O Brother, Where Art Thou? (Soundtrack)

Various artists | Format: MP3 Music

Product Details

• Original Release Date: December 5, 2000
• Release Date: December 5, 2000
• Label: Mercury Nashville
• Copyright: (C) 2000 Mercury Records, a Division of UMG Recordings, Inc.
• Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
• Total Length: 1:00:31
• Genres:
  • Country
• ASIN: B001O03NCW
• Average Customer Review: 4.7 out of 5 stars  See all reviews (665 customer reviews)
• Amazon Best Sellers Rank: #647 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)
  • #77 in MP3 Downloads > MP3 Albums > Country

Most Helpful Customer Reviews

218 of 221 people found the following review helpful

5.0 out of 5 stars A fantastic soundtrack from a fantastic movie May 11, 2001

By Scott Johnson

Format:Audio CD

The Coen brothers have worked their magic again with their excellent film "O BROTHER, WHERE ART THOU?" The unique vision and perspective of the film is rivaled only by the excellence of its soundtrack, which might just be the best movie soundtrack I've heard.

Quite simply, there is not one weak track on this CD, period. Not one. There are highlights, to be sure, but the greatest aspect of this soundtrack might be that the diverse array of recordings and styles presents the listener with something new to appreciate every time they play the CD.

Some tracks deserve special mention, however. Ralph Stanley's "O Death" is a haunting, passionate song , especially if one recalls the scene in which it appears during the movie. "Down In The River To Pray" by Alison Krauss is another excellent track; when my friend heard the the harmonies of this song, so wonderfully ethereal and poignant, she simply said: "that's beautiful." And the Peasall Sisters are outstanding on "In The Highways," singing with the innocence of children but harmonizing like adults as well.

In my opinion, however, the true gems of this soundtrack are the recordings by the Soggy Bottom Boys, featuring Tim Blake Nelson and Dan Tyminski. "In The Jailhouse Now" is just fun to listen to, and knowing that Tim Blake Nelson and John Tuturro actually sang their parts for the movie rather than lip-synching adds an authenticity that is hard to get from Hollywood these days.

"I Am A Man Of Constant Sorrow" is, however, the spiritual center of the movie and the most outstanding part of the soundtrack. In the movie, George Clooney did such an excellent job lip-synching that moviegoers swore he was really singing the tune. It was actually the work of Dan Tyminski, though Tim Blake Nelson and John Tuturro again sang their own parts. This song simply sticks in your head and stays there, and for once that's a good thing. Tyminski's vocals are outstanding, and the two recordings are distinctive enough that one appreciates both versions being included on the soundtrack.

Another noteworthy aspect of this CD is the liner notes by the Coen brothers, who unabashedly lament the disappearance of this style of music from Nashville in favor of 'modern country music.' It is an interesting perspective from two filmmakers who always seem to have something important to say through their art.

102 of 105 people found the following review helpful

5.0 out of 5 stars Who needs a review? December 31, 2000

By A Customer

Format:Audio CD

At first I was thinking: why even review this? I suspected that most people wouldn't need the help of a review when deciding whether to buy this particular CD--they probably saw the movie and realized at about thirty seconds in to "Man of Constant Sorrow" that they had to have the soundtrack. But then I thought, people might be taking a look over the track list because of one or two favorite artists, trying to decide if they really want to take the plunge. If that description fits you: don't hesitate. Buy it. This is perhaps the most sublime compilation ever arranged of Americana: a mix of folk, blues, bluegrass, and gospel music, the full effect of which transcends period or genres. After getting this, I have about three or four new artists on my wish list for buying new CDs.

Outstanding tracks are both vocal versions of "Man of Constant Sorrow," "Down In The River To Pray," "O Death," "Hard Time Killing Floor Blues," and "I'll Fly Away," but you can listen to this from beginning to end, over and over, and not easily tire. As someone else pointed out, this is not like other soundtrack CDs--there are no weak links or unevenness here, no filler. Every cut is grade-A choice. Some, in fact, are dangerously addictive. I've owned the CD less than a day and played "Man of Constant Sorrow" about twenty times now. I feel like a rat pushing its lever again and again to get a buzz of sheer bliss.

63 of 64 people found the following review helpful

5.0 out of 5 stars Stark, Ancestral, Remarkable April 15, 2001

By Don Thomason

Format:Audio CD

When an album of old-time music goes platinum and hits #1 on the country chart with no significant radio airplay, one may rightly wonder what the hell is going on. The star power of George Clooney in this depression-era Coen Brothers film may have drawn attention, but the soundtrack stands on its own as a remarkable achievement. The 19 rustic tracks here are mountain music, primitive gospel, and the hobo vein of folk, the ancestors of bluegrass and country. You can feel the desperation, simplicity, and reverence of another era through performances by Ralph Stanley, Gillian Welch, Norman Blake, Emmylou Harris, Alison Krauss, John Hartford, Chris Thomas King, the Fairfield Four, the Whites, the Cox Family, and others, along with a field recording of a chain gang ("Po Lazarus" by James Carter & the Prisoners), Harry McClintock`s 1928 hobo fantasy "Big Rock Candy Mountain," and the Stanley Brothers classic "Angel Band." Union Station takes on the musical identity of the three star characters onscreen, known as the Soggy Bottom Boys, and their stark, unvarnished renditions of "I Am a Man of Constant Sorrow" and "In the Jailhouse Now" are arresting. Ditto for Ralph Stanley, who raises the hairs on the back of the neck with his acapella mountain singing on "O Death," and the Fairfield Four on "Lonesome Valley." The emotional purity and grit of this soundtrack will take the buildup of the plaque of modern living and peel it right off.