6 of 6 people found the following review helpful:
5.0 out of 5 stars
Beautiful, accomplished & engaging, December 1, 2007
This review is from: Buddhist Goddesses of India (Hardcover)
This book is more than worth it for the pictures alone. The images of Buddhist goddesses are simply gorgeous--whether clear black and white, or glorious color. Representing architectural elements, reliefs, gates, sculptures, painted cloth, and more, these images provide an invaluable visual document of the female images of divinity populating Buddhist history.
Even so, the book offers far more. Shaw not only gathers these visual images for us, she helps us understand them--why they exist, why they appear as they do, and what they teach us about Buddhist thought and practice. For each goddess, Shaw considers the visual representations alongside the goddess's appearances in literature, history, ritual practices, and other Hindu and folk traditions. Moving among these various representations, Shaw creates compelling accounts of each deity's religious significance. She also documents change over time, charting the ascension of goddess figures through three stages of Buddhist history, early, Mahayana, and Tantra. The female Buddhas of Tantra occupy the third section of the book. And all along the way, Shaw deftly moves from persuasively engaging issues in Buddhist scholarship to telling vivid stories about the goddesses themselves.
This comprehensive, accomplished book is for everyone and anyone who is interested in Buddhism, India, goddesses, South East Asia, Indian art and architecture, comparative religions, or the religious significance of art in general. Its stories and pictures engage and delight. At the same time, it is a must-read for scholars in all these fields for the ways in which it stretches and prunes our understanding of Buddhism. As Shaw persuasively documents, there is far more to the tradition than teachings of renunciation. Equally integral to the tradition are life-affirming, female-celebrating expressions of wisdom, creativity, and devotion.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Divine order from mythic chaos, August 9, 2009
This review is from: Buddhist Goddesses of India (Hardcover)
Miranda Shaw devoted more than a decade of research to create this epic work, greatly expanding on concepts she introduced in
Passionate Enlightenment. Buddhist Goddesses of India sets a new benchmark for the study and understanding of female deities in the context of Asian religion and society. While the title states the focus is on Buddhist goddesses, the book's scope is actually far greater; the author's rigorous research explores Hindu and animist relationships for each goddess, carefully examining their origins and the historical evolution of their worship.
To her credit, Shaw designed the book as a reference that readers can explore in a non-linear fashion; each chapter is independent. That said, the author constructed a brilliant hierarchy that is a pleasure to read in sequence. What makes this reference especially rare is Shaw's writing style, which transcends the strength of her logic to give readers a work of beauty and inspiration.
She begins each chapter with a quote of original scripture relating to the goddess, followed by her own prose introduction, such as this example from page 188:
"Parnasavari dwells in a forest glade high on a mountainside. Her beauty reflects the allure of the forest. Her skin glistens with emerald light; the healing sap of trees flows in her veins; her limbs are robust and supple as saplings. Parnasavari adorns herself with nature's finery: feathers, flowers, fruit, and berries. A skirt made of leaves sways around her hips as she dances in her primeval bower. Thus arrayed in tribal splendor, she wanders in a state of joyous, primal rapture, alive to the colors, fragrances, and textures of the forest. Her woodland home is a treasure trove of botanical riches and medicinal secrets...."
Shaw then conducts a thorough analysis of each goddess (see list below) including origin, development, iconography, sphere of influence, methods of worship, geographical areas of influence, temporal and regional variations, tantric manifestations, conflicting interpretations, relationships with other gods and goddesses, etc. Shaw's sources include her own translations and extensive field work in South Asia. Most goddesses are illustrated with multiple photos and the book features 16 stunning color plates.
This systematic approach consistently gives rise to new insights, illuminating roles, iconography and relationships among gods and goddesses that have previously been obscure. The author's focus on feminine deities has caused some to criticize her as a "feminist." My perception is that she is a realist, conducting research where previous scholars have missed crucial connections, or chosen not to make them. In this regard, her groundbreaking scholarship is similar to Trudy Jacobsen's work
Lost Goddesses: Denial of Female Power in Cambodian History.
Buddhist Goddesses of India is an indispensible reference on the evolution of female deities in Asian religion. But it is Miranda Shaw's lifelong passion for this topic that makes her book an inspiration for anyone seeking to understand the feminine divine.
PART ONE - ASCENT OF THE SACRED FEMALE IN EARLY BUDDHISM
Prthivi: Mother Earth
Mayadevi: The Buddha's Wondrous Mother and Her Sacred Grove
Yaksinis: Voluptuous, Magical Nature Spirits
Sri Laksmi: Glorious Good Fortune
Hariti: Goddess of Motherly Love
Female Buddhas: The Case of Gotami
PART TWO - MAHAYANA MOTHERS OF LIBERATION
Goddesses in the Flower Ornament Scripture
Prajnaparamita: Luminous Mother of Perfect Wisdom
Parnasavari: Healing Goddess Clothed in Leaves
Marici: Lady of Sunrise Splendor
Jariguli: The Buddhist Snake Goddess
Sarasvati: Divine Muse
Vasudhara: Lady Bountiful
Cunda: Saving Grace
Sitatapatra: Invincible Goddess With a Thousand Heads and Hands
Usnisavijaya: Bestower of Long Life and Immortality
Tara: Mahayana Buddha, Universal Savior
PART THREE TANTRIC FEMALE BUDDHAS
Vajrayogini: Her Dance Is Total Freedom
Nairatmya: Her Body Is the Sky
Chinnamunda: Severed-Headed Goddess
Simhamukha: Lion-Faced Female Buddha
Kurukulla: Red Enchantress with Flowered Bow
Note - Full Sanskrit diacritical marks that appear in the actual book are missing in the list above.
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