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Bronze by Gold: The Music of Joyce (Border Crossings)
 
 
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Bronze by Gold: The Music of Joyce (Border Crossings) [Hardcover]

Sebastian D.G. Knowles (Editor)

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Book Description

April 1, 1999 Border Crossings (Book 3)
The contributors to this volume investigate several themes about music's relationship to the literary compositions of James Joyce: music as a condition to which Joyce aspired; music theory as a useful way of reading his works; and musical compositions inspired by or connected with him.

Editorial Reviews

Review

The essays to which this reader will most likely return to are those by McCourt and Reilly, each of which deepens our knowledge of the culture out of which Joyce's work grew: Hepburn, whose political and psychological perspective to the study of Joyce and music: and Martin, who offers a definitive account of an important episode in Joyce's musical life.
–The Comparist

What distinguishes D.G. Knowles's collection...is its interdiciplinary character....
–English Literature in Transition

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Inside This Book (learn more)
First Sentence:
This essay combines two separate approaches to the question of James Joyce and Dublin music. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
fuga per canonem, soggetto cavato, dark pinewood, sweet imprisonment, solitary hotel, invocatory drive, musical allusions, song settings, call instrument, distant music
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Gaiety Theatre, Carl Rosa, Leinster Hall, James Joyce, Finnegans Wake, New York, Theatre Royal, Queen's Royal, Royal Italian Opera, Ballet Mécanique, The Bohemian Girl, Book of Days, Don Giovanni, John Cage, Oxford University Press, The Ballad of Persse O'Reilly, The Lily of Killarney, University of Illinois Press, Gottfried Keller, Robert Cunningham, Cavalleria Rusticana, Portrait of the Artist, Richard Ellmann, Cambridge University Press, Dun Laoghaire
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