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Brown-Eyed Girl [Hardcover]

Virginia Swift (Author)
4.6 out of 5 stars  See all reviews (8 customer reviews)


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Book Description

March 22, 2000

Sally Alder is a couple of ears past her wild youth as the hard-drinking, guitar playing, hell-raising singer known as Mustang Sally. But then she's grown with age, She's wiser and more coolheaded now, and, more important, Sally has learned how to keep a secret. It's a good thing, too, because she's going to need every advantage she's gained in order to handle the job she's just taken.

Imagine having to move from LA to Laramie to get a thrill.

A professor of history at UCLA, Sally has just been offered the hugely endowed and deliciously secretive Dunwoodie Distinguished Chair in American Women's History at the University of Wyoming. Job description: Move into the late Meg Dunwoodie's posh residence in Laramie (the only one of its kind) and, with sole proprietors of her papers, construct the definitive Meg Dunwoodie biography--without telling anyone anything about it.

Sally Alder is a couple of ears past her wild youth as the hard-drinking, guitar playing, hell-raising singer known as Mustang Sally. But then she's grown with age, She's wiser and more coolheaded now, and, more important, Sally has learned how to keep a secret. It's a good thing, too, because she's going to need every advantage she's gained in order to handle the job she's just taken.

Imagine having to move from LA to Laramie to get a thrill.

A professor of history at UCLA, Sally has just been offered the hugely endowed and deliciously secretive Dunwoodie Distinguished Chair in American Women's History at the University of Wyoming. Job description: Move into the late Meg Dunwoodie's posh residence in Laramie (the only one of its kind) and, with sole proprietors of her papers, construct the definitive Meg Dunwoodie biography--without telling anyone anything about it.

In this town, rumors abound and secrets are practically nonexistent.

Of course, everyone knows that Sally has been hired to poke through old Meg's papers, and a lot of people think that somewhere among them sits a treasure map that could lead to a fortune in gold Krugerrands. Oneway or another, most of Laramie is determined to getinto Meg Dunwoodie's house.

There are break-ins, a curious sheriff, gossipy friends, and avaricious faculty at the university. And, if that isn't enough to distract Sally from her research, sexy Hawk Green has shown up to rekindle a romance Sally thought was gone forever.

But all this goes deeper and the stakes are higher thanSally could have imagined. As she delves intoMeg's romantic and heartbreaking past as a foreigncorrespondent in Paris during World War II, the forces of good and evil are aligning in Laramie, and Sally realizes that, truly, those who don't learn from their pasts are doomed to repeat it.

In the tradition, of Susan Isaacs and Fannie Flagg, Virginia Swift has written a story that breaks the mold, with a cast of finely drawn characters and a heroine whose wit and intelligence are matched only by herdetermination.


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Editorial Reviews

Amazon.com Review

The Prodigal Daughter is coming home. Bring on the fatted calf--or at the very least an order of onion rings and a stiff shot of Kentucky bourbon. Sally Alder, once the hard-living, hard-drinking, better-than-average singing star of the Laramie, Wyoming, country-and-western bar scene is back in her hometown for the first time in 17 years. And to the amazement (and horror) of many, she's back as a respected scholar and holder of the Dunwoodie Distinguished Chair in American Women's History at the University of Wyoming. It's a career move that doesn't sit well with many of her new colleagues, as police chief Dickie Langham muses: "He decided that she would be making more than enough to infuriate the average chronically underpaid Wyoming history professor.... How much worse that Sally was somebody who had once put herself through a master's program in history by singing songs like 'Up Against the Wall, Redneck Mothers.'"

Sally has been hired, in part, to write the biography of Margaret Dunwoodie, a well-known frontier poet whose work is troubling, seductive, and hilarious (Sally's favorite poem is "Still Life of Fascists with Herefords"). As Sally makes her way slowly through a lifetime's worth of papers, poems, letters, and shopping lists, she finds her attention drifting more toward the present than the past; how to reposition herself in Laramie society, how to negotiate a newly explosive courtship with former lover Hawk Green--these seem far more pressing than Dunwoodie's story. Brown-Eyed Girl is no fast-paced thriller; Swift is content to let her story drift as peacefully as spring snow moving across the plains.

For that reason, the brusque demands of plot, action, and mystery seem to strike a foreign chord upon their introduction. When a distant relative of the poet, disgruntled at having been denied what he considers his rightful inheritance, joins forces with reactionary millionaire Teton County rancher Elroy Foote to menace Sally and steal a fortune they are convinced is hidden among the papers, the novel teeters precariously on the verge of trying to become something it isn't. But Swift wisely retreats from overinvesting in a plot that is, it must be said, too weak to support itself. She chooses instead to treat Foote and his henchmen with a sly sense of the absurd: "Most of the Unknown Soldiers were intellectually challenged good ol' boys and mentally rearranged Vietnam vets who thought for various reasons (too many wilderness areas, too many missile silos, the advent of bad cappuccino at the local Diamond Shamrock) that foreigners and the federal government were engaged in a secret plot to take over Wyoming."

Though the capital-M Mystery aspect of Brown-Eyed Girl is perhaps more a distraction than an attraction, the little mysteries of the human personality--the foibles of friends, lovers, and enemies--more than make up for its intrusion. Swift's talent for person and place will easily woo you away from plot. --Kelly Flynn

From Publishers Weekly

As much a mainstream story of two gutsy Wyoming women as it is a mystery, Swift's first novel captivates. Meg Dunwoodie, a newspaperwoman well known for her tough, incisive political reporting, returned to her native Wyoming from Europe just as WWII broke out and never left home again. Like Emily Dickinson, she became famous for her poetry only after her death. Now her estate has endowed a chair in American women's history at the University of Wyoming. History professor Sally Alder is appointed to the professorship on the condition that she live in Meg's house in Laramie and write the poet's biography. Sally, who was locally famous as a "hell-raising" bar singer 20 years earlier and is struggling with changes in her life, returns to Wyoming to begin to uncover the truth about Meg's past. But someone keeps breaking into the house, perhaps to look for the cache of Krugerrands that are the stuff of local legend. Unknown parties paint Sally's car with swastikas, while strangers in camouflage gear descend on the town during a blizzard. Skinheads, neo-Nazis, professors, lawmen, barmaids and others with secrets of their own converge as Sally unravels Meg's story, discovering why the woman buried herself in smalltown America after living the life of a European sophisticate. Swift develops her engaging tale gracefully, with a real feel for the atmosphere of its Wyoming setting. Agent, Elaine Koster. (Apr.)
Copyright 2000 Reed Business Information, Inc.

Product Details

  • Hardcover: 320 pages
  • Publisher: Harper; 1st edition (March 22, 2000)
  • Language: English
  • ISBN-10: 006019555X
  • ISBN-13: 978-0060195557
  • Product Dimensions: 9.4 x 5.9 x 1.2 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #2,867,113 in Books (See Top 100 in Books)

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Customer Reviews

8 Reviews
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4 star:
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Average Customer Review
4.6 out of 5 stars (8 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

8 of 8 people found the following review helpful:
5.0 out of 5 stars Best of Genre, January 8, 2001
By 
Arnold Kling (Silver Spring, Md USA) - See all my reviews
(REAL NAME)   
This review is from: Brown-Eyed Girl (Hardcover)
In this novel, the central character Sally Alder has traded in the edgy existence of a hard-living, cattle-country bar singer for a respectable career as a history professor. However, the bequest of a wealthy poetess gives Sally an opportunity to revisit the scene (and perhaps the meaning) of her prior life.

The plot careens in several directions. First, Sally renews a relationship with a former boyfriend, whose love-making now combines the mature sophistication of middle age with the stamina of an adolescent. (Perhaps this is plausible. I can only testify to the possibility of the opposite mixture.)

Next, Sally unravels the mysterious background of the poetess. Finally, she survives the self-thwarting schemes of a right-wing militia and a selfish set of sexist professors.

I can curl up with writing like this (p. 100):

"People on the high plains got real squirrelly the week before Thanksgiving. They knew there'd be a snowstorm that would shut down the roads relatives would try to travel, strand thousands in the Denver airport en route to turkey dinners and family feuds, generally [mess] up everyone's plans and leave the world so [dang] silent and beautiful into the bargain that you felt guilty for resenting the inconvenience."

In fact, I can say without hesitation that of all books in the comic-western/mystery-romance/academic-feminist genre, this is the best that I have ever read. But you have to be open to that kind of crazy concoction to enjoy this novel. If you prefer to keep Larry McMurtry, Sara Paretsky, and A.S. Byatt in separate places, then this might not be your cup of tea.

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6 of 6 people found the following review helpful:
5.0 out of 5 stars A Great read, April 18, 2000
By A Customer
This review is from: Brown-Eyed Girl (Hardcover)
I just finished Browned-Eyed Girl and I loved it. What a great debut novel, with rich, quirky characters and loads of humor--laugh out loud humor. I especially liked the story within a story. Past and present. It had me from the very beginning. The ending was well done, clever and quite satisfying. The author tied up all the loose ends neatly. If Ms. Swift's second novel is as good as Brown-Eyed Girl, she'll have another winner on her hands.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars Brown-Eyed Girl, April 15, 2000
By A Customer
This review is from: Brown-Eyed Girl (Hardcover)
A fast-paced mystery with lots of humor-combines a historian (with quite a history of her own! ) from Laramie with elements of European history and the mountain west. I fould myself laughing out loud several times. The twists in the plot are ingenious. I can't wait for the next Sally Adler mystery.
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