Customer Reviews

Bruckner: Symphony No. 4

5 star:		(7)
4 star:		(2)
3 star:		(2)
2 star:		(0)
1 star:		(0)

 

 

Although I do agree with some of the reviewers in their belief that Wand's approach here does not work as well as it does in, oh, lets say the Eighth Symphony, I still believe that Wand's interpretation is rock-solid, spacious, transparent, and strikingly powerful. As always, Wand breaths life into the score, making Bruckner sound so alive. This living quality also allows the listener to appreciate Bruckner's incredible musical architecture. While so many composers favor the "bigger is better" approach to Bruckner, I would go as far as to say that, at least in this recording, Wand's tight , transparent, and solid approach brings an almost chamber-like quality to the symphony. The playing is so focused and so direct that the result is breathtaking. Although this reading is not as incisive and powerful as Wand's amazing recording of the Eighth Symphony, Wand's forth is certainly one of the best performances out there.

As Gunther Wand points out, Bruckner was "the most important symphonist after Beethoven." Listening to his symphonies and reading much about this great Austrian composer (especially Robert Simpson's enterprising literature on Bruckner), to my mind, Wand could never be farthest away from the truth. The thing about Bruckner was that he entered into a new sphere in symphonic writing no composers has ever gone before. The deeply religious and spiritual expressionisms in the symphonic literature since Bach were never so profound before Bruckner's symphonies entered the music scene. The grandfather of structural expansionism and inheritor of Schubert's writings of Austrian nobility, simplicity, and optimism, Bruckner was arguably the most unique composer since Beethoven.

Gunther Wand is among the most important advocate and expert of Bruckner's symphonies. Like Eugen Jochum, Daniel Barenboim, and Herbert von Karajan, Wand recorded all of Bruckner's symphonies more than once and promoted his works throughout Europe and North America (especially in Chicago with the Chicago Symphony Orchestra). This recording of 1998 with the Berlin Philharmonic (which earn a 1999 Gramophone award) was done with such a high level of depth and spirituality. Wand's choice of tempo was as spacious and majestic as that of Karl Bohm with the Vienna Philharmonic (London Decca-Legends CD). Like Bohm, Wand interpretation was not hurried, avoiding the emotional zest and urgency one will notice with Jochum and the Berlin Philharmonic or even Barenboim with the Chicago Symphony (both under Deutsche Grammophon). Like the Vienna Philharmonic under Bohm, the Berlin Philharmonic played with magnificent discipline and balance. The Vienna Philharmonic's brass and strings has more imposing presence and bloom than that of its' Berlin counterpart, but overall the performance offered the occasion of its own. The sound engineering is suburb for this RCA/BMG CD, with the sound of real blend and balance, never short of its dynamic range. The London Decca re-issue offer slightly more of the atmospheric opulence than RCA, but the recording quality of the RCA/BMG CD is first class.

My favorite CD rests with Eugen Jochum's 1966 recording with the Berlin Philharmonic (again under Deutsche Grammophon-a reissue with more than appreciative sound). But Wand's new recording confirmed him as among the greatest of Bruckner conductors. So, go for Wand or Bohm, or even Jochum. But Wand will not disappoint you, not even by the long shot.

I gave a quick summary of my thoughts on Wand's Bruckner in my review of his go at the 5th symphony so this will be a bit more abbrieviated. Wand glacial, monolithic, monumental, etc. approach to Bruckner worked in his interpretation of the 5th symphony. Perhaps this was because the 5th is Bruckner's most austere and serious work (the 8th and 9th snarl a good deal more than the 5th, and show a bit of doubt and hysteria at times as well). However, this approach, I hesitantly suggest, represents a regression back to ...-fied Bruckner(notice the proliferation of Haas performances again). This is a German and Teutonic Bruckner; not Bruckner the upper-Austrian whose foot-stomping scherzos reveal an incorrigible peasant. Wand's approach falls flat in the 4th symphony. Where is the drama and suspense one would expect from a "romantic" symphony? Where are the evocations of nature one would expect from such a symphony? Those aspects are washed away in a straight-faced, colossal, Teutonic interpretation. This is not a lithe, optimistic and youthful knight "sallying forth" as Bruckner suggested. I get the sense that many conductors these days try to save the world with every Bruckner symphony. Though Wand may not be AS guilty of this as say Celibedache or Karajan, he leans more in that direction. To those who aren't sure what I'm getting at, some remedial listening is necessary. Jochum's interpretation of the 4th is a romantic blaze in comparison, and I think many would be suprised by how quick Klemperer conducted the 4th. There is a livelyness, flexibility, and a bit of a snarl in Jochum, Klemperer, and Furtwangler's Bruckner (Furtwangler's Bruckner could be downright wild; listen to his wartime Vienna recording of the 8th). This is a Bruckner tradition, that I think is probably dying, but it is worth getting to know nevertheless. In conclusion, while Wand's stoic and plodding approach may work in the 5th and 8th, it fails in the 4th which calls for more dramatic contrasts than Wand is capable of calling forth.

There are many outstanding recordings of this work. This with out a doubt has to be one of the best. The playing is always outstanding and Wand shows that he is (most likely) the best Bruckner conductor alive today. In terms of comparing other recordings, most of the best have been made with the same orchestra (Berlin Philharmonic) with Barenboim, Karajan, etc. While Wand's conduct is outstanding to say the least, there is a reason why he seleceted the Berlin Philharmonic. A great disc

Gunther Wand was a great Bruckner conductor. This performance, a live recording with the Berlin Philharmonic, is to my ears the finest performance of this symphony on disc. Wand's pacing and phrasing of the music seems perfect and the Berlin Philharmonic demonstrate why they are one of the best in the business. An additional bonus is the warm and detailed recording. Move aside Herr Karajan, Bohm, Jochum and Celibidache. Good as your CDs might be, Wand comes up trumps. More good news; Amazon's price is a bargain.

One can tell, when listening to a Wand recording of Bruckner, that he has really thought about the piece. That is in clear demonstration here. The recorded sound is by no means spectacular, but rather what one would expect from a digital recording from this time period. The BPO plays very well and follows Wand around this massive work wonderfully. There is really sense of commitment from all involved in this too-often recorded work. I am sure the BPO knows this symphony backwards, but they still play as fresh as ever. Highly recommended.

This recording will bring everything that is good (or bad) in a stereo system. This is clearly what happened to the reviewer below whose system was not up to par with the glorious dynamic range of this recording. One of the best recordings of classical music I have ever heard, from both a performance and sonic standpoint. You cannot go wrong with this CD.

For Gunter Wand to come along, this late in history, and conduct such a performance is simply staggering. If we had no other recordings from Wand, this would guarantee his posthumous reputation. My favourite version of this symphony was Karajan's 1976 with the BPO on DG, but having listened to Wand's version only once, I was forced to rethink. Wand is definitely an equal for Bruckner's 4th, and I now find it difficult to recommend one over the other. Wand's reading is strong, detailed, and deep. He is in his element when conducting Bruckner and really demonstrates an affinity with the music and with the composer. The BPO is at its usual best; Wand knows how to get the best out the it, and it clearly warms to his style. Not for nothing is this the best orchestra in the world. So, I would thoroughly recommend this performance - not only this version, but also this symphony for those who are yet to hear any of Bruckner's work. It is the most accessible, followed by symphony no. 7.

This is for sure an excellent recording, but very polished. There are
more preferable versions from the BPO, Jochum (best of all) and wonderful
Karajan's for EMI.

Sorry but this one is not the best. My favorite Bruckner 4th is Barenboim/Berlin Phil recording from Teldec(not Barenboim/Chicago Symphony from Deutsche Grammophone, which I have not heard), which is not available at amazon. Jochum from DG (a part of 9 symphonies set)is old ADD recording, but still better than this Wand recording, in my humble opinion.

The problem of this CD is in that brass sounds harsh/shrieking at fortessiomo sections. Perhaps those who have an expensive stereo set do not recognize this problem. Performance is not bad, but slightly unstable and not exciting when compared to Barenboim. I am not an expert at all, but at least I love Bruckner works.