath mobster movie, this is not it. A Bronx Tale is a movie with heart--and it just so happens to be about mobsters. Kudos to Robert De Niro on his directorial debut (may he direct many more movies). He did an outstanding job of presenting a slice of life in the Bronx of the 1960s. Though his role as Lorenzo Aiello is rather small, its effect is felt profoundly throughout the movie as Lorenzo's son Calogero struggles between right and wrong. Lorenzo, representing the upstanding, hardworking Everyman, wants the best for his son and doesn't want him to choose life with the mob. Sonny, the neighborhood mob boss, also wants what's best for Calogero, or C, as he nicknames him. The moment in the film where this struggle is most keenly felt is when Lorenzo and Calogero are at the boxing match sitting in the "nosebleed" section. One of Sonny's henchmen invites Lorenzo and Calogero down front at ringside, but Lorenzo declines the offer. You can see how hard it is for Calogero to refuse those seats. But he is torn by the love he feels for his father, and wanting to be ringside with Sonny. The most poignant moment is when he apologizes to his father for wanting to sit with Sonny and tells Lorenzo that he appreciates his seat, though it's far away from the ring. Another interesting, though more subtle, aspect of the movie was how Rosina, Lorenzo's wife, questioned Lorenzo's refusal to get involved with Sonny. You could see that she wanted a better life than the wife of a bus driver, and she didn't seem to be too concerned with how it was achieved. That would have been an interesting angle to explore, but the movie didn't suffer because it wasn't explored. The element of racial tension and the inclusion of an interracial romance for C gave A Bronx Tale a more gritty feel. It wasn't hard to boo C's knuckleheaded friends as they harrassed blacks who passed through "their" neighborhood. The romance between Jane and C was tastefully done, and the actors who played the roles gave authenticity to the sweet, awkward relationship. Remember Sonny's door test? Well, I was practically praying and crossing my fingers that Jane would unlock that door! But the film belonged to Francis Capra (young Calogero) and Chazz Palminteri (Sonny). The nine-year-old Capra was so convincing as a child who was perplexed by the difference between good and bad and all the gray areas in between. Palminteri really shines as Sonny, the suave but dangerous hood. The film is based on his childhood, and I think he did a wonderful job (along with De Niro) of bringing the story to the screen. Useless bit of trivia I read on another site: Palminteri's real name is Calogero Lorenzo Palminteri.
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