From Publishers Weekly
William "Buffalo Bill" Cody was the Wild West adventurer par excellence: he served as an army scout in the Civil War, skirmished with American Indians on the Great Plains and killed enough buffalo to help bring them perilously close to extinction. But if that were all he had done, few would remember him today. Buffalo Bill's real genius, historian Kasson (Marble Queens and Captives), a professor of American studies and English at UNC-Chapel Hill, argues in this insightful study, was in how he capitalized on his own history. As a showman who presented a packaged, sanitized representation of the Wild West, Cody anticipated both the Warholian cult of celebrity and the "real-life" melodramas of modern television, Kasson says. And in the process, he codified the archetype of the Western hero that persists to this day. Bill's performances in his traveling Wild West showsAfeaturing "authentic" scenes of Indian life, re-creations of historical events (including the Battle of Little Big Horn) and the thrilling presence of Buffalo Bill himselfAwere, she argues, a triumph of self-promotion and self-definition. As Buffalo Bill constructed a public identity quite apart from his private life, he magnified his role in history: "In Buffalo Bill's Wild West, historical events seemed to become personal memory, and personal memory was reinterpreted as national memory." This book will, of course, appeal to a curious cross-section of Wild West aficionados and scholars of 19th-century mediaAbut because Kasson is a perceptive and skillful writer, it is also well suited to thoughtful general readers who like good, critical histories. With prose that's never too academic, she delivers a fine analysis of an American folk hero who was at once a shameless self-promoter and an important architect of our national myth of the Wild West. 132 b&w illus. (July)
Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Adult/High School-A thoroughly researched, entertaining, personal, and hu-man account of William F. Cody. Buffalo Bill was the consummate showman and frontiersman, equally at home hunting buf-falo on the prairies of Nebraska or performing privately for Queen Victoria at Earl's Court, London. He was, for generations of Americans, the real West and his Wild West Show was its true story. From his public-relations maneuvers, our images of Native Americans, Western landscapes, cowboy roundups, and sharpshooters like Annie Oakley would be born. Through carefully researched diaries, anecdotes, and other historical documents, Kasson demonstrates how Buffalo Bill created the spectacle and examines how his "subtle interweaving of fact, fiction, hype, and audience desire" fed Americans and Europeans starving for a glimpse of the "real" West. A century later, Americans would denounce the show's stereotypes as they became perpetuated in popular culture. Yet, paradoxically, Buffalo Bill and his Wild West Show did preserve some history and memory of the West at the very time it was disappearing to development. The book is enjoyable as both biography and cultural history, and has extensive notes. Liberally illustrated with glossy black-and-white portraits and photographs, as well as reproductions of posters, billboards, and political cartoons, it provides a fascinating study of the man and his time.-Becky Ferrall, Stonewall Jackson High School, Manassas, VA
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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