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41 of 44 people found the following review helpful:
4.0 out of 5 stars
Nothing ever works out neatly..., February 7, 2004
This review is from: Brundibar (New York Times Best Illustrated Books (Awards)) (Hardcover)
A book sorely in need of annotation. Retold by Tony Award winning playwrite Tony Kushner and illustrated with grace and aplomb by Maurice Sendak (the thinking kid's illustrator), the tale of "Brundibar" is retold in an entirely new format. Originally an opera performed by the children of Terezin (a Nazi concentration camp) for those Germans who had to be convinced that everything was just ducky in the camps. The children were, needless to say, killed after the final performance of this piece, and so the opera is as light-hearted as it is chilling. In the plot, two children attempt to find fresh milk for their ailing mother. Only milk will do. But they are chased away by the nasty Hitler look-alike, Brundibar, and must gather their forces (some 300 children or so) to face up to the bully. Sendak and Kushner have created a story that fulfills several needs. It tells a story that has links to horrors unimaginable. At the same time, they have created a whole new text that deserves examination. That and it's darned purty. The pictures in this book are amazing, filled with tiny details that make a person think. When the brother and sister gather 300 children with them for aid, a Kilroy character holds a sign saying, "People are happy helping. It's never hard to find help. It is only hard to know that it's time to ask". The fact that Kilroy is best associated with the American GI forces in WWII may or may not be important to the scene. At any rate, it sparks dialogue. The book is Sendakian in the extreme due to the odd combination of realism and outright peculiarity. The ice-cream seller is going to give me nightmares for months, I'm sure. I don't think this is necessarily a book for children. And there is nothing wrong with that. Why can't we have a couple picture books in this world that are NOT for children? We have animated films for adults. And video games for adults. Why not picture books that tackle history and art in one fell swoop? That isn't to say that this book is inappropriate for children. It isn't. They may, in fact, be enchanted by the tale. But in the event that they are not, it comes as little surprise. Kids aren't going to grasp the eloquent scene of children flying on blackbirds away from their sobbing mothers. Or the black smoke that billows from the oven conjured up by the children's singing. A problem with the book comes with the lack of further information about the story's origins. The story never directly says anything about Terezin, and the brief bookflaps only mention the incident in passing. Facts (that the children of Terezin died after the show, for example) are not gone into with any depth. An author's afterword, or perhaps some sort of note explaining what inspired this story, would be greatly appreciated. Similarly, the illustrations are filled with little details that would yield a lot of pleasure for readers if they understood their significance. When the children are banned to the alleyway and sit under newspapers, what do the newspapers say? What is "skola" as written on the fence in one scene? Is it significant that the milkman is from Mekos Dairy? "Brundibar" isn't a perfect creation. But it's a necessary one. Even if you don't understand it completely, you should at least try.
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46 of 50 people found the following review helpful:
5.0 out of 5 stars
priceless, November 30, 2003
This review is from: Brundibar (New York Times Best Illustrated Books (Awards)) (Hardcover)
Over six decades ago, the opera Brundibar (Czech slang for bumblebee) was written. When the writer (Adolf Hoffmeister) was imprisoned by the Nazis in Terezin, the opera he and Hans Krasa wrote was smuggled into the camp. The children performed the opera; it kept their minds off the impending doom. The Nazis even filmed one of the 55 performances for a propaganda film, showing Terezin to be a model city for the Jews. Kushner and Sendak collaborated for over three years on this book, which recreates the opera in book form. At one point, Sendak even tore up all his drawings and started over. This is a masterpiece for children as well as adults. The prose is lyrical in tempo and style; the drawings are exquisite. The use of colored and Italian pencils evoke the crayons that the children of Terezin used (under the teaching direction of Friedl Dicker-Brandeis, who was deported to Terezin in 1942, and then murdered at Auschwitz in 1944.) In the story, a brother and sister are sent by a doctor to the village's market square to fetch milk for their ill mother. Here they meet the milkman, the baker, and the ice cream maker. But without money, they can buy no milk. They spy Brundibar, a children hating, loud, brash, mean, street musician, dressed in a Napoleon hat and old medal filled uniform. With him around, they can make no money singing to pay for the milk. But with the help of some talking animals and other children, they perform a lullaby and earn the needed funds to help their mother. Brundibar is defeated (When performed as an opera, the children and audience understood that Brundibar represented their jailers.) Adults will note the last page, in which Brundibar writes a final note. Bullies and Brundibar vow to return one day. The note is written on the replica of a crumbled invitation, the actual party invitation that the Nazis used to invite dignitaries and Red Cross officials in 1944 to the actual performances, replete with a dancing man with a Jewish star on his costume (who is recreated in the role of the doctor).
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45 of 50 people found the following review helpful:
5.0 out of 5 stars
An Instant Classic, November 3, 2003
By A Customer
This review is from: Brundibar (New York Times Best Illustrated Books (Awards)) (Hardcover)
Brundibar is another complex yet simple Sendak work. Tony Kushners lyrical prose matches perfectly with Sendak's incredibly vivid and beautiful illustrations. Like other Sendak works, this book has several levels. It's a great kids story about bullies and how they can be dealt with. On a more adult level, its about how WWII and the Holocost affected the children of Europe, christian as well as jewish. The text is adapted by Kushner from the libretto of the Opera by the same name. While the words stand up well on their own, the book flys on the wings of Sendaks wonderful art. Several stories are told within the story if the reader pays close attention to the details present in every illustration. This book is destined to be a classic. (...) and buy a timeless piece of art from people who helped define the artform of the picture book.
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