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Bruce Nauman [Paperback]

Bruce Nauman (Author), Harry Philbrick (Contributor), Ingrid Schaffner (Contributor), Jill Snyder (Contributor)
3.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

June 2, 1997
This is the catalogue of the exhibition that stunned critics by bringing together the full and largely underrated range of Bruce Naman's work in everything from sculpture to video to holograms.

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Editorial Reviews

Review

Providing a varied and extensive collection of texts by and about Nauman's work, this anthology opens many doors into reading the layers upon layers of this artist's ironic tragi-comedies... With its focus on Nauman from so many perspectives and its concentration on his performance and new media aspects, this book provides meaningful and extensive resources for both admirers and scholars... In the end, it sets a bountiful theoretical, historical, aesthetic, ethical, and critical context for responding to Nauman's productions.

(Brian Bergen-Aurand Rain Taxi ) --This text refers to an out of print or unavailable edition of this title.

Book Description

First book-length study of the life and works of the influential multimedia artist

--This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 80 pages
  • Publisher: The Aldrich Contemporary Art Museum (June 2, 1997)
  • Language: English
  • ISBN-10: 1888332050
  • ISBN-13: 978-1888332056
  • Product Dimensions: 7.9 x 7.8 x 0.3 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #4,317,153 in Books (See Top 100 in Books)

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5 of 11 people found the following review helpful:
3.0 out of 5 stars I expected prictures, instead the book is 99% interviews, February 12, 2004
By A Customer
Bruce Nauman is the most amazing artist I have ever seen.
I was not much into moder art, until I saw Clown Torture and From Hand to Mouth at the Tate Modern in London.
Since then I am a looking for his work whetherever I can find it.

I felt a bit let down by this book because I expected reproductions of his work instead it is almost exclusively made up by interviews with him or short articles written by him. There might be 10 pages of reproduction in the whole book. Some of his neon work.

In particular there is no reproduction of Clown Torture in the whole book, inspite of the fact that the head of the clown is on the cover.

I think the book could be great if you are a scolar, or (for wathever reason) want to read what he says about his work, but it is not very good if you want to see reproductions.

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Inside This Book (learn more)
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First Sentence:
The challenge involved in categorizing Bruce Nauman is related not only to the breadth of different media with which he works but to his persistence in exploring art as an investigation of the self. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
consummate mask, clown torture, catalogue for the touring exhibition, true artist helps, revealing mystic truths, stacked monitors, neon piece, corridor pieces, two videodiscs, color video monitors, clown taking, fiberglass pieces, suspended chair, two video monitors, videodisc players, model tunnels, videotape players, wax heads, two videotapes, wax cast
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Bruce Nauman, New York, Los Angeles, Man Ray, San Francisco, United States, Good Boy Bad Boy, Artists Rights Society, New Mexico, Peter Schjeldahl, Violent Incident, Walker Art Center, Joan Simon, Kathy Halbreich, Samuel Beckett, Willoughby Sharp, Neal Benezra, Nauman Interview, Art Make-Up, Courtesy of Electronic Arts Intermix, Museum of Modern Art, Breaking the Silence, Coosje van Bruggen, Flour Arrangements, Joseph Beuys
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