Brsil: Capoeira, Samba de Roda, Maculel [Import]

Vicente Ferreira Pastinha | Format: Audio CD

Product Details

• Audio CD (December 1, 1995)
• Number of Discs: 1
• Format: Import
• Label: Buda Musique
• ASIN: B000001N8E
• In-Print Editions: Audio CD
• Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #383,842 in Music (See Top 100 in Music)

Track Listings

1. Deus Deu Capoeira Para Gente

2. Capoeira É Minha Origem

3. Bate Palmas Luana

4. Toques de Berimbau

5. Louvaçâo a Nossa Senhora

6. Maculele Percussions

7. O Escravo É Capoeira

8. Dirim Dim Dom

9. Triste Cidade Velha

10. Samba, Berimbau É Pandeiro

Customer Reviews

Most Helpful Customer Reviews

13 of 16 people found the following review helpful:

5.0 out of 5 stars The Full Spectrum of Capoeira Music, August 3, 1999

By A Customer

This review is from: Brsil: Capoeira, Samba de Roda, Maculel (Audio CD)

I have not found a clearer, more realistic or musically diverse CD of Capoeira. A student or a layperson will hear and learn so much from this work.

Note: The liner notes are detailed but poorly translated from the French in some areas. Mestre Vincent Pastinha does not appear on this recording, as has been erroneously listed. Mestre Sombra (Shadow) is featured as the performing Master's Master.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Love it., March 17, 2005

By 

BubbaCapoeira - See all my reviews

This review is from: Brsil: Capoeira, Samba de Roda, Maculel (Audio CD)

Vida de Negro da Senzala is probably one of the best Capoeira songs to joga to. The rhythm and chorus builds a sense of energy; you can't help but smile when you throw an armada. Axe.

5.0 out of 5 stars From Fight to Fancy, Martial Dance Music, July 27, 2011

By 

Dr. Debra Jan Bibel "World Music Explorer" (Oakland, CA USA) - See all my reviews
(TOP 500 REVIEWER)   

Amazon Verified Purchase

This review is from: Brsil: Capoeira, Samba de Roda, Maculel (Audio CD)

Central African, Yoruba and Bantu, music from slaves had merged with Portuguese and European dance forms in the creation of choro and samba mainly in the southern cities of Rio de Janeiro and São Paulo, but in the northeast, the African idioms remained strong and more intact. Among the Afro-Brazilian styles is the rhythmic accompaniment to a martial dance exercise, capoeira, where acrobatic movements of feet and low torso are emphasized (which in turn led to break dancing in the United States and now everywhere). The berimbau, a stringed long bow and gourd instrument, the drum, and the gourd rattle are the instruments, in addition to hand clapping, of this dance art. While its origin was the need for defensive fighting, capoeira entered the mainstream as a unique dance and even incorporated various martial movements from Asia. The insert includes the lyrics in Portuguese, French, and English, which praise master teachers, support of saints, capoeira itself, and experiences in other lands. The music is often improvisational in the form of toques. This album also include the music to another martial dance, maculele, of obscure celebratory Catholic and African roots that involves participants striking sticks together in a form of fencing. Each member has a pair of sticks for use in duels. Instruments are mainly percussive, such as pandeiro tambourine and atabaque conical Conga drum and double bell agogog, but may also include a 12-string guitar. One track is purely instrumental, a samba de roda of two berimbaus and pandeiro. A glossary to 37 terms is provided. This album has fulfilled a niche in my Brazilian music collection. Its very African sound help enrich understanding of Brazil's musical culture. For the capoeira practitioner the album will support the dance and exercise.