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34 of 35 people found the following review helpful:
1.0 out of 5 stars
Loaded with errors, November 12, 2008
The MUSIC on these New Order reissues get a 5/5, easily. However, there were far too many egregious mistakes made in the creation of the discs themselves to give them a pass. Only the first discs were re-mastered though they still have some problems, it is the bonus discs that are an absolute mess.
Warner Music/Rhino know about these problems, but there is yet no word on any forthcoming fixes. So I'd hold off until these issues are addressed.
Noted below are the specific problems with the Brotherhood reissue:
1, Paradise
2, weirdo
3, As it is when it was
4, Broken promise
5, Way of life
6, Bizarre love triangle
7, All day long
8, Angel dust
9, Every little counts
10, State of the nation
Brotherhood - bonus disc
1, Bizarre love triangle (shep pettibone remix)
2, 1963 - Clicks at 0:04, 0:25, 0:28, 0:30, 0:39, 0:46, 0:55, 1:14, 1:37, 1:56, 2:03, 2:07, 2:14, 2:42, 3:07, 3:29, 3:40, 3:54, 4:25, 4:32, 4:34, 4:40, 4:55, 5:00, 5:16, and 5:25. "Stutter" at 3:36. In addition, "the track has a lot of clipping"
3, True Faith (shep pettibone remix)
4, Touched by the hand of god - Dubious sound quality, clicks, pops and digital glitches at: 0:08, 0:13, 0:15, 0:23, 0:29, 0:39, 6:53, 6:58, and 7:00.
5, Blue Monday `88
6, Evil dust - "sounds like it was recorded directly from vinyl", "crackles or some sort of skip at the start"
7, True Dub - Not what it says: plays a 1994 Tall Paul "eschreamer dubbier" remix
8, beach buggy - Not what it says: plays Blue Monday 1988 (dub version)
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
"That's the only thing about it...", February 7, 2002
This is New Order's most experimental album, and arguably one of their best. I'm not sure why its never mentioned along with albums like PC&L's and Low-Life. This may sound unpopular, but I truly believe its superior to either of those efforts. Both side one and side two have their own distinctive yet coherent sound. I will admit that "Paradise" is not as strong as an opener as "Love Vigilantes" or even "Age of Consent", but the tracks "Weirdo" and "Way of Life" are simply lovely and upbeat pop songs. "BLT" needs no discussion. "All Day Long" has an extremely off-the-wall contrast between the music and the lyrics (which are very good-child abuse), but it doesn't end up ruining this highly uplifting piece, which resolves itself with a lengthy instrumental exchange that is one of the band's finest moments. Finally, "Every Second Counts" reminds us that while New Order is passionate about what they do, they still have a sense of humor that can coexist with all the beauty. The song begins with a Lou Reedish tempo, but concludes sounding much more like the chaotic ending of the Beatles "A Day in the Life." Personally, I think its second only to Technique.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Every track is great, October 27, 2001
I bought this album on vinyl the day it was released (September 1986), and it still remains fresh to my ears. It is relentlessly inventive, energetic, emotional, and original. And, being New Order, it's obtuse yet accessible all at once. Though it's an almost impossible decision, I might actually call this their best album, if only for sheer consistency of excellence and depth of ideas -- I've never understood why Brotherhood is usually slagged, even by the band themselves. (This is from someone who can sing from memory most New Order and Joy Division songs.) Previous reviewers are right when they say it's a more rock-oriented album than Substance -- at least side one. But to me, New Order were never anything but a rock band wrote songs that happened to be danceable, and Brotherhood keeps with the tradition of blending the electronic and acoustic that has marked every one of their albums (except, perhaps, Republic). Every track is rich, warm, and intense -- the production (by the band) is perfect, with every sound exactly as it needs to be. It's more for listening than for dancing, but it's hard not to move -- or be moved. The wistfulness, mystery, and feeling in the lyrics is both inspiring and disarming, and the music speaks just as loudly. In my opinion, this was their last truly brilliant album (the retrospectives don't count, Technique is not quite to the same level, Republic is forgettable, and Get Ready is quite good but marred by weak lyrics), and I expect to still be listening to it in another 15 years. I wish I could say the same for the side projects, which just don't have the magic for me -- they are so good as a band, and have such a distinct sound, that it's just not all there when they are working apart from each other. Brotherhood and the albums that preceded it are everlasting.
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