Customer Reviews

Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein)

5 star:		(14)
4 star:		(2)
3 star:		(0)
2 star:		(2)
1 star:		(2)

 

 

Having heard him sing some opera and tear my heart out singing "herr, lehre doch mich" in the Brahms' Requiem, and having heard him sing this on the PBS special, I bought it and was NOT disappointed. I do feel that he oversings on some songs, that he has not yet quite developed a smooth, emotional middle volume on some songs. To my ear this happens when a singer just sings the song and really doesn't feel it completely. As a totality this CD is extraordinary and my nitpicking should be overlooked and CERTAINLY not be a reason to avoid this one. It's a gem. If you even sorta' like musicals, you'll LOVE this disc.Anyone know why more people don't buy these discs? Ever try and find it in a retail music store? Good luck!I am in complete agreement with the other reviewers. I can't think of anyone else singing these songs, and can't wait for more from this personable, down-to-earth human being. I mean, who else would, as he did, at the conclusion of his vocal recital, lead the audience in singing "The Hippopotamus Song"? Not the three tenors!

You might think that it is a very superflous mismatch for an opera singer to try his vocal cords on the Broadway songs of Rodgers & Hammerstein. However, in this R&H offering by Bryn Terfel, he proves that it is a perfect match between singer and repertoire for a classical crossover record of this pedigree. Terfel communicates the essence of each of the 20 songs to the listener, and allows them to sound fresh and new. And it helps that he has been a R&H fan for many years with the music already close to his heart. He is given superb backing from the well-conducted Opera North forces an warm, natural recording.

From the first phrase of Terfel's uplifting opening version of "Oh, what a beautiful morning" from Oklahoma!, we listeners intuitively know that this is not going to be your superflous run-of-the-mill classical crossover offering of R&H songs. Terfel uses his big voice to great effect in Billy Bigelow's two songs from Carousel, "If I loved you" and the pivotal "Soliloquy" that builds up to a devastating climax. When he does this for Emile's two big solos in South Pacific, "Some Enchanted Evening" and "This Nearly Was Mine," he also makes them sound fresh and intuitively conveys their essence. He also thrills us even when his voice is soft and tender, such as on Lietunant Cable's "Younger than Springtime" and especially on Captain von Trapp's "Edelweiss" from The Sound of Music.

Besides the obvious highlights in this R&H offering, Terfel unearths some new delights. He does this by trying his vocal cords on songs that were originally intended for women, most notably in Nettie's two big numbers in Carousel, "June is busting out all over" and "You'll never walk alone", which he pulls off convincingly in a straight-laced and serious manner without sounding cliched. (In the booklet, "You'll never walk alone" was stated as being sung by the Chorus, but then in the show, it is sung by Nettie.) He is also wistful on "It might as well be Spring" from State Fair, and philosophical on Lady Thiang's "Something Wondreful" from The King and I. He also evokes a dreamlike quality on Bloody Mary's "Bali Ha'i" in South Pacific. The other unusual thing that Terfel does is include some unknown songs and treat them ravishingly. Four of them are from Allegro, highlighted by a charming "So Far," a reflective "A Fellow needs a girl" and a powerful "Come Home", and he also sings "No Other Love" from Me and Juliet as ravishingly as "I Have Dreamed."

If I have any quibbles, there are only two minor ones. Terfel's R&H offering runs for 74 minutes, and still has six minutes of empty space on a CD. I'm sure that Terfel could have given thought to the Mother Abbess's "Climb Every Mountain" from The Sound of Music, which I consider a more universal and less-cliched song than "You'll never walk alone" from Carousel. It would have suited his full-throated, big-voiced characteristic very well. Also, this offering of R&H seems to be lopsided to emphasise more of the first part of R&H. Sixteen tracks cover R&H from Oklahoma to South Pacific, with four tracks that cover their second half from The King and I to The Sound of Music. As such I would have liked to hear him sing a more balanced repertoire of R&H songs with equal emphasis to both halves of their collaboration. Perhaps he might record a Volume 2 with songs from the latter part of their collaboration in the near future. But with 74 delightful minutes of Terfel's R&H offering, how could anybody complain about the quality of this recital, especially with a lavish booklet complete with copious notes by R&H expert Ethan Mordden and full lyrics.

Overall, though, I'm very sure that this R&H offering is both a highlight of Terfel's discography, and can ably recommended with his recording of Schubert songs to anybody who wants to get to know his work well. It can also be recommended to Rodgers & Hammerstein fans old and new.

By the way, I also recommend the Rodgers & Hammerstein Songbook for Orchestra, with another superlative Telarc offering by the Cincinnati Pops Orchestra and Erich Kunzel. This recital is just as outstanding as Terfel's R&H offering. And, there is a wealth of cast recordings that new R&H fans will want to snap up, so this Terfel disc will be an ideal stepping-stone for them.

I purchased this cd because I am an avid Bryn Terfel fan. The Rodgers & Hammerstein music held little interest. The recording was a revelation. One can't imagine that this music could be better performed. The singing is truly magnificent: effortless, thrilling and heartfelt. Each song is a mini-drama in itself. Terfel tries hard to adopt an American accent and largely succeeds.. his diction is outstanding. There is a great spirit of joy. The charismatic Terfel clearly enjoys singing this music. Even in the lesser known numbers, this great artist has the unique ability to turn inferior metals into gold. The contribution of Paul Daniel and the Northern Phiharmonia is outstanding. Opting for traditional orchestration rather than more modern, jazzed up accompaniments only adds to the listening pleasure. I have grown to love much of this music but couldn't stand to hear anyone else do it.

I was given this disk by a friend. I took it politely but didn't have big hopes. As others have commented, it is hard to think of fine opera and lieder singers who can also do show tunes or pop (Eileen Farrel is an exception that comes to mind).

Well, when I listened to this disk it blew me away. I gathered my children around so they could hear these great songs done just right. I mean he even pulls off "You'll Never Walk Alone" without being cliche! It is a great song and he does it better than I have ever heard it done. Too many singers just go for the bathos. Terfel sings it seriously and uses the chorus and orchestra so nicely.

What a great gift this was!

R & H could not ask for better renditions of their most popular songs. I use this CD for educational purposes, instructing "rich tone" to young choral singers.

It becomes clearer with every disk Bryn releases... he turns whatever he touches into gold! This CD is indeed `Something Wonderful'. From the first listen I was in love with this disk and can't get enough.

To begin, Rodgers and Hammerstein couldn't be more appropriately sung. From a time before electric amplification the sweeping melodies of Richard Rodgers were intended to be sung as Bryn illustrates. As I say every time, his diction is impeccable, his musicianship is unsurpassed, and his enthusiasm is wonderful. As for Oscar Hammerstein, I'm sure he doesn't mind a little foreign accent... because every word is clear and understandable.

To compare the accent of Terfel to Pavarotti and Carreras is simply misguided. Although Pavarotti and Carreras are top-notch for what they do, neither pursues `Broadway' music seriously. Their ventures into the medium are limited to Gala concerts and the occasional snippet on a CD... not on stage depicting a role, but simply to sing a beautiful song. Mr. Terfel, on the other hand, researches the roles, coaches them, and is constantly pursued to perform them. His accent is one of slight vowel or consonant differences, which do not detract from the beautiful music. The music is well done and the story clear. Lets not nitpick diction or the French will have our hides for Les Miserables!

For the music, the recording quality is great. One reviewer mentioned poor sound quality and I do believe that person may have a bad disk or player... on my end the sound is full and robust; Bryn's voice dominates the sound. The orchestrations are full and lush. When dealing with modern houses and theatres the orchestra pits are usually quite small, and consequently the ensembles themselves. CDs like this one allow for fully orchestrated music to be heard, with a large symphony of musicians. The numbers that utilize chorus, which sings very well, are well balanced.

This disk is a great buy in my book. Bryn Terfel is a phenomenal performer and he sings this genre excellently. Check out his `If Ever I Would Leave You', `Under The Stars', `We'll Keep a Welcome', `Songs of My Welsh Home', and numerous classical recordings like `Opera Arias', `Meet Bryn Terfel', `The Vagabond', `Wagner', `Schumann Lieder', and an large collection of full opera recordings. Enjoy.

I like the R&H songs as well as Bryn's singing. I love this album. This album is very good for classical music fan who don't know about R&H songs and musical fan who don't like classical music. I don't think IF EVER I WOULD LEAVE YOU, the second album of his Broadway series, is not good as much as this album. I love it!

One of Bryn's first albums and one of my favorites. I hope he records more Rodgers and Hammerstein in the future. Every song could be a definitive interpretation. His voice is just fantastic and he has great sensitivity and expressiveness.

Most opera stars who attempt popular music make me wish they hadn't. Not Bryn Terfel, who I am certain could out-Meatloaf Meatloaf, if he chose to do so. This album features great songs, great singing, and there's not an over-the-hill tenor in sight. What more can one ask for?

Bryn Terfel has a one-in-a-million voice. Lovely singing. Fine song selection. Maybe a tad too dramatic, but my real complaint centers on the excessive dynamic range between soft passages and loud. It's just too much. One moment, you're turning up the stereo to hear him sing a soft passage, the next he's blasting you out of your car or house. This happens several times per song. Volume compression could smooth out the highs and lows a bit, but purists would no doubt cry foul. In short, make sure your neighbors love Terfel as much as you do!