| ||||||||||||||||||||||||||||||||||||
Product Details
Would you like to update product info or give feedback on images? |
Quite simply, there is not one weak track on this CD, period. Not one. There are highlights, to be sure, but the greatest aspect of this soundtrack might be that the diverse array of recordings and styles presents the listener with something new to appreciate every time they play the CD.
Some tracks deserve special mention, however. Ralph Stanley's "O Death" is a haunting, passionate song , especially if one recalls the scene in which it appears during the movie. "Down In The River To Pray" by Alison Krauss is another excellent track; when my friend heard the the harmonies of this song, so wonderfully ethereal and poignant, she simply said: "that's beautiful." And the Peasall Sisters are outstanding on "In The Highways," singing with the innocence of children but harmonizing like adults as well.
In my opinion, however, the true gems of this soundtrack are the recordings by the Soggy Bottom Boys, featuring Tim Blake Nelson and Dan Tyminski. "In The Jailhouse Now" is just fun to listen to, and knowing that Tim Blake Nelson and John Tuturro actually sang their parts for the movie rather than lip-synching adds an authenticity that is hard to get from Hollywood these days.
"I Am A Man Of Constant Sorrow" is, however, the spiritual center of the movie and the most outstanding part of the soundtrack. In the movie, George Clooney did such an excellent job lip-synching that moviegoers swore he was really singing the tune. It was actually the work of Dan Tyminski, though Tim Blake Nelson and John Tuturro again sang their own parts. This song simply sticks in your head and stays there, and for once that's a good thing. Tyminski's vocals are outstanding, and the two recordings are distinctive enough that one appreciates both versions being included on the soundtrack.
Another noteworthy aspect of this CD is the liner notes by the Coen brothers, who unabashedly lament the disappearance of this style of music from Nashville in favor of 'modern country music.' It is an interesting perspective from two filmmakers who always seem to have something important to say through their art.
Outstanding tracks are both vocal versions of "Man of Constant Sorrow," "Down In The River To Pray," "O Death," "Hard Time Killing Floor Blues," and "I'll Fly Away," but you can listen to this from beginning to end, over and over, and not easily tire. As someone else pointed out, this is not like other soundtrack CDs--there are no weak links or unevenness here, no filler. Every cut is grade-A choice. Some, in fact, are dangerously addictive. I've owned the CD less than a day and played "Man of Constant Sorrow" about twenty times now. I feel like a rat pushing its lever again and again to get a buzz of sheer bliss.