Brundibar [Hardcover]

Kushner Tony (Author)

Book Description

Publication Date: August 2, 2004

When Aninku and Pepicek go to town for milk to make their sick mother better, their attempts to earn money by singing are thwarted by a bullying hurdy-gurdy grinder, Brundibar. But with the help of three talking animals and three hundred schoolchildren, Aninku and Pepicek defeat the bully and return home triumphant. The story is based on a Czech opera performed numerous times by the children of the Nazi concentration camp Terezin.

Editorial Reviews

Amazon.com Review

Based on a Czech opera that was performed 55 times by children in Terezin, a Nazi concentration camp, Brundibar is an odd, urgent little tale of a brother and sister who are desperately trying to get their hands on some milk for their sick mother. They race to the village center, only to discover that they need money to buy milk. Unfortunately, all the money in town seems to be going to the nefarious hurdy-gurdy man, Brundibar. Enter three talking animals and 300 willing children (bearing balloons stating "WE DON’T MIND SKIPPING SCHOOL"), and things start looking up for little Aninku and Pepicek. Retold by playwright Tony Kushner and illustrated by Caldecott Medal recipient Maurice Sendak, this operatic story is just nutty enough to become a favorite for open-minded young readers. Sendak fans will smile to see the village baker, who bears a striking resemblance to the baker in Sendak's In the Night Kitchen. His chaotic, jam-packed illustrations reveal witty little subplots to the libretto text (written all in upper case), which sharp-eyed readers will enjoy discovering. (Ages 5 to 8) --Emilie Coulter --This text refers to an alternate Hardcover edition.

From School Library Journal

K Up-A picture book based on a 1938 Czech opera, originally performed by the children of Terezin. A brother and sister try to get milk for their sick mother. They sing for coins in the town square, but Brundibar the organ grinder drowns out their words with his "teeth-chattery bone-rattley horrible song." Pepicek and Aninku then join voices with 300 other children and earn enough coins to fill their "soon-to-be-milkbucket." The playful language, with occasional rhyme and alliteration, is a perfect match for Sendak's spirited young heroes. The illustrations reflect varied undertones of a powerful story that works on different levels, including many references to the Holocaust. Scenes in the town show rich adults ignoring the desperate siblings, while other children also suffer from hunger. A banner matches a sign that covered the gates of Auschwitz, and several townsfolk wear yellow Stars of David. Brundibar vaguely resembles Hitler, particularly in one scene where he appears, huge and purple faced, with a clenched fist. A wordless spread showing grieving parents is poignant in itself, but tragic within the Holocaust context. Most kids won't get the literal references, but will respond directly to the images of the ominous, yet hopeful world depicted. In the end everyone sings triumphantly that "the wicked never win" and "our friends make us strong," but a final scribbled message from Brundibar promises that he'll be back. This is an ambitious picture book that succeeds both as a simple children's story and as a compelling statement against tyranny.
Steven Engelfried, Beaverton City Library, OR
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate Hardcover edition.

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Product Details

• Hardcover: 54 pages
• Publisher: Walker Childrens Hardbacks (August 2, 2004)
• Language: English
• ISBN-10: 1844280284
• ISBN-13: 978-1844280285
• Product Dimensions: 10.9 x 8.4 x 0.7 inches
• Shipping Weight: 1.2 pounds
• Average Customer Review: 4.6 out of 5 stars  See all reviews (15 customer reviews)
• Amazon Best Sellers Rank: #2,318,960 in Books (See Top 100 in Books)

More About the Author

Tony Kushner's plays include A Bright Room Called Day and Slavs!; as well as adaptations of Corneille's The Illusion, Ansky's The Dybbuk, Brecht's The Good Person of Szecguan and Goethe's Stella. Current projects include: Henry Box Brown or The Mirror of Slavery; and two musical plays: St. Cecilia or The Power of Music and Caroline or Change. His collaboration with Maurice Sendak on an American version of the children's opera, Brundibar, appeared in book form Fall 2003. Kushner grew up in Lake Charles, Louisiana, and he lives in New York.

Most Helpful Customer Reviews

49 of 52 people found the following review helpful

4.0 out of 5 stars Nothing ever works out neatly... February 7, 2004

By E. R. Bird HALL OF FAMETOP 500 REVIEWER

Format:Hardcover

A book sorely in need of annotation. Retold by Tony Award winning playwrite Tony Kushner and illustrated with grace and aplomb by Maurice Sendak (the thinking kid's illustrator), the tale of "Brundibar" is retold in an entirely new format. Originally an opera performed by the children of Terezin (a Nazi concentration camp) for those Germans who had to be convinced that everything was just ducky in the camps. The children were, needless to say, killed after the final performance of this piece, and so the opera is as light-hearted as it is chilling. In the plot, two children attempt to find fresh milk for their ailing mother. Only milk will do. But they are chased away by the nasty Hitler look-alike, Brundibar, and must gather their forces (some 300 children or so) to face up to the bully.

Sendak and Kushner have created a story that fulfills several needs. It tells a story that has links to horrors unimaginable. At the same time, they have created a whole new text that deserves examination. That and it's darned purty. The pictures in this book are amazing, filled with tiny details that make a person think. When the brother and sister gather 300 children with them for aid, a Kilroy character holds a sign saying, "People are happy helping. It's never hard to find help. It is only hard to know that it's time to ask". The fact that Kilroy is best associated with the American GI forces in WWII may or may not be important to the scene. At any rate, it sparks dialogue. The book is Sendakian in the extreme due to the odd combination of realism and outright peculiarity. The ice-cream seller is going to give me nightmares for months, I'm sure.

I don't think this is necessarily a book for children. And there is nothing wrong with that. Why can't we have a couple picture books in this world that are NOT for children? We have animated films for adults. And video games for adults. Why not picture books that tackle history and art in one fell swoop? That isn't to say that this book is inappropriate for children. It isn't. They may, in fact, be enchanted by the tale. But in the event that they are not, it comes as little surprise. Kids aren't going to grasp the eloquent scene of children flying on blackbirds away from their sobbing mothers. Or the black smoke that billows from the oven conjured up by the children's singing.

A problem with the book comes with the lack of further information about the story's origins. The story never directly says anything about Terezin, and the brief bookflaps only mention the incident in passing. Facts (that the children of Terezin died after the show, for example) are not gone into with any depth. An author's afterword, or perhaps some sort of note explaining what inspired this story, would be greatly appreciated. Similarly, the illustrations are filled with little details that would yield a lot of pleasure for readers if they understood their significance. When the children are banned to the alleyway and sit under newspapers, what do the newspapers say? What is "skola" as written on the fence in one scene? Is it significant that the milkman is from Mekos Dairy?

"Brundibar" isn't a perfect creation. But it's a necessary one. Even if you don't understand it completely, you should at least try.

53 of 57 people found the following review helpful

5.0 out of 5 stars priceless November 30, 2003

By Larry Mark

Format:Hardcover

Over six decades ago, the opera Brundibar (Czech slang for bumblebee) was written. When the writer (Adolf Hoffmeister) was imprisoned by the Nazis in Terezin, the opera he and Hans Krasa wrote was smuggled into the camp. The children performed the opera; it kept their minds off the impending doom. The Nazis even filmed one of the 55 performances for a propaganda film, showing Terezin to be a model city for the Jews. Kushner and Sendak collaborated for over three years on this book, which recreates the opera in book form. At one point, Sendak even tore up all his drawings and started over. This is a masterpiece for children as well as adults. The prose is lyrical in tempo and style; the drawings are exquisite. The use of colored and Italian pencils evoke the crayons that the children of Terezin used (under the teaching direction of Friedl Dicker-Brandeis, who was deported to Terezin in 1942, and then murdered at Auschwitz in 1944.) In the story, a brother and sister are sent by a doctor to the village's market square to fetch milk for their ill mother. Here they meet the milkman, the baker, and the ice cream maker. But without money, they can buy no milk. They spy Brundibar, a children hating, loud, brash, mean, street musician, dressed in a Napoleon hat and old medal filled uniform. With him around, they can make no money singing to pay for the milk. But with the help of some talking animals and other children, they perform a lullaby and earn the needed funds to help their mother. Brundibar is defeated (When performed as an opera, the children and audience understood that Brundibar represented their jailers.) Adults will note the last page, in which Brundibar writes a final note. Bullies and Brundibar vow to return one day. The note is written on the replica of a crumbled invitation, the actual party invitation that the Nazis used to invite dignitaries and Red Cross officials in 1944 to the actual performances, replete with a dancing man with a Jewish star on his costume (who is recreated in the role of the doctor).

43 of 47 people found the following review helpful

5.0 out of 5 stars Wow. December 20, 2003

By David Kudler

Format:Hardcover

I think I'm qualified to say whether a book has real quality as a book for kids--this one does. The story is lovely, a straight-forward folktale/teaching story on the importance of working together to overcome adversity. The language glitters and charms, as anyone who has seen Tony Kushner's plays would expect. And Maurice Sendak's illustrations are his most lucid, enchanting and charming since In The Night Kitchen. My five-year-old loved it, loves the story of two enterprising children defeating an adult bully, and has asked to have it read for the past few nights, since we got the book.

The backstory of the book--the fact that it is based on an opera written by the children of Teresienstadt concentration camp--is hinted at very subtly. If one is aware enough to pick up the clues (ranging from a gateway that reads "Arbeit Macht Frei," like the entrance to Auschwitz, to the yellow stars marking Jewish characters, to the barely legible program from the premiere of the opera, behind a handwritten note), the story is there. I found it gave the story a depth and resonance that stayed with me. If, on the other hand, you don't know about it--I certainly wasn't going to point it out to my kids, just yet--the book still works beautifully.

All in all, this is a beautiful work from two of the most remarkable artists who have been active in American popular culture in the last fifty years.